https://greenvisionstudio.org/blog daily 0.75 2022-11-02 https://greenvisionstudio.org/blog/2022/11/2/dbascx1utcwbsordub2t780f0gkkm2 monthly 0.5 2022-11-02 https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/ccfc45ac-da69-490c-98e7-ef89469ee390/Experiential_States_Diagram.jpg Blog + News - DeKay Awarded Chancellor’s Grant for Faculty Research - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://greenvisionstudio.org/blog/2022/10/31/lecture-conference-forming-feeling-an-integral-approach monthly 0.5 2022-10-31 https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/3d64751b-d461-48b7-982b-7a983c2883f6/unnamed+%284%29.jpg Blog + News - Lecture + Conference: Forming Feeling: an integral approach - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://greenvisionstudio.org/blog/2022/10/31/mark-serves-as-fulbright-specialist-in-venice monthly 0.5 2022-10-31 https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/5b705bfc-b0e7-4645-9944-3021ba65fc40/Fulbright%2BSpecialist.png Blog + News - Mark serves as Fulbright Specialist in Venice - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1d94a267-4af1-4729-89a3-7ba1da6d40f1/unnamed+%281%29.jpg Blog + News - Mark serves as Fulbright Specialist in Venice - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://greenvisionstudio.org/blog/2019/11/29/exhibit-capturing-the-human-experience-in-place monthly 0.5 2019-11-29 https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1575055174161-KLNJEIUS0WKYR4CUKBRR/Exhibit_outside_post.jpg Blog + News - EXHIBIT: Capturing the Human Experience in Place: Exhibit viewed from A&A Atrium. 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https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1490970167016-5A3C6ME1P5LPW31HB2PH/P3_p85_06_S3_GreenwayStudy.png 3) Synergies - p85 Greenway Study North Macadam Greenway Microclimate Study, Portland, Oregon 2000, ESBL https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1490970167022-SB9E2LF8SYOEGO5EW0ZM/P3_p85_07_S3_MicroclimateShaping.png 3) Synergies - p85 Microclimate-Shaping Microclimate-Shaping Scenarios https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1490970167516-8PWUTVXYT6TH6PFAFH9I/P3_p85_08_S3_ClimateSmorgasbord.png 3) Synergies - p85 Climate Smorgasbord Climate Smorgasbord: a variety of shade and wind conditions, using building form, so some space is always comfortable https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1490970167649-Z2KDTZ3G408IXZ91OAJ2/P3_p86_09_S4_matrix.png 3) Synergies - p86 Building Matrix Building Form and Subdivisions Matrix https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1490970167779-OVBH5WR8QIBS8ZQNMGGJ/P3_p87_10_S4_SpatialZoning.png 3) Synergies - p87 Spatial Zoning Spatial Zoning in Section and in Plan https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1490970168666-UA5907E68F4GW8LZN1O4/P3_p87_11_S4_LaneCC.png 3) Synergies - p87 Lane Community College Lane Community College Health and Wellness Building, Eugene, Oregon, 2010, SRG Partnership https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1490970168593-XI5HV6A8LZE2J262WGE6/P3_p89_12_S5_Summer.png 3) Synergies - p89 Deadwood Creek Summer Deadwood Creek Community Center, Deadwood, Oregon, 1980, Equinox Design, Inc. https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1490970169457-4OG2DSV8D65UAMY5D7T0/P3_p89_13_S5_Winter.png 3) Synergies - p89 Deadwood Creek Winter Deadwood Creek Community Center, Deadwood, Oregon, 1980, Equinox Design, Inc. https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1490970169410-C11W2078OWB66ZLDG99C/P3_p91_14_S6_section.png 3) Synergies - p91 Health Sciences Classroom Health Sciences Classroom Complex, Chemeketa Community College, Salem, Oregon, 2011, SRG Partnership, architects https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1490970169828-5Y67IP7V6ZJA6PMPF4S6/P3_p91_15_S6_MultivalentTable.png 3) Synergies - p91 Multivalent Table Multivalent Elements Table https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1490970170193-0YPXN9YGKGRFJM9P6PV7/P3_p92_16_S7_Lillis.png 3) Synergies - p92 Lillis Business Complex Lillie Business Complex, University of Oregon, Eugene, Oregon, 2003, SRG Partnership https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1490970176714-WC7FAFSH2D0F8YJ5N6YJ/P3_p93_17_S7_MountAngelPlan.png 3) Synergies - p93 Mount Angel Plan Mount Angel Abbey Annunciation Academic Center, SRG Partnership (2006) https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1490970170428-90W0PUUTTA10S8GZLHOZ/P3_p93_18_S7_MountAngelSection.png 3) Synergies - p93 Mount Angel Systems Mount Angel Abbey Annunciation Academic Center, SRG Partnership (2006) https://greenvisionstudio.org/high-performanc-buildings-swl daily 0.75 2017-05-02 https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1493390315678-8OISU7LUBZQ7PEV3730G/P7_p252_1_2030Targets.png 7) High Performance Buildings - p252 2030 Targets The 2030 Challenge Targets Architecture 2030 (2011). The 2030 Challenge allows up to 20% of the overall energy reduction to come from off-site renewable energy. The 'carbon-neutral' target uses no fossil fuel/GHG-emitting energy to operate. https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1493390316125-QLJBKUBNBMTKYERQ1DBU/P7_p253_02_WallSection.png 7) High Performance Buildings - p253 Pill-Maraham House Detail Wall Section, Pill-Maraham House, Charlotte, VT, 2007, Pill-Maraham, architects https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1493390316811-7N8F0015DR66IX0F9Y1Q/P7_p254_03_EPATargetFinder.png 7) High Performance Buildings - p254 EPA Target Finder Page 1 EPA Target Finder Input Screen (EPA, 2012) https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1493390317205-ESIJAWJWR6ILY53A58HO/P7_p255_04_EUITargetsUSACommercial.png 7) High Performance Buildings - p255 EUI Targets, USA Commercial Energy Use Intensity (EUI) Targets, USA Commercial Buildings, National Averages, kBtu/ft^2yr Use for occupancy types not in Target Finder or in "Energy Use Intensity (EUI) Targets, by Building Type and Climate Zone" https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1493390317668-G5ALWKCCNU20AKRYZSQR/P7_p256_05_EUITargetsBldgType01.png 7) High Performance Buildings - p256 EUI Targets, by Building Type Part 1 Energy Use Intensity (EUI) Targets, by Building Type and Climate Zone, kBtu/ft^2 yr na = not available in EPA Target Finder https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1493390317744-BBWPH633O9I0W8UGGUVU/P7_p258_06_EUITargets_CanadaCommercial.png 7) High Performance Buildings - p258 EUI Targets, Canadian Commercial Energy Use Intensity (EUI) Targets, Canadian Commercial Buildings, Provincial Averages, kWh/m^2/yr https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1493390317786-Y224ASYSGGLLZ8W2FCSC/P7_p259_07_CommSpaceCanada_siteEUI.png 7) High Performance Buildings - p259 Commercial Space Canada https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1493390318107-PP3RGI9ZTO7DAOX1GZBR/P7_p260_08_USCensusRegions_EUI.png 7) High Performance Buildings - p260 US Census Regions Use for EUI Residential Regional Targets https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1493390318110-W3NHCP422V9QKO3FFK5Q/P7_p260_09_EUITargetsUSAResidential.png 7) High Performance Buildings - p260 EUI Targets, USA Residential Energy Use Intensity (EUI) Targets, USA Residential Buildings, Regional Averages, kBtu/fr^2 yr https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1493390318612-VA2DRIEDGNBGH3C1L8LN/P7_p261_10_EUITargets_CanadaResidential.png 7) High Performance Buildings - p261 EUI Targets, Canada Residential Energy Use Intensity (EUI) Targets, Canadian Residential Buildings, Provincial Averages, kWh/m^2/yr https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1493390318615-ZPOPN4Z8P3UZ8X0F41ZT/P7_p262_11_HeatLossGraph.png 7) High Performance Buildings - p262 Heat Loss Rate Graph from SWL Tools Spreadsheet https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1493760458056-4LAQIC5AUCAGU0KLKEBC/P7_p263_12_NREL_section+copy.png 7) High Performance Buildings - p263 NREL Research Facility Section NREL Research Support Facility, National Renewable Energy Laboratory, Golden, Colorado, 2010, RNL, architects https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1493390320149-JEVAUEMIGSKLK0P4FEY2/P7_p264_13_AnnualLoads.png 7) High Performance Buildings - p264 Annual Loads Annual Heating and Cooling Loads Before Savings from Passive Design from SWL Tools Spreadsheet https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1493390320022-NKKP75WMCJZ51MNM59CK/P7_p265_14_AnnualSpaceHeating.png 7) High Performance Buildings - p265 Annual Space Heating & Cooling Annual Space Heating and Cooling energy with Savings from Passive Design from SWL Tools Spreadsheet https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1493390320311-YONH3RHAZODLDR79K2VU/P7_p266_15_HeatGainsElement.png 7) High Performance Buildings - p266 Heat Gains by Element Heat Gains by Element graph from SWL Tools Spreadsheet https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1493390320899-2G04T7X123PDH061MKMN/P7_p267_16_HeatingCoolingPassive.png 7) High Performance Buildings - p267 Heating & Cooling Loads, Passive Heating & Cooling Loads with Passive Strategies from SWL Tools Spreadsheet https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1493390321067-VN74GNQYBHEFNGHFIPLT/P7_p268_17_CoolingLoadsPassive.png 7) High Performance Buildings - p268 Cooling Loads, Passive Cooling Loads with Passive Cooling from SWL Tools spreadsheet https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1493390321419-0ZATAQTH8VWMZJKGH50I/P7_p270_18_PVSizing.png 7) High Performance Buildings - p270 PV Sizing for Net Zero from SWL Tools Spreadsheet https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1493390321743-L1J0KHWWXBCVV5AL61MM/P7_p271_19_HawaiiGatewaySection.png 7) High Performance Buildings - p271 Hawaii Gateway Section Hawaii Gateway Energy Center, Kailua-Kona, Hawaii, 2005, Ferraro Choi & Assoc. https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1493390322156-LKE8JRD0T16MJKJ3JCMP/P7_p272_20_NetZeroPVSizing.png 7) High Performance Buildings - p272 Net Zero and PV Sizing Net-Zero and PV Sizing, excerpt from SWL Tools spreadsheet https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1493390322245-EQTA3UQNJN2DOAL3CK0P/P7_p273_21_MultipliersGas.png 7) High Performance Buildings - p272 Multipliers for Gas Appliances https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1493390322557-EXP88PM4AG8QAVSPQGEF/P7_p274_22_SizingNomographs.png 7) High Performance Buildings - p274 Sizing Nomographs Sizing Nomographs from Photovoltaic Walls & Roofs Strategy https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1493390322760-MM6HEK4ERU92V68RP2YT/P7_p276_23_SiteEUI.png 7) High Performance Buildings - p276 Site EUI Site EUI and On-Site Renewables for Analysis Building Compared to Architecture 2030 Targets from SWL Tools Spreadsheet https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1493390323396-4N1JDM8P2IZ6UYR080YS/P7_p277_24_NuevaSchoolSection.png 7) High Performance Buildings - p277 Nueva School Section Nueva School, Hillsboro, California, 2007, Leddy Maytum Stacy Architects https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1493390323227-M71FU6UED47CPUL69GSL/P7_p278_25_NuevaSchoolEnergyConsumption.png 7) High Performance Buildings - p278 Nueva School Energy Consumption Nueva School, Annual Energy Consumption and Production Data https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1493390323662-5YHZOKZQDQIGY64ZVYG8/P7_p278_26_NewSiteEUI.png 7) High Performance Buildings - p278 New Site EUI New Site EUI with PV and Off-Site Renewables for analysis building compared to EUI for different performance targets; from SWL Tools Spreadsheet https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1493390324853-7N4SF8F6F3DRZNUZA8AQ/P7_p279_27_BuildingEnergyLoads.png 7) High Performance Buildings - p279 Building Energy Loads Building Energy Loads and Supplies, from SWL Tools Spreadsheet https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1493390323862-PHS21YNPJIH2UOM8LT97/P7_p280_28_SampleCO2Emissions.png 7) High Performance Buildings - p280 Sample CO2e Emissions Sample CO2e Emissions Factors Canada values from NRC Canada, 20XX; wood from EPA, 2004; other values from ASHRAE, 2009 https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1493390324183-NV17167V8N0WV5MQMT8R/P7_p281_29_CUITargetsUSACommercial.png 7) High Performance Buildings - p281 CUI Targets, USA Commercial Carbon Use Intensity (CUI) Targets, USA Commercial Buildings, National Averages, CO2e lbs/ft^2 yr https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1493390324730-IHM2X9H4ADZ9U5WOKLFD/P7_p282_30_CUITargetsBldgType01.png 7) High Performance Buildings - p282 CUI Targets, USA Commercial Type 1 Carbon Use Intensity (CUI) Targets, USA Commercial Buildings, by Building Type and Climate Zone, CO2e lbs/ft^2 yr na = not available in EPA Target Finder https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1493390325405-4YZICLFMGJ10GU1IQGL1/P7_p283_31_CUITargetsBldgType02.png 7) High Performance Buildings - p283 CUI Targets, USA Commercial Type 2 Carbon Use Intensity (CUI) Targets, USA Commercial Buildings, by Building Type and Climate Zone, CO2e lbs/ft^2 yr na = not available in EPA Target Finder https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1493390325493-LYU61FMFBNTNGAPY27SR/P7_p283_32_CUITargetsCanadaCommercial.png 7) High Performance Buildings - p283 CUI Targets, Canadian Commercial Carbon Use Intensity (CUI) Targets, Canadian Commercial Buildings, Provincial Averages, kg CO2e/m^2, yr https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1493390325715-L4VKZW4PJIV3OKQ0MX0J/P7_p285_33_CommSpaceCanadaSiteCUI.png 7) High Performance Buildings - p285 Commercial Space, Canada https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1493390325941-OQJBJ5J79XF46KTNUCCN/P7_p286_34_USCensusRegionsCUI.png 7) High Performance Buildings - p286 US Census Regions CUI Use for CUI US Residential Regional Targets https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1493390326077-88N7SYFKDUUZI0FJ5DVR/P7_p286_35_CUITargetsUSAResidential.png 7) High Performance Buildings - p286 CUI Targets, USA Residential Carbon Use Intensity (CUI) Targets, U.S. Residential Buildings, Regional Averages, CO2e lbs/ft^2 yr https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1493390326556-3RTHXJVKDG80S2RQ14CB/P7_p287_36_CUITargetsCanadaResidential.png 7) High Performance Buildings - p287 CUI Targets, Canadian Residential Carbon Use Intensity (CUI) Targets, Canadian Residential Buildings, Provincial Averages, kg CO2e/m^2, yr https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1493390326746-UW28SS1VOUA2TXFULZB1/P7_p288_37_GridConnections.png 7) High Performance Buildings - p288 Grid Interconnection Regions Electrical Grid Interconnection Regions https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1493390327431-NVVLQAMUCTUDTSRIHS42/P7_p289_38_EmmisionsFactorsUSA.png 7) High Performance Buildings - p289 Emissions Factors by Fuel, USA Emissions Factors by Fuel, USA based on ASHRAE, 2009; Tercellini, P. and S. Deru (2007) https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1493390327471-3WINDPLXZQ3DKDVG3VKW/P7_p289_39_EmmisionsFactorsCanada.png 7) High Performance Buildings - p289 Emissions Factors, Canada Emissions Factors by Fuel, Canada based on Environment Canada (2010) and NRC (2008) https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1493390328448-E9KI300AESXX92ZGTOMQ/P7_p290_40_NewSiteCUI.png 7) High Performance Buildings - p290 Net Site CUI Net Site CUI with PV and Off-Site Renewables for analysis building compared to CUI for different performance targets; from SWL Tools Spreadsheet https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1493390328886-F4PVV4RDRMKHUTRNOVRI/P7_p291_41_EmissionsTargets%26CUICalculations.png 7) High Performance Buildings - p291 Emissions Targets & CUI Calculations Emissions Targets and CUI Calculations, excerpt from SWL Tools Spreadsheet https://greenvisionstudio.org/sun-wind-light-1 daily 0.75 2018-08-15 https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1490968932357-0B6W2JUGZUIPXXF2M7ZQ/SWL_cover_image.jpg Sun, Wind & Light Home https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1533314747729-JFQ4GHMQPXJP47Y1UZCR/routledge_500x122.jpg Sun, Wind & Light Home Publisher https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1490987292645-07T3PQ7TVLCA3QQKLHRY/google-play-logo180.png Sun, Wind & Light Home Buy e-Book https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1490991970300-Y0V09WUYFXSS6SNQ9FHD/image-asset.png Sun, Wind & Light Home The Big Gorilla https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1533315001114-XYMBUARKX193QEM59LFK/ebooks-com-logo-180.png Sun, Wind & Light Home eBooks.com https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1490985896412-XEHSVZ9QIIA4JAU2F7EO/ABE_Books_DES_06_Logo_180.jpg Sun, Wind & Light Home Independents https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1490978784214-C0LT88PP4JL98A2NMP10/SWL_cover_image.jpg Sun, Wind & Light Home https://greenvisionstudio.org/publications-1 daily 0.75 2022-11-02 https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1533663836060-Z5S0NQ8JBF6OUC2SNQGB/001.jpg Publications AN INTEGRAL SUSTAINABLE DESIGN APPROACH TO HUMAN INHABITATION OF ARCHITECTURAL SPACES: Theory and Project Design https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1533671573131-SXKR7VN49WGISDY160J2/Screen+Shot+2018-08-07+at+3.51.30+PM.png Publications https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1575053800485-YHIZDVQOQLBBMFVQLOMN/DynamicMicro_Thumb.jpg Publications DYNAMIC MICROCLIMATE MODELLING FOR URBAN CHINA: Assessing Pedestrian Comfort, Air Quality and Building Ventilation Potential https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1533669455225-JINVGS5HWGH2R3WY4VC6/008.jpg Publications URBAN WIND PATTERNS IN HIGH-RISE RESIDENTIAL SUPER-BLOCKS: Assessing Pedestrian Comfort, Air Quality and Building Ventilation Potential https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1533670501921-ORJBJ0ELGV3BUIDIA7BC/009.jpg Publications IN THE BEGINNING WERE BUILDINGS: The Radical Idea of Learning Architecture by Designing It https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1533665823732-LEV3XLZOEGFAZM0911CQ/006.jpg Publications THE CARBON BALANCE INDEX: A Simple Metric for Progress Toward Zero-Net Carbon https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1533669191832-6EXP92136XGYR07NAOS8/007.jpg Publications THE ENERGY BALANCE INDEX: Extending the 2030 Targets to Plus-Energy Buildings https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1533664630359-BB47VMMXCBYF22EGOGFQ/003.jpg Publications THE INTEGRAL LENS: Exploring a Multi-Perspectival Approach to Architectural Photography https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1533589156795-E0A1RM88L2YJWBGJJXKZ/ResearchGate_logo.png Publications researchgate.net profile https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1575053135603-91CBOW52EFCCAIITUXJP/ASR_thumb.jpg Publications ARCHITECTURAL, INDOOR ENVIRONMENTAL, PERSONAL and CULTURAL INFLUENCES on students’ selection of a preferred place to study https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1533664912580-H996DQWMCIFAFDU8RUBO/005.jpg Publications FOREWORD to book, Integral Lens, vol 1 https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1666626774268-E3HABHRFIHH6HUN8BMX8/Design%2Bvocabulary%2Band%2Bschemas%2Bfor%2Bbiophilic%2Bexperiences%2Bin%2Bcold%2Bclimate%2Bschools_Page_07.jpg Publications - Design for biophilic experiences in cold climate schools https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1666626918436-F72KFX3FYV6EGXYUY36L/STUDY_ON_URBAN_WIND_PATTERNS_FOR_DEVELOP_Page_05.jpg Publications - URBAN WIND PATTERNS IN WUHAN, CHINA https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1666627120224-ES02E5CFTOZIG3ZB6OZJ/BOOK_INTRODUCTION_The_Made_Order_and_the_Page_01.jpg Publications - The Made Order and the Given Order, Unfolding https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1666627165288-OXC2WX66K8KJSP1XRXSE/PROSPETTIVE_SU_TERRITORI_INTEGRALI_Persp_Page_01.jpg Publications - Perspectives on Integral Territories https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1666627325247-FXCQKVSFGCGQ7RNZG5EY/INTEGRAL_LENS_Digital_Exhibit_Page_15.jpg Publications - INTEGRAL LENS: Digital Exhibit https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1666629816588-9C0VU8G1FU68EUGFWC29/COMMUNICATING_THE_CLIMATE_CRISIS_BY_DESI_Page_08.jpg Publications - COMMUNICATING THE CLIMATE CRISIS BY DESIGN https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1666629941286-VEX81ZEPT8XBF6R2MOZN/REGIONAL_URBAN_EXPRESSION_VIA_CLIMATE_RE_Page_09.jpg Publications - REGIONAL URBAN EXPRESSION VIA CLIMATE-RESPONSIVE DESIGN https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1666630182408-SISF3UAKBLV6W3XINY1F/ARCHITECTURAL_INDOOR_ENVIRONMENTAL_PERSO_Page_07.jpg Publications - INFLUENCES ON STUDENTS' SELECTION OF A PREFERRED PLACE TO STUDY https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1533589025736-A1FJCAPSHHRDCIQR8R02/academia-A.png Publications academia.edu profile https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1533653560951-VQ8438ODLV5GP88KML9B/Google+Scholars+Logo+SQ.jpg Publications google scholars profile https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1533663855301-O26C44X7G36AZ7D69N17/002.jpg Publications DESIGNING RELATIONSHIPS TO NATURE: Five Narratives to Solve the Climate Crisis by Design https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1533664815940-F02YGKS26CNLZY8LJ2PR/004.jpg Publications EXPLORING NEW TERRAINS The Next Design School https://greenvisionstudio.org/0-front-matter daily 0.75 2018-08-03 https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1490128783240-J21D5M28O4HSYN9OBCBT/P0_p2_01_energy_sector.png 0) Front Matter - p2 Energy by Sector U.S. Energy Consumption by Sector https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1490129313637-EBPIJSLUK3AK4CWHTE90/P0_p2_02_elec_sector.png 0) Front Matter - p2 Electricity by Sector U.S. Electricity Consumption by Sector https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1490129306690-8TJ3AAW889RR93YLFW9E/P0_p2_CO2_sector.png 0) Front Matter - p2 C02 by Sector U.S. CO2 Emissions by Sector https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1490130648169-Y8Z8X0MM7P2HUPWS1V3I/P0_p3_04_CO2_sector_graph.png 0) Front Matter - p3 Building Sector CO2 U.S. Building Sector CO2 Emissions https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1490129309173-ILOGQOOZHWKV5UCQZGYE/P0_p3_05_energy_piechart.png 0) Front Matter - p3 Energy Pie Chart Building Energy Consumption by Fuel Type, 2010 https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1490130665809-ZHJWY3CIRNVIL574VM1R/P0_p4_06_worldenergy_production.png 0) Front Matter - p4 World Energy Production World Energy Production, 1970-2100 https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1490129309333-FYHN0582L1QVVIIBHF1N/P0_p5_07_netzero_heiracrchy.png 0) Front Matter - p5 Net Zero Hierarchy Hierarchy of Strategies for Net-Zero Building Design https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1490129309525-5IKLCTQNFXTTHY9WGQ74/P0_p13_08_frontloaded+copy.png 0) Front Matter - p13 Front Loaded Front Loaded Sustainable Design https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1490129310449-C45YUTWIBF0EXUYCKF8P/P0_p16_09_knowledgestructure.png 0) Front Matter - p16 Knowledge Structure Elements of the SWL Knowledge Structure https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1490129310887-ZIKDV7TJ4TEUDPK7XZDU/P0_p18_10_strat_anatomy.png 0) Front Matter - p18 Strategy Anatomy Anatomy of a Sun, Wind & Light Design Strategy https://greenvisionstudio.org/navigation-swl-1 daily 0.75 2017-04-04 https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1491337364229-DCPM081JDCAS6PQDAAMN/P2_p54_01_climate_use_decision.png 2) Using SWL - p54 Climate Use Decision Influence of Climate, Use and Design https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1491337363426-UL3E3GK0KVKZCDYDSLEF/P2_p55_02_loadreductions.png 2) Using SWL - p55 Load Reductions Load Reductions Minimize Energy Produced https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1491337363740-U8XN0IE1LGYK4178BQBL/P2_p56_03_integrated.png 2) Using SWL - p56 IDP Integrated Design Process https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1491337364147-3JAA1PWS6BX6DHCOLP4T/P2_p60_04_designdecisionchart.png 2) Using SWL - p60 Design Decision Chart Design Decision Chart Overview Diagram https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1491337365120-9LJDAZDE15AEZ986WPFZ/P2_p62_05_S2_occupantbehavior.png 2) Using SWL - p62 Occupant Behavior https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1491337364914-94AH0X92DH7P2G1OU9DF/P2_p62_06_1.png 2) Using SWL - p62 Resources View Climate as a Resource for Load Reduction and Power Generation https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1491340987192-3FXX0CARI3IFRUCECGC2/P2_p62_07_2.png 2) Using SWL - p62 Energy-Conscious Occupant Behaviors https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1491337365545-URDYBPLOZAP6K62PK8CF/P2_p63_08_icons_climate.png 2) Using SWL - p63 Climate Icons https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1491337365464-LSYIDR5PUTSD84KZT0WF/P2_p63_09_icons_use.png 2) Using SWL - p63 Climate Icons Use https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1491337366916-FKSXGJRHIXW8LPKMXXM2/P2_p64_10_S3.png 2) Using SWL - p64 Building and Site Design https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1491337366036-02BBB8FRL4BT4F9A91WJ/P2_p64_11_3a3b.png 2) Using SWL - p64 Resource Rich Environments Form and Organize Buildings and Open Spaces to Create Resource Rich Environments that Provide Livable Outdoor Space to Site Resources https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1491337366902-1DFCIE5QFWBJ1FOZC86F/P2_p65_12_icons.png 2) Using SWL - p65 Neighborhood Icons https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1491337367552-ZF5WAB4NBA7KM6GMKKE0/P2_p65_13_icons.png 2) Using SWL - p65 Building Icons https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1491337368426-MYPWHRGUPLWMUNCI02GB/P2_p66_14_S4.png 2) Using SWL - p66 Spatial Zoning Integrating Climate and Use Variables Yields Opportunities for Spatial Zoning According to "Best Fit" Passive Design Strategies https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1491337368095-JUXYAYNR4Z8EXV1VREHN/P2_p66_15_4a4b4c.png 2) Using SWL - p66 Spatial Zoning https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1491337369221-GV796GXB8WVY0DYQ3W4T/P2_p67_16_icons.png 2) Using SWL - p67 Building and Site Design https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1491337370049-NTAM38CRMWDR2S4LJM1U/P2_p68_17_S5.png 2) Using SWL - p68 Thermal Storage https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1491337369826-ITTIZVRUUIRQUWBBFJHE/P2_p68_18_5a5b.png 2) Using SWL - p68 Thermal Storage and Envelope https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1491337370135-SALMGP9TRT41QAQ4TK9V/P2_p68_19_6.png 2) Using SWL - p68 Apertures https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1491337370485-R8FFKVQQB7DFDTNWVCLI/P2_p69_20_icons.png 2) Using SWL - p69 Icons https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1491337370832-AHDTM35H3V6YWAQU9ASR/P2_p69_21_icons.png 2) Using SWL - p69 Envelope Systems https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1491337371391-U0I3VSWIZJ3EQ7VLGKLH/P2_p70_22_S7.png 2) Using SWL - p70 Active Tailored System https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1491337371516-WM24IQPK69JCV94UFBW3/P2_p70_23_7a7b7c.png 2) Using SWL - p70 Active Tailored System https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1491337371936-ISRH3A3M9PL2TDSHRDNP/P2_p71_24_icons.png 2) Using SWL - p71 Icons https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1491337372101-Q34FZSXS4OH3O7ZUY9E4/P2_p72_25_LanePlan.png 2) Using SWL - p72 Lane Community College Plan Lane Community College Downtown Campus, Eugene, Oregon, 2012 Robertson Sherwood and SRG Partnership, architects https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1491337374771-GHV3AK27QA4OVF9S2S2E/P2_p73_26_LanePerspective.png 2) Using SWL - p73 Lane Perspective Lane Community College Downtown Campus https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1491337373471-2AIE03R98EWPLBDC7JU8/P2_p74_27_LaneSection.png 2) Using SWL - p74 Lane Section Lane Community College Downtown Campus https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1491337374090-E6QNA430GSMHD4IBM3XQ/P2_p76_28_SynergiesDiagram.png 2) Using SWL - p76 Synergies Diagram Synergies and the Elements of Integrated Design https://greenvisionstudio.org/4-bundles daily 0.75 2017-03-31 https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1490733176307-5KTF95JFZB5MYWIUW0JH/P4_p98_01_BundleStructure+copy.png 4) Bundles - p98 Bundle Structure The Structure of a Bundle https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1490733176767-D65EMPSKRO0CUEM3RZ7B/P4_p99_02_PassiveSolar_thick.png 4) Bundles - p99 Passive Solar Building Passive Solar Building: Thick Plan Bundle https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1490733176830-YIJSO0YM7UCEWPQ4KLXE/P4_p104_03_Daylight_thin+copy.png 4) Bundles - p104 Daylight Building Daylight Building: Thin Plan Bundle https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1490733176947-YP73CT5KHJ9KTQ28TI9B/P4_p106_04_BundleForm.png 4) Bundles - p106 Bundle Diagram Form Bundle Diagram Form https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1490733178280-MV68S4AHCQUE6T993O7G/P4_p111_05_DaylightDevelopmentAxon.png 4) Bundles - p111 Hypothetical Daylight Development Hypothetical Daylight Development in Chattanooga, Tennessee https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1490733177393-EQJWPAT9887U0UTDLTKJ/P4_p112_06_DaylightDevelopmentSection.png 4) Bundles - p112 Hypothetical Daylight Development Section Hypothetical Daylight Development in Chattanooga, Tennessee https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1490733177913-098JBH10F0LXP3SZL3DE/P4_p113_07_HoodofLight_Hot.png 4) Bundles - p113 Neighborhood of Light Neighborhood of Light: Hot Climate Bundle https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1490733178434-830OEM4DXU0UJW82DLZG/P4_p114_08_HoodofLight_Cold.png 4) Bundles - p114 Neighborhood of Light Neighborhood of Light: Cold Climate Bundle https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1490733180018-RHX5GKPJDM4R19K5YB1N/P4_p115_09_Nottingham01.png 4) Bundles - p115 Nottingham City Center Nottingham City Center Analyzes: Sky View Factor mapping (left) and Passive Zones (right) https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1490733180559-HQ3IZGEXLNDC7ZV7AOLL/P4_p116_10_Nottingham02.png 4) Bundles - p116 Nottingham City Center Anl Nottingham City Center Analyzes: Sky View Factor mapping (left) and Passive Zones (right) https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1490733180470-90H4E471RI21V56C74RY/P4_p119_11_SolarIntercept.png 4) Bundles - p119 Solar Intercept Factor vs Sky View Factor Solar Intercept Factor vs. Sky View Factor for Building Groups https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1490733181032-ULJ6IEZIJM5TK7YGR1DR/P4_p120_12_CoolingHood_HotHumid.png 4) Bundles - p120 Cooling Neighborhood Cooling Neighborhood: Hot-Humid Climate Bundle https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1490733181237-1A3C0SUVG8KERBSGZK6X/P4_p121_13_MtPeter.png 4) Bundles - p121 Mount Peter Tropical Urbanism Mount Peter Tropical Urbanism, Cairns, Queensland, Australia, DPZ Pacific and Seth Harry Associates https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1490733181638-3BV4PGSV4L4ASBXAZM6C/P4_p122_15_NightFlow.png 4) Bundles - p122 Night Flow Night Flow from Green Slopes Cools Downtown https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1490733185521-ECUFM972XK4CAWPNJQL3/P4_p122_16_DowntownCooling.png 4) Bundles - p122 Downtown Cooling Downtown Cooling Plan for Chattanooga, TN, GreenVision Studio, 2006 https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1490733182671-36RJ96YVBBNEFUO1EO7B/P4_p123_17_HoodCluster.png 4) Bundles - p123 Neighborhood Cluster Neighborhood Cluster, Hashtgerd New Town https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1490899942700-KLVYJY5TKSW9LEUWCTET/P4_p124_18_CoolingHood_HotArid.png 4) Bundles - p124 Cooling Neighborhood Cooling Neighborhood: Hot-Arid Climate Bundle https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1490899942865-7DDLPX71OZSQ1L36GUX5/P4_p125_19_Hashtgerd_SitePlan.png 4) Bundles - p125 Hashtgerd New Town, Iran Site Plan, Hashtgerd New Town, Iran, Young Cities Project, 2011 https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1490899943742-L2D5VULLBRVVVPRJY7AX/P4_p126_20_CoolEffectBuiltForm.png 4) Bundles - p126 Cooling Effects Cooling Effects From Built Form https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1490733183285-X6ZC4GWB6HKBFOGOLCE2/P4_p127_21_CoolEffectTreesColonnades.png 4) Bundles - p127 Cooling Effects From Trees and Colonnades Cooling Effects From Trees and Colonnades envelope ratio+ ground area / (ground area + wall area) https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1490733183978-RGHYZ0QIP5MLLKFCJYNX/P4_p128_22_ProstasHouse.png 4) Bundles - p128 Reconstruction of a Prostos House Reconstruction of a Prostos House, Priene, Turkey, 4th c. BC https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1490733184578-9QDGSJSBMACUODVYX8UP/P4_p129_23_SolarHood_LowDensity.png 4) Bundles - p129 Solar Neighborhood Solar Neighborhood: Low Density Fabric Bundle https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1490733185747-QH0WFY3K1EJ2K44N8ZY4/P4_p131_24_Geos.png 4) Bundles - p131 Geos Net-Zero Neighborhood Geos Net-Zero Energy Mixed-Use Neighborhood, Arvada, Colorado, 2006, Michael Tavel Architects and David Kahn Studio https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1490733186147-Q35ERZSGPULNTMEYE0FJ/P4_p132_25_StaggeredArrangements.png 4) Bundles - p132 Staggered Arrangements for Solar Access Staggered Arrangements for Solar Access to Geos Neighborhood https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1490733186356-C8LOSDYRNVJKUCIRFMQK/P4_p133_26_SolarHood_HighDensity.png 4) Bundles - p133 Solar Neighborhood Solar Neighborhood: High Density Fabric Bundle https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1490733186890-8TWD77ELSLI4MTYKLFYG/P4_p134_27_SumersetParkside_Plan.png 4) Bundles - p134 Sumerset Parkside Housing Superset Parkside Housing, Sacramento, California, 1984, Van der Rin, Calthorpe & Matthews https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1490733186808-1RG1F6AWF1S3EIAEDZ8G/P4_p135_28_SumersetParkside_persp.png 4) Bundles - p135 Sumerset Parkside Housing Sumerset Parkside Housing, Sacramento, California, 1984, Van der Ryan, Calthorpe & Maathew https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1490733187073-MBHB5M8DK9W9FIKXYKTY/P4_p135_29_Studies.png 4) Bundles - p135 Studies of Housing Form Studies of Housing Form and Density for Solar Access https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1490733187441-OAEXWCE4DWKTUWGLC9UJ/P4_p136_30_Height+vs+Density.png 4) Bundles - p136 Building Height vs. Density Building Height vs. Density for Solar Access https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1490733187519-CLS4T7WP85Q684U5SWG4/P4_p137_31_SolarCollectionGraph.png 4) Bundles - p137 Solar Collection Surface Area Solar Collection Surface Area & Building Height https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1490733188155-3JWFHWJB1WCWR27GICHC/P4_p139_32_RecommendedPatterns.png 4) Bundles - p139 Neighborhood Patterns Some Recommended Neighborhood Patterns in Different Climates https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1490733188538-EVY3GQERC84YYLOXHFMM/P4_p141_34_SummerSolsticeShadows.png 4) Bundles - p139 Summer Solstice Shadows Summer Solstice Shadows as a Function of Street Orientation https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1490733188102-9VBZP7BBWNXEIZN5PIKG/P4_p140_33_StreetOrientation.png 4) Bundles - p140 Street Orientation and Layout Street Orientation and Layout by Climatic Priority https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1490733188821-QHYFCC56RI26B8FE47TU/P4_p142_35_IntUrban_Hot.png 4) Bundles - p142 Integrated Urban Pattern Integrated Urban Pattern: Hot-Climate Bundle https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1490733191982-N5MWNDY9ZP0NYR9RADRT/P4_p143_36_ShadedAlley.png 4) Bundles - p143 Shaded Pedestrian Alley Shaded Pedestrian Alley, Neve-Zin Neighborhood: Shared Shade and Overhead https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1490733189614-S44UOV8T43E9EBGY0B7Q/P4_p144_37_NeveZin.png 4) Bundles - p144 Neve-Zin Neighborhood Neve-Zin Neighborhood, Sde-Boger, Israel, architects: Desert Architecture Unit, J. Blaustein Institute for Desert Research, Ben Gurion https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1490733190084-7P2Y0UPZYF0VBD9T50GG/P4_p145_38b_SolarAccess.png 4) Bundles - p145 Solar Access Protection Solar Access Protection, Neve-Zin Neighborhood, Sde-Boger, Israel https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1490733190673-MGGDLGNI9ZHCVG3E2HKG/P4_p146_38_IntUrban_Cold.png 4) Bundles - p146 Integrated Urban Pattern Integrated Urban Pattern: Cold-Climate Bundle https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1490733191432-U5GDJYAYHQL3E8WGUXI3/P4_p148_39_ParliamentInterior.png 4) Bundles - p148 Parliament Building Office Office, National Parliament Building of Liechtenstein, 2010, Hansjorg Goritz Architekturstudio https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1490733192407-70SFYL7GCIJFI0TQTPU6/P4_p149_40_DaylightPlanning+copy.png 4) Bundles - p149 Daylight Planning Strategies Daylight Planning Strategies and Building Form https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1490733192681-C473L2NOWF8XR4QVE7GB/P4_p150_41_DaylightBldg_Thin.png 4) Bundles - p150 Daylight Building Daylight Building: Thin Plan Building https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1490733194560-C0LAMQGU1GYWIRU6ATIE/P4_p152_42_ParliamentPlan.png 4) Bundles - p152 Parliament Building Plan Level 1 Plan, National Parliament Building of Liechtenstein, 2010, Hansjorg Goritz Architekturstudio https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1490733193542-G6TFS92V1A926809A8CZ/P4_p153_43_DaylightBldg_Thick.png 4) Bundles - p153 Daylight Building Daylight Building: Thick Plan Bundle https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1490733196111-0YOLXHESCMC9RBEGAEF5/P4_p154_44_BagsvaerdPersp.png 4) Bundles - p154 Bagsvaerd Church Bagsvaerd Church, near Copenhagen, Denmark, 1976, Jorn Utzon, architect https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1490733196128-J3OPM15OHIK64YNDH6J1/P4_p155_45_BagsvaerdOrtho.png 4) Bundles - p155 Bagsvaerd Church Section and Plan Bagsvaerd Church Section and Plan, near Copenhagen, Denmark, 1976 Jorn Utzon, architect https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1490733197653-8MI2H5QOWAQKVRZUA79M/P4_p157_46_PassiveCool_HotHumid.png 4) Bundles - p157 Passively Cooled Building Passively Cooled Building: Hot-Humid Climate Bundle https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1490733197614-Q9M3RE4X29APPT2YSL38/P4_p158_48_ClimateCriteria.png 4) Bundles - p158 Climate Criteria Climate Criteria for Cooling Strategies https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1490733197873-PZEVCTB2VX46A11UP4YA/P4_p161_49_VentWallandRoof.png 4) Bundles - p161 Vented Wall and Roof Vented Wall and Roof System, Palmetto House https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1490733198738-55X4F542OIJBA13967YX/P4_p162_50_Palmetto_section.png 4) Bundles - p162 Palmetto House Palmetto House, Redland, Florida, 1989, Jersey Devil Design/Build https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1490733200439-C3JRKIVKX7VTRWUTUOLT/P4_p162_51_Palmetto_exterior.png 4) Bundles - p162 Palmetto House Palmetto House, Redland, Florida, 1989, Jersey Devil Design/Build https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1490733199934-U25OD78UAX9VPXMWAQB5/P4_p163_52_PassiveCoolBldg_bundle.png 4) Bundles - p163 Passively Cooled Building Passively Cooled Building: Hot-Arid Climate Bundle https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1490733200561-WLOWLV6XPK6GA42THK8N/P4_p164_53_ExpOfficeBldg_diagrams.png 4) Bundles - p164 Experimental Office Building Experimental Office Building, Catania, Sicily, Mario Cucinella Architects (MCA), 1998 https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1490733201463-63DGU4NC8JIJ0H74K4A8/P4_p165_54_ExpOfficeBldg_section_downdraft.png 4) Bundles - p165 Experimental Office Building Downdraft Evaporative Cooling Towers, Experimental Office Building, Catania, Sicily, Mario Cucinella Architects (MCA), 1998 https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1490733201799-YNHWAY0O76NE9Q05G5Q8/P4_p167_55_SolarHeatingSystems.png 4) Bundles - p167 Solar Heating Systems Characteristics of Different Solar Heating Systems https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1490733202511-ID4NCWDBWFY8QB2SFPR8/P4_p168_56_CombiningCollection.png 4) Bundles - p168 Combining Collection Combining Collection, Storage, and Distribution to Create Solar Heating https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1490733203430-NXQCO6TUQL1CUWIUNLE8/P4_p170_57_PassiveSolar_Thin.png 4) Bundles - p170 Passive Solar Building Passive Solar Building: Thin Plan Bundle https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1490733203566-IPATJ9TBQN40SD647RPE/P4_p171_58_ShellyRidge_Plan.png 4) Bundles - p171 Shelly Ridge Plan Shelly Ridge Girl Scout Center, Miquan, PA, 1984, Bohlin Cywinski Jackson, architects https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1490733205531-62GGGBZC8ZZ9SQHFTH0S/P4_p171_59_ShellyRidge_interior.png 4) Bundles - p171 Shelly Ridge Interior Shelly Ridge Girl Scout Center, Mequon, PA, 1984, Bohin Cywinski Jackson, architects https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1490733205250-PKBZWCCSKOTD7Z6TLA34/P4_p172_60_EdificioSolar_orthographic.png 4) Bundles - p172 Edificio Solar Orthographic Edificio Solar XXI National Laboratory for Energy and Geology (LNEG), Lisbon, Portugal, 2006, Pedro Cabrito and Isabel Diniz, architects https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1490733206545-EFV1QP5FZNGMM6FRSLRR/P4_p173_61_EdificioSolar_interior.png 4) Bundles - p173 Edificio Solar Interior Edificio Solar XXI, interior louvers for natural convection heat transfer in winter and stack ventilation in summer https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1490733206461-LE3JYEOWKA6W2U3VM7RK/P4_p174_62_PassiveSolar_Thick.png 4) Bundles - p174 Passive Solar Building Passive Solar Building: Thick Plan Bundle https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1490733208658-UZYD19P8YUK1UIVQH00T/P4_p176_63_CenterEnvEdu_entry.png 4) Bundles - p176 Center for Environmental Education Entry, Center for Environmental Education, Ahmedabad, India https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1490733209058-SIECRKVS73CMDGG1MNE0/P4_p177_64_expansion_comfortzone.png 4) Bundles - p177 Expansion Comfort Zone Expansion of the Comfort zone in Outdoor Spaces by Designing with Climate Left: hourly conditions; Right: Conditions after manipulating available hourly sun and wind. Top row: Madison, WI; Bottom: Houston, TX https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1490733210244-HYVYAYR7R86B3XZLWFWY/P4_p178_65_OutdoorMicro_Hot.png 4) Bundles - p178 Outdoor Microclimates Outdoor Microclimates: Hot Climate Bundle https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1490733211960-96B317SPE7ZBJ8FRGLXD/P4_p180_66_CenterEnvEdu_courtyard.png 4) Bundles - p180 Center for Environmental Education Center for Environmental Education, Ahmedabad, India, 1990, Neelkanth Chaya and Kallol Joshi, architects https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1490733211426-URCHZ2P4RZ8GWENOMLY2/P4_p181_67_OutdoorMicro_Cold.png 4) Bundles - p181 Outdoor Microclimates Outdoor Microclimates: Cold Climate Bundle https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1490733212665-82CSMK1QPBTNXN2DVWGE/P4_p182_68_HillHouse.png 4) Bundles - p182 Hill House Hill House, 2004, Nova Scotia, Brian Mackay-Lyons, architect https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1490733212555-NDMORETI6E67VIUV7WJ9/P4_p183_68_MessengerHouseII.png 4) Bundles - p183 Messenger House II Messenger House II, 2003, Upper Kingsbury, Nova Scotia, Brian Mackay-Lyons, architect https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1490733213514-7KTFDRFY70O4HU84N7ZO/P4_p183_69_KutcherHouse.png 4) Bundles - p183 Kutcher House Kutcher House, 1998, Herring Cove, Nova Scotia, Brian Mackay-Lyons, architect https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1490733213766-CDRSZEIF99440PB6M1J0/P4_p184_70_EduCenter.png 4) Bundles - p184 Education Center Education Center, Illaroo, NSW, Australia, Glenn Murcutt, architect https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1490733214239-2MJ17AFJPOOMJDE75Y1A/P4_p185_71_DesignResponse_aperture.png 4) Bundles - p185 Design Responses Design Responses to Aperture Size Conflicts https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1490733214503-G2U2RJS7ASFICU4F2UWY/P4_p186_72_RE_HotHumid.png 4) Bundles - p186 Responsive Envelope Responsive Envelope: Hot-Humid Climate Bundle https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1490733215640-4XGFZREO4UUMEA2I6V1Q/P4_p188_73_RE_HotArid.png 4) Bundles - p188 Responsive Envelope Responsive Envelope: Hot-Arid Climate Bundle https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1490733215901-ZVBSJTCTEQTCWFYWA3O7/P4_p189_74_NxumaioHouse.png 4) Bundles - p189 Nxumalo House Nxumalo House, Johannesburg, South Africa, 1988, Jo Noero, architect https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1490733216287-IEL8LRQD8QJA6HWXS9IG/P4_p191_75_RE_Cold.png 4) Bundles - p191 Responsive Envelope Responsive Envelope: Cold Climate Bundle https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1490733217880-47Z8H81N48J2Q8A7VNP1/P4_p192_76_LivingLight.png 4) Bundles - p192 Smart Facade Smart Facade, Living Light House, 2011 Solar Decathlon Competition Entry, Prof. Edgar Stach, Prof. James Rose, and University of Tennessee students https://greenvisionstudio.org/synergies-swl-1 daily 0.75 2017-03-31 https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1491581361402-YJSJPY5YPY1MOL9MP4G5/P6_p219_01_DesignCriteria.png 6) Favorite Design Strategies - p219 Design Criteria Design Criteria for Energy Zones https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1491581362343-CEF5O9FS2P3WNSIY9R5L/P6_p219_02_EnergyProgrammingBubble.png 6) Favorite Design Strategies - p219 Energy Bubble Energy Programming Bubble Diagram https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1491581362270-SGWQEKDRQ8OKS478PP93/P6_p225_12_SeminarIIBuilding.png 6) Favorite Design Strategies - p225 Seminar II Building Seminar II Building at Evergreen State College, Olympia, WA, 2004, Malum Architects https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1491581362505-GZ40NXOGWO5UODEXMV70/P6_p225_13_ThermalCriteria.png 6) Favorite Design Strategies - p225 Thermal Criteria Thermal Criteria for Cooling Zones https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1491581363079-9NAVFTTXJJBQ3HDPH61H/P6_p226_14_HeatingZones.png 6) Favorite Design Strategies - p226 Heating Zones Heating Zones in the Solar City Kindergarten https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1491581364092-K2LOVLR0QBBO3HJF53VJ/P6_p243_40_MassArrangements.png 6) Favorite Design Strategies - p243 Mass Arrangements Mass Arrangements for Passive Cooling by Location and Type https://greenvisionstudio.org/5-favorite-design-tools daily 0.75 2017-04-13 https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1492542040558-HD2RJZUUH8ZFVGRYFUOL/P5_p204_09_ResidentialMinInsulation.png 5) Favorite Design Tools - p204 Residential Insulation Low-Rise Residential Recommended Minimum Insulation (IP Units) https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1492542042936-67DZO41KMA05RIJ8V5YM/P5_p205_10_NonresidentialMinInsulation%27.png 5) Favorite Design Tools - p205 Nonresidential Insulation Nonresidential Recommended Minimum Insulation (IP Units) https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1492542047192-G82CNLRVT2K65DX9CWQI/P5_p207_11_SizingDirectThermalMass.png 5) Favorite Design Tools - p207 Sizing Direct Thermal Mass Sizing Direct Thermal Mass for Direct-Gain Rooms and Sunspaces https://greenvisionstudio.org/bundleup-game daily 0.75 2017-05-03 https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1493823631634-LOUTAF2H73LPLQGOUDTA/image-asset.jpeg Bundle-Up! Game https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1493823531767-0T5QR0OT8LO3GO45Y5Z8/PLEA2014_Papaer2206_bundle.015.jpeg Bundle-Up! Game https://greenvisionstudio.org/high-performanc-buildings-swl-1 daily 0.75 2017-05-08 https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1494261368634-674FZQ3YR5B1KJ8XVDNH/B1_NeighborhoodOfLight.jpg SWL Icons - B1 Neighborhood of Light https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1494261368799-9P1RAAAFMZ7N8RIC5KR6/B2_CoolingNeighborhood.jpg SWL Icons - B2 Cooling Neighborhood https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1494261368904-PBL1ZXNGFGTEC51P4G6Y/B3_SolarNeighborhood.jpg SWL Icons - B3 Solar Neighborhood https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1494261369271-6K7F4JNQIEA0J1SS4FBL/B4_IntegratedUrbanPatterns.jpg SWL Icons - B4 Integrated Urban Patterns https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1494261369295-TKU5D5J68MM5K850USEP/B5_DaylightBuilding.jpg SWL Icons - B5 Daylight Building https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1494261369640-FKOUUDC4S6CUMW6MW41A/B6_PassiveCoolBldg.jpg SWL Icons - B6 Passive Cooliing https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1494261369736-KZ6K8UJ2LRMBL8M92ISW/B7_PassiveSolarBldg.jpg SWL Icons - B7 Passive Solar Building https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1494261370015-ZKQDIH920TROXIPR9CDD/B8_OutdoorMicroclimates.jpg SWL Icons - B8 Outdoor Microclimates https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1494261370084-6S4QA087MGLZU4F5OXFN/B9_ResponsiveEnvelope.jpg SWL Icons - B9 Responsive Envelope Bundanon Trust_Riversdale property_Arthur Boyd Architect : Glenn Murcutt https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1494260747112-407S30O56NNI81RF6KYL/A1_SunDial.jpg SWL Icons - A1 Sundial https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1494260785989-G8XYZN6LX08WWU1SYVLW/A2_SunPath+2.jpg SWL Icons - A2 Sun Path Diagram https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1494260747150-N7TZ4BZE3HN8PM32FVY8/A3_SolarRadiation.jpg SWL Icons - A3 Solar Radiation https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1494260747324-F1RCJT5S8U4GKE2QSQ5P/A4_WindRose.jpg SWL Icons - A4 Wind Rose https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1494260747601-CN79GT6QDU7FGGSAEHH5/A5_WindSquare.jpg SWL Icons - A5 Wind Square https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1494260747675-V6HANRVX6CNPE1DTAQCT/A6_AirMovementPrin.jpg SWL Icons - A6 Air Movement Principle https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1494260748128-ZA0VH26UI8HMQMGUDJW6/A7_SiteMicroclimates.jpg SWL Icons - A7 Site Microclimates https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1494260748198-KMI52ONZWB8NJEVO7ZYM/A8_SkyCover.jpg SWL Icons - A8 Sky Cover https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1494260748436-DKPSC2IFZIBZKUPIDVQS/A9_DaylightAvailable.jpg SWL Icons - A9 Daylight Available https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1494260748465-KDLH7P4MRCUUPAVLU6ER/A10_DaylightObstruct.jpg SWL Icons - A10 Daylight Obstruct https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1494260748797-HG2IS6FT35Q5SP9KMVAG/A11_DesignDaylightFactor.jpg SWL Icons - A11 Design Daylight Factor https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1494260748785-8ZQTX21I43QSXKGMT3W4/A12_TemperatureHumidity.jpg SWL Icons - A12 Temperature Humidity https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1494260749034-CZHGF4SPHRWW3GT42GU3/A13_AdaptiveComfortCriteria.jpg SWL Icons - A13 Adaptive Comfort Criteria https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1494260749079-PJNH15W4QZ7SE8CL16HB/A14_EnergyProgramming.jpg SWL Icons - A14 Energy Programming https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1494260749302-3X0LLYLAWLEG0U6ATH8I/A15_LoadResponsiveScheduling.jpg SWL Icons - A15 Load Responsive Scheduling https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1494260749362-8OXM5DTU9IG2YYAPWGHW/A16_Occupancy_Heat_Gain.jpg SWL Icons - A16 Occupancy Heat Gain https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1494260749611-WYLM9S7R3HTQD8N9ORO0/A17_ElectricLightingHeatGain.jpg SWL Icons - A17 Electric Lighting Heat Gain https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1494260749639-J6H926JRXET30SDR017L/A18_EquipmentHeatGain+2.jpg SWL Icons - A18 Equipment Heat Gain https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1494260749860-9PPFAZWE9H3FJBRDUSBI/A19_ElectricLoads.jpg SWL Icons - A19 Electric Loads https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1494260749894-XH3PUNWELMWDPLH44Z49/A20_ServiceHotWater.jpg SWL Icons - A20 Service Hot Water https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1494260750271-TTEWT857PDBA1UP4CJ12/A21_SkinHeatFlow.jpg SWL Icons - A21 Skin Heat Flow https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1494260750301-JCKOAUU0O8DAGBMLQCYV/A22_WindowSolarGain.jpg SWL Icons - 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D101 Manual Automated Controls https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1494262440589-33142UE2HZRL7394HZ2H/D102_MassSurfAbsorb.jpg SWL Icons - D102 Mass Surface Absorbance https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1494262442175-PFOZ4N4WXJX362EO1MQU/D103_DaylightReflectingSurfaces.jpg SWL Icons - D103 Daylight Reflecting Surfaces https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1494262442238-SSDLLG5P7EGQEJTF8P4D/D104_ExteriorSurfaceColor.jpg SWL Icons - D104 Exterior Surface Color https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1494262443749-JHIU430RQWIZWB9BRV0X/D105_DoubleSkinMaterials.jpg SWL Icons - D105 Double Skin Materials https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1494262443812-GABJ24E73P1S102T6VI1/D106_Window%26GlassType.jpg SWL Icons - D106 Window & Glass Type https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1494265669420-PA1ISBL5KEWG2TYXQXW8/S1_ClimateResources.jpg SWL Icons - 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S7 Active Tailored Systems https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1494262561787-34IF4VF25K5F83TH8RKO/P1_EnergyTargets.jpg SWL Icons - P1 Energy Targets https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1494262561825-U2TJWCOFWCQF61Z34A87/P2_AnnualEnergyUse.jpg SWL Icons - P2 Annual Energy Use https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1494262562308-TYW8GPUM2EFCU8R9Q520/P3_NetZeroEnergyBalance.jpg SWL Icons - P3 Net Zero Energy Balance https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1494262562331-S6BDT7N3J3SWHHFR6QGY/P4_EnergyUseIntensity.jpg SWL Icons - P4 Energy Use Intensity https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1494262562929-S5Q7N8Q437C6P0VK23J2/P5_EmissionsTargets.jpg SWL Icons - P5 Emissions Targets https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1494262562968-FOFUKCD1JQFDM0GLT5IO/P6_CarbonNeutralBuildings.jpg SWL Icons - P6 Carbon Neutral Buildings https://greenvisionstudio.org/integral-sustainable-design-2 daily 0.75 2017-05-08 https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1490988749377-M27MPJPJKFBGVF6GE746/William_Stout_Books_SignSM.jpg Integral Sustainable Design William Stout https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1490985896412-XEHSVZ9QIIA4JAU2F7EO/ABE_Books_DES_06_Logo_180.jpg Integral Sustainable Design Independents https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1490987901235-FZ9J4ESNQLZOG9KKAUXP/ebooks-com-logo-180.png Integral Sustainable Design Buy e-Book https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1490991970300-Y0V09WUYFXSS6SNQ9FHD/image-asset.png Integral Sustainable Design The Big Gorilla https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1490987292645-07T3PQ7TVLCA3QQKLHRY/google-play-logo180.png Integral Sustainable Design Buy e-Book https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1494269052048-IJLLW3XPQFY9ZZCOMCM7/SWL_cover_image.jpg Integral Sustainable Design https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1490985083134-BEYZKMOQ37C6SKKQT5DA/image-asset.png Integral Sustainable Design Publisher https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1490978784214-C0LT88PP4JL98A2NMP10/SWL_cover_image.jpg Integral Sustainable Design https://greenvisionstudio.org/swl-icons daily 0.75 2018-07-26 https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1533327366002-5V0G208HBN6RWKGHMGR7/3.1_4perspectives_diag_LR_quad_300.jpg Part I The Four Perspectives of Integral Sustainable Design - Figure 3.1 Systems perspective issues https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532368386762-TFI8TL2AXYGUAIVP6D6F/3.2_grapetrellis.jpg Part I The Four Perspectives of Integral Sustainable Design - Figure 3.2 Grape vines on an outdoor trellis, edible shading, an alliance of building and plants, Stanford University campus Figure 3.2 courtesy of Eric Chan https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532368393399-9047WBX3AWEKIZXV2EH0/3.3_gebsergphoto.jpg Part I The Four Perspectives of Integral Sustainable Design - Figure 3.3 Jean Gebser Figure 3.3 from the public domain https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532368451516-EVX87R9DD0P0FXRVO3YM/3.4_EpochsVanderRyn.jpg Part I The Four Perspectives of Integral Sustainable Design - Figure 3.4 Cultural epochs: Time, population, consumption Sim Van der Ryn’s mapping of Gebser’s epochs. He names the integral level as the ‘Ecological Epoch’. Figure 3.4 courtesy of Sim Van der Ryn, architect https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532368459625-8AO2A7ES2T7E2Z5EX6E3/3.5_Greenbriar%26Stream.JPG Part I The Four Perspectives of Integral Sustainable Design - Figure 3.5 Ecological consciousness finds interconnected patterns of living processes at work in any form. © Mark DeKay https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532368519445-U2RGJUBBDB1KRN8CCBZS/3.6A_lyle+center.jpg Part I The Four Perspectives of Integral Sustainable Design - Figure 3.6a Center for Regenerative Studies, Cal Poly, Pomona, California, John T. Lyle, architect and landscape architect A complex of buildings designed around ecological flows Figure 3.6 photos Tom Zasadzinski, courtesy of Cal Poly Pomona https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532368522665-Z8JBXGQBKOXHQWKOBOXR/3.6B_Lyle+Center+walkway.jpg Part I The Four Perspectives of Integral Sustainable Design - Figure 3.6b Center for Regenerative Studies, Cal Poly, Pomona, California, John T. Lyle, architect and landscape architect A complex of buildings designed around ecological flows Figure 3.6 photos Tom Zasadzinski, courtesy of Cal Poly Pomona https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532368536872-RWD769PKTL8GNPDZIGOT/3.7_Malmo_Courtyard+Habitat.jpg Part I The Four Perspectives of Integral Sustainable Design - Figure 3.7 Creative Habitat Mosaics, Bo01, Malmo, Sweden Creative Habitat Mosaics: all walls covered with climbing plants; all roofs are green roofs; a bird box for every flat; facades to have swallow nesting facilities; bat boxes in the courtyard; a habitat for specified insects; at least 50 species of native herbs; vegetation selected to be nectar giving; a 1m sq. pond for every 5m2 of sealed area; amphibian habitats with space for hibernation; a courtyard of semi-natural biotopes. ‘The result is a mosaic of habitats including green roofs and walls, wetland retention ponds and courtyard gardens.’ Figure 3.7 courtesy of Ann Beer https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532368568785-RLARBSJHNONR8BR44W1Q/3.8_J+T+Lyle_flows.jpg Part I The Four Perspectives of Integral Sustainable Design - Figure 3.8 Lyle’s diagram of flows of energy, nutrients and water in the CRS, Center for Regenerative Studies Figure 3.8 from Regenerative Design for Sustainable Development ©1984 John Wiley and Sons, used by permission https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532368607378-KRLOZWPZL6V19BGP1BDP/3.9_BC_Parks_%26_Transit_left.jpg Part I The Four Perspectives of Integral Sustainable Design - Figure 3.9 Beaver Creek Green Infrastructure Plan, Knox County, Tennessee, 2006: A conservation and development plan based on multi-scalar systems thinking for networks of transportation, recreation, habitat, water, settlement, etc. © Mark DeKay https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1533244037804-DE3SHBR3BS9H7EWZ78TN/Table+3.1.png Part I The Four Perspectives of Integral Sustainable Design - Table 3.1 Principles of ecology Table 3.1 from Capra (2010); Center for Ecoliteracy (2010) https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1533244041985-AVJ9R2W88SB0EE6LM21R/Table+3.2.png Part I The Four Perspectives of Integral Sustainable Design - Table 3.2 Principles of ecosystems https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1533327403063-GJJ8MW636J6NJJBEFNCD/4.1_4perspectives_diag_LL_quad_300.jpg Part I The Four Perspectives of Integral Sustainable Design - Figure 4.1 Cultures perspective issues https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532369544370-WDP52N605OBDVQN7XU7M/4.2_miller_hull_raingarden.jpg Part I The Four Perspectives of Integral Sustainable Design - Figure 4.2 Discovery Center, Seattle, Washington, 2005, The Miller | Hull Partnership, architects Rainwater from the roof scupper falls to the rain garden below, making visible the flows and life-impacts of water Figure 4.2 photos Peter Eckert, courtesy of Miller | Hull Partnership, architects https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532369565422-JSIYI7LA1DFVMQ5YAMT6/4.3_ING+Amsterdam.jpg Part I The Four Perspectives of Integral Sustainable Design - Figure 4.3 ING bank headquarters, Amsterdam 1999–2002, Alberts and Van Huut, architects Considered the premier sustainable building of the 1980s, the former NMB Bank Headquarters building was designed as a pedestrian-friendly district of mid-rise towers, rather than a statement high rise. It established the possibility of dense urban buildings expressing natural rhythms of light, air, and water, while also fostering social interaction. Figure 4.3 photo Sybolt Voeten, courtesy of Alberts and Van Huut, architects https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532369596334-HHTZ8GZXA6OOIZT1OPPX/4.4_NPS_HQ.jpg Part I The Four Perspectives of Integral Sustainable Design - Figure 4.4 Carl T. Curtis Midwest Regional Headquarters of the National Park Service, Omaha, Nebraska, Leo A. Daly, architect Meant to ‘exhibit its philosophies about the environment‘, the building achieves a LEED Gold rating and is built on a brownfield. Nevertheless, it is difficult to find regional expression in the glass box. The message conveyed is that performance = values and performance is independent of expression. Figure 4.4 courtesy of Tom Kessler Photography https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532369612552-O86TIZ8XJNVZT5LF68HN/4.5_cohousing_1.jpg Part I The Four Perspectives of Integral Sustainable Design - Figure 4.5 Cambridge Cohousing, Cambridge, Massachusetts, 1998, Elton-Hampton, architects At 41 units on a 1.5-acre site, this project expresses an ethical position about the value of living in participatory community, the relationship of community order to resources and the preservation of undeveloped land outside the city. Figure 4.5 courtesy of Elton-Hampton, Architects https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532369620497-1ZNZPSW7VLDILVQ8CNUL/4.6_hawaii_gateway_LO_RES.JPG Part I The Four Perspectives of Integral Sustainable Design - Figure 4.6 Hawaii Gateway Energy Center, Ferraro Choi and Associates, Ltd, architect Manifesting the client’s values. Buildings can communicate their green intentions though design. The building exuberantly expresses its natural energy flows to ‘demonstrate the unique resources and mission of the Natural Energy Laboratory‘. Note the ‘building as a thermal chimney’ and the 20KW ‘building-integrated photovoltaic system’ – it doesn’t hide that the form is a response to climate and energy. Figure 4.6 © David Franzen, courtesy Ferraro Choi Architects https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532369713223-QMP6LLN9FW76KA2GD00N/4.7A_Sidwell_Water.jpg Part I The Four Perspectives of Integral Sustainable Design - Figure 4.7a Sidwell Friends Middle School, Washington, DC, 1971 renovation, KieranTimberlake Associates, LLP, architects; Anropogon Assoc., landscape architects Manifesting the way building and designed landscape integrate with natural process. ‘Green design provides an opportunity to achieve an outstanding level of integration between the curriculum, values and mission of the School’. Multiple processes of water intersect in the visible landscape. ‘Micro-restoration areas‘ are intended to showcase native ecosystems, ‘including more than 80 regionally appropriate species. Green roof, biology pond, infiltration rain garden, naturally treated water reused'. Source: www.andropogon.com Figure 4.7 © Kieran Timberlake, architects https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532369716677-C6XJHSP7B3VLW5MB1WLQ/4.7B_SidwellFriends_wetland.jpg Part I The Four Perspectives of Integral Sustainable Design - Figure 4.7b Sidwell Friends Middle School, Washington, DC, 1971 renovation, KieranTimberlake Associates, LLP, architects; Anropogon Assoc., landscape architects Manifesting the way building and designed landscape integrate with natural process. ‘Green design provides an opportunity to achieve an outstanding level of integration between the curriculum, values and mission of the School’. Multiple processes of water intersect in the visible landscape. ‘Micro-restoration areas‘ are intended to showcase native ecosystems, ‘including more than 80 regionally appropriate species. Green roof, biology pond, infiltration rain garden, naturally treated water reused'. Source: www.andropogon.com Figure 4.7 © Kieran Timberlake, architects https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532369730509-K0L6WLBPNVIJX0NG0HW6/4.8_aldo_leopold.jpg Part I The Four Perspectives of Integral Sustainable Design - Figure 4.8 Aldo Leopold in field research Figure 4.8 courtesy of the Aldo Leopold Foundation https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532369762894-H6ZB0XEL6SWYPKSCTGOW/4.9_A_viet+village+aerial_perspective.jpg Part I The Four Perspectives of Integral Sustainable Design - Figure 4.9a Viet Village Urban Farm, New Orleans, Louisiana, 2006, Spackman Mossop + Michaels, landscape architects The project is an effort to reestablish the tradition of local urban farming in the Vietnamese community located in New Orleans East, an area hard hit by hurricane Katrina. Driven by a range of ecological and social ethics, its goals include: to establish a certified organic farming practice; to become a model for low-tech sustainable site development in the New Orleans area through the use of biofiltration of water resources and alternative energy sources such as wind and passive and active solar power; to establish relationships with area restaurants and grocery stores; to create an economic and cultural resource for the community. Figure 4.9 courtesy of Spackman Mossop + Michaels, Landscape Architects https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532369767026-SUQ0DK72LQQOA9VWB9LO/4.9_B_viet+village+section+02.jpg Part I The Four Perspectives of Integral Sustainable Design - Figure 4.9b Viet Village Urban Farm, New Orleans, Louisiana, 2006, Spackman Mossop + Michaels, landscape architects The project is an effort to reestablish the tradition of local urban farming in the Vietnamese community located in New Orleans East, an area hard hit by hurricane Katrina. Driven by a range of ecological and social ethics, its goals include: to establish a certified organic farming practice; to become a model for low-tech sustainable site development in the New Orleans area through the use of biofiltration of water resources and alternative energy sources such as wind and passive and active solar power; to establish relationships with area restaurants and grocery stores; to create an economic and cultural resource for the community. Figure 4.9 courtesy of Spackman Mossop + Michaels, Landscape Architects https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532369795386-V0V9DQE4OR4YMVDOYR3I/4.10_suburb.jpg Part I The Four Perspectives of Integral Sustainable Design - Figure 4.10 Suburban cul-de-sac housing In terms of ground value, suburbia is the most destructive of the most habitat of the most species. In terms of extrinsic value, it is the most consumptive of resources of any means of settling yet devised. Figure 4.10 from Bing.com https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532369862260-SBHEJNBO506GRRTSFYKS/4.11_Levels_of_evolution_Wilber.jpg Part I The Four Perspectives of Integral Sustainable Design - Figure 4.11 Levels of evolution adapted from Wilber (2000b), p115 A = physiosphere, B = biosphere, C = noosphere. Figure 4.11 from Sex, Ecology, Spirituality by Ken Wilber, © 1995, 2000 Ken Wilber. Reprinted by arrangement with Shambhala Publications Inc. https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532369903146-3LITTLFS7LB4UUD6DNB5/4.12_coemergence.jpg Part I The Four Perspectives of Integral Sustainable Design - Figure 4.12 Co-emergence of individual (microevolution) and social holons (macroevolution) Source: Jantsch (1980) Figure 4.12 from The Self Organizing Universe by Erich Jantsch https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1533327440103-DXPJQ2NP0MV9O1WFYX86/4.13_Green-Patterns_diagram.jpg Part I The Four Perspectives of Integral Sustainable Design - Figure 4.13 Green urban patterns, Chattanooga Downtown Plan, Chattanooga, TN, GreenVision Studio, drawing by author Both/and patterns emerging from Nature/culture https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532369941760-Y910UEAEA18LC5C5GWWA/4.14A_NREL_1_resized.jpg Part I The Four Perspectives of Integral Sustainable Design - Figure 4.14a Nature as tangible transactions: Solar Energy Research Facility, Golden, Colorado, Anderson DeBartolo Plan, Inc., architects An elevation/roof form directly expressing the behavior of light and sun. The reflections can be visualized on the inside. The shading is visibly seen on the outside. The building is more meaningful to those who can read the behavior of natural forces in their interplay with the forms. Figure 4.14 photos Warren Getz, courtesy National Renewable Energy Laboratory https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532369947282-2RW6YQW6DNHV7F09YSXH/4.14B_NREL_2_resized.jpg Part I The Four Perspectives of Integral Sustainable Design - Figure 4.14b Nature as tangible transactions: Solar Energy Research Facility, Golden, Colorado, Anderson DeBartolo Plan, Inc., architects An elevation/roof form directly expressing the behavior of light and sun. The reflections can be visualized on the inside. The shading is visibly seen on the outside. The building is more meaningful to those who can read the behavior of natural forces in their interplay with the forms. Figure 4.14 photos Warren Getz, courtesy National Renewable Energy Laboratory https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532370027329-KP0VLOGUO7O4G5YX9ZG4/4.15A_ambasz.jpg Part I The Four Perspectives of Integral Sustainable Design - Figure 4.15a Nature as sensually revealed belief: House of Spiritual Retreat, 25 miles north of Seville, Spain, 1975, Emilio Ambasz, architects A project that seeks harmony with Nature by merging or forming an extension of Nature and ‘returning the site to Nature’. At the same time, the interiors are a setting for ‘intimate communion, most especially with an intensified sense both of the inner self that it draws outward and the distant cosmos that it draws down into its center.’ (Ambasz et al, 2005) Figure 4.15 photo Michele Alassio, courtesy of Emilio Ambasz Hon. AIA, architect https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532370037001-XKLPQBKGOM3QAYH1GVT6/4.15B_Ambasz_house.jpg Part I The Four Perspectives of Integral Sustainable Design - Figure 4.15b Nature as sensually revealed belief: House of Spiritual Retreat, 25 miles north of Seville, Spain, 1975, Emilio Ambasz, architects A project that seeks harmony with Nature by merging or forming an extension of Nature and ‘returning the site to Nature’. At the same time, the interiors are a setting for ‘intimate communion, most especially with an intensified sense both of the inner self that it draws outward and the distant cosmos that it draws down into its center.’ (Ambasz et al, 2005) Figure 4.15 photo Michele Alassio, courtesy of Emilio Ambasz Hon. AIA, architect https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532370042739-T4Y8H48KJ7LASI830U3O/4.16_Solar_Umbrella001.jpg Part I The Four Perspectives of Integral Sustainable Design - Figure 4.16 Nature as embedded origins: Solar Umbrella House, Venice, California, 2005, Pugh + Scarpa, architects Designed to establish a precedent for the next generation of California modernist architecture.‘Nature is revealed as the elements abstracted by the roofs, walls and openings whose origin is the forces they helped to modify.’ (LaVine, 2001) A modern reduced Nature as ‘outdoors’. A large lightweight photovoltaic roof makes power and shades permeable layers of space, a technological tarpaulin that allows living ‘in’ this clarified Nature. Figure 4.16 courtesy of Oliver Calder https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532370045774-NK5PMQ7OVHYSYWWJYW2G/4.17A_ft_worth_hall.jpg Part I The Four Perspectives of Integral Sustainable Design - Figure 4.17a Nature as dialectic distinctions: Modern Art Museum of Fort Worth, Fort Worth, Texas, 2002, Tadao Ando, architects Not all buildings that place people into relationship with Nature are necessarily ‘green’ from the perspective of performance (UR behaviors). Nature here is experienced as highly abstracted and intellectualized. Light understood against regularity and order of structure vs. clarity of glass. Pond as water, rocks and reflections. Inner separated experiences of art in concrete-walled galleries contrasted with the wrappers of outer public experiences of Nature itself as modern art, mediated and presented through architecture. Figure 4.17 courtesy of Matt Hall, architect https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532370050339-KZKY605MGNOZWMNNQG1S/4.17B_ft_worth_hall2.jpg Part I The Four Perspectives of Integral Sustainable Design - Figure 4.17b Nature as dialectic distinctions: Modern Art Museum of Fort Worth, Fort Worth, Texas, 2002, Tadao Ando, architects Not all buildings that place people into relationship with Nature are necessarily ‘green’ from the perspective of performance (UR behaviors). Nature here is experienced as highly abstracted and intellectualized. Light understood against regularity and order of structure vs. clarity of glass. Pond as water, rocks and reflections. Inner separated experiences of art in concrete-walled galleries contrasted with the wrappers of outer public experiences of Nature itself as modern art, mediated and presented through architecture. Figure 4.17 courtesy of Matt Hall, architect https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532360195306-CYYUE1HF73HGB315RKLC/I.1_GREENMAN.jpg Part I The Four Perspectives of Integral Sustainable Design - Figure I.1 The Green Man Figure I.1 photo Clive Hicks, from Green Man: The Archetype of Our Oneness with the Earth by William Anderson https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532360231575-KGCEQA7ZBV0FLVGC7HZK/I.2_LMSA_Nueva+School.jpg Part I The Four Perspectives of Integral Sustainable Design - Figure I.2 LEED Gold Nueva School, Hillsborogh, California, 2007, Leddy Maytum Stacy, architects Figure I.2 courtesy of Leddy Maytum Stacy Architects https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532360243378-V2PQ3SJ0M0JEPM0MRG8I/I.3_Merrill+Center.jpg Part I The Four Perspectives of Integral Sustainable Design - Figure I.3 The first LEED platinum building, the Chesapeake Bay Foundation’s Philip Merrill Environmental Center, Annapolis, MD; Smith Group, Inc., architects Figure I.3 courtesy of Chesapeake Bay Foundation https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532360343023-9DK22LEKEOHY4KWYN3QQ/I.4_ConclusionTrees+copy.jpg Part I The Four Perspectives of Integral Sustainable Design - Figure I.4 The model for Sustainable Design? https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532360346285-BTG8LTNJHUTYVSLX2TDT/I.5_gaia.jpg Part I The Four Perspectives of Integral Sustainable Design - Figure I.5 Whole and Complete Figure I.5 courtesy of National Aeronautics and Space Administration https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532360462904-29FHHCVMMS356JVO0P8K/I.6_NIDbelow+copy.jpg Part I The Four Perspectives of Integral Sustainable Design - Figue I.6 National Institute of Design, Ahmedabad, India 1961, Kapadia + Banker, architects: culturally connected coolness in a composite hot-humid/dry climate © Mark DeKay https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532360510986-231ZMYIKRAHY584OUDXU/I.7_StuttgartRowhouses+copy+2.jpg Part I The Four Perspectives of Integral Sustainable Design - Figure I.7 Solar Demonstration Row Houses, Expo 2000, Stuttgart, Germany, c1998; ecological thinking, form responding to processes of solar heat and shade. © Mark DeKay https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1533327284074-6VI3GAUSSD5FZ0V44JEF/2.1_UR_Behaviors_Issues.jpg Part I The Four Perspectives of Integral Sustainable Design - Figure 2.1 Behaviors perspective issues https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532365190144-W53E02JS2IGTH62T325P/2.2_building_impacts.jpg Part I The Four Perspectives of Integral Sustainable Design - Figure 2.2 US building impacts on the environment Source: USGBC, LEED and related logo is a trademark owned by the US Green Building Council and is used by permission https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532365250400-9U2UI9Z6UTTDF541PV5B/2.3_leed_logo.jpg Part I The Four Perspectives of Integral Sustainable Design - Figure 2.3 LEED logo Source: USGBC, LEED and related logo is a trademark owned by the US Green Building Council and is used by permission https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532365298838-ALBY4LJYS3U7FDD3ICZ0/2.4_GG_logo.jpg Part I The Four Perspectives of Integral Sustainable Design - Figure 2.4 Green Globes logo Figure 2.4 courtesy of Green Building Initiative/www.thegbi.org https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532365411481-V0LID1OSMCOQL2DK5O3Q/2.5_GG_7AreasAssessment.jpg Part I The Four Perspectives of Integral Sustainable Design - Figure 2.5 Areas of assessment in the Green Globes rating system Figure 2.5 courtesy of Green Building Initiative/www.thegbi.org https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532365433267-XJQSNF92NQUSWNTDKWH1/2.6_SITES_report_cover.jpg Part I The Four Perspectives of Integral Sustainable Design - Figure 2.6 Sustainable Sites guidelines Figure 2.6 courtesy of Sustainable Sites Initiative/ www.sustainablesites.org https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1533327319074-P8SOKK35CZMS3V7I6ZKQ/2.7_sustainability+spectrum.jpg Part I The Four Perspectives of Integral Sustainable Design - Figure 2.7 Sustainability spectrum for resource and materials management strategies Source: Redrawn from Sustainable Sites Initiative (www.sustainablesites.org) https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532365522279-P34D3ARCI7MPPL77NTRM/2.8_optimzation.jpg Part I The Four Perspectives of Integral Sustainable Design - Figure 2.8 Results of energy optimization process ‘Graphic illustration of a building optimization process. Shown are the incremental reductions in energy use (kBtU/ft2) and cooling system capacity (tons) from each measure. The optimized building reduces the base building energy use by 62% and cooling capacity by 52%.’ (Parker, Fairey and McIlvaine 1995) Source: Florida Solar Energy Center https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532365553917-67FT7FQSKLA634BD944G/2.9_elem_baseline_use.jpg Part I The Four Perspectives of Integral Sustainable Design - Figure 2.9 Elementary school annual energy baseline, end-uses across climate zones ‘Adopting measurable energy goals at the beginning of the project will guide the team and provide a benchmark throughout the project’s life’. ‘Emphasize goals that relate to large energy uses and can produce the most savings.’ (ASHRAE, 2008) https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532365606239-Z1VTVME8QB01DVVQU24Z/2.10_measuredvspropsed.jpg Part I The Four Perspectives of Integral Sustainable Design - Figure 2.10 Measured versus proposed savings percentages ‘Some buildings do much better than anticipated, as evidenced by those in Figure [2.10] with measured EUI below the dotted line. On the other hand, nearly an equal number are doing worse – sometimes much worse.’ (Turner and Frankel, 2008, p4) Figure 2.10 courtesy of United States Green Building Council https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532365694321-KILXQD1AE0VXQEM5WGSA/2.11_SWL_Atria_Graph.png Part I The Four Perspectives of Integral Sustainable Design - Figure 2.11 Sizing atria for daylight in adjacent rooms Source: Brown and DeKay (2001) https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1533243605415-BB5AU5849WKQ6ZU1QB0Y/Table+2.1a.png Part I The Four Perspectives of Integral Sustainable Design - Table 2.1a Sustainable Sites Initiative: Index of prerequisites and credits with associated possible points. Table 2.1 from Sustainable Sites Initiative (2009) https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1533243615457-F7EF9835REN5G48S2HB4/Table+2.1b.png Part I The Four Perspectives of Integral Sustainable Design - Table 2.1b Sustainable Sites Initiative: Index of prerequisites and credits with associated possible points. Table 2.1 from Sustainable Sites Initiative (2009) https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1533243621391-S3X0FR62PW5XOOGHPV6F/Table+2.1c.png Part I The Four Perspectives of Integral Sustainable Design - Table 2.1c Sustainable Sites Initiative: Index of prerequisites and credits with associated possible points. Table 2.1 from Sustainable Sites Initiative (2009) https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1533243624837-LP315R5HE5GNFLBIE1Z7/Table+2.1d.png Part I The Four Perspectives of Integral Sustainable Design - Table 2.1d Sustainable Sites Initiative: Index of prerequisites and credits with associated possible points. Table 2.1 from Sustainable Sites Initiative (2009) https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1533243791791-RVTIAI5A19JROGZAD3IR/Table+2.2.png Part I The Four Perspectives of Integral Sustainable Design - Table 2.2 Design strategies from Sun, Wind & Light, 2nd edition Table 2.2 from Sun, Wind & Light, Architectural Design Strategies, 2nd ed. , © 2001 John Wiley and Sons https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532360629797-DBP94B442DS1VCNBI291/1.1_energy_cost_graph.jpg Part I The Four Perspectives of Integral Sustainable Design - Figure 1.1 Cost of energy production; 1 QBtu of delivered energy Source: Architecture 2030 https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532360651000-DE81TXZPWGGTE1SWB4UY/1.2_arch2030_USelectricity.jpg Part I The Four Perspectives of Integral Sustainable Design - Figure 1.2 US electricity use by sector (2008) Source: Architecture 2030 https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532360674123-TOTSXWBI1HOQV3R7HO5I/1.3_CMPBS_crop.jpg Part I The Four Perspectives of Integral Sustainable Design - Figure 1.3 Center for Maximum Potential Building Systems, Austin, Texas, 1975, Pliny Fisk III, architect Ecologically smart but low-tech in service to human need and feeling. Figure 1.3 courtesy of Pliny Fisk III, architect https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532360740945-UAQ2YNHDA691XZSZKUJF/1.4_GreatNorthwest_Lib_19.jpg Part I The Four Perspectives of Integral Sustainable Design - Figure 1.4 Great Northwest Library, San Antonio, Texas, Lake/Flato, architects: regionally indigenous forms transformed to fit new uses and distribute daylight Figure 1.4 © Hester + Hardaway Photography https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1533327122119-DAQHIBGCMZSZCYHWEWIT/1.5_The4_quads_of_integral_theory.jpg Part I The Four Perspectives of Integral Sustainable Design - Figure 1.5 The four perspectives of Integral Theory https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1533327163256-6VKPYJPYE81R3R7JW0LB/1.6_The4_Sustain_Des_Perspectives.jpg Part I The Four Perspectives of Integral Sustainable Design - Figure 1.6 The four Sustainable Design perspectives https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532360927771-T5GOVGCZOHKMH30GPEYE/1.7_exp_site_analysis.jpg Part I The Four Perspectives of Integral Sustainable Design - Figure 1.7 Experiential site analysis, Experiential Landscape Place Research and Development Unit, University of Sheffield, UK A conceptual framework to show how experiences can be interpreted spatially as four components (centre, direction, transition and area) Source: Thwaites and Simkins, 2007 https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532362765577-1XSE8OPJ2Y8EUCV5EDFL/1.8_VMDO_siteanalysis.jpg Part I The Four Perspectives of Integral Sustainable Design - Figure 1.8 Exterior (objective) site analysis, Poquoson Elementary School, Poquoson, Virginia, July 2008, VMDO Architects, PC; integrating aerial photos, long-term climate data and orientation implications Figure 1.8 courtesy of VMDO Architects https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1533327195092-CLKRJJ6CHLGOGWHR8K39/1.9_4perspectives_diag_PLACEv2.jpg Part I The Four Perspectives of Integral Sustainable Design - Figure 1.9 Four perspectives on place https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532363128468-S8S4UUEXJPM3WZ6AIQQ6/1.10_LewisEnvCtr.jpg Part I The Four Perspectives of Integral Sustainable Design - Figure 1.10 Landscape design from multiple perspectives: Landscape at the Lewis Environmental Center, Oberlin College, Ohio, 2001 Andropogon Assoc., landscape architects; William McDonough + Partners, architects Landscape design ‘includes sustainable green systems that serve as a living laboratory for learning’ and ‘seeks to celebrate and to regenerate human and natural environments Figure 1.10 photos Barney Taxel, courtesy of Andropogon Assoc, Landscape Architects https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532363132146-IG5R43S5XZN93QDQVMRQ/1.11_Crosby.JPG Part I The Four Perspectives of Integral Sustainable Design - Figure 1.11 Crosby Arboretum, Picayune, Mississippi Andropogon Assoc., landscape architects; E. Fay Jones, architect The country’s first ecological arboretum. Can you see embedded in this image design methods from the four perspectives? ‘The design goal was to synthesize art (drama, beauty and expression) and science (correct relationships between plant and plant, and plant and place). All master planning for the arboretum … revealed the natural processes of the Piney Woods and expressed their evocative qualities. © Mark DeKay https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532363243837-JO76941V0KZ19D7RI9LV/1.12_wbdg.jpg Part I The Four Perspectives of Integral Sustainable Design - Figure 1.12 Whole Building Design Guide logo Figure 1.12 © 2010, reproduced with permission of the National Institute of Building Sciences https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532363314027-F73WY1KO8Z5PTZ0XIH5P/1.13_A_EPA+ext+Robert+Canfield.jpg Part I The Four Perspectives of Integral Sustainable Design - Figure 1.13a WBDG case study building: US EPA Region 8 Headquarters, Denver, Colorado, Zimmer Gunsul Frasca Architects, LLP Figure 1.13 photo courtesy of Robert Canfield https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532363324147-NZUJPB0AQSOMPSQGP3H5/1.13_B_EPA+diagram+energy+matrix.jpg Part I The Four Perspectives of Integral Sustainable Design - Figure 1.13b WBDG case study building: US EPA Region 8 Headquarters, Denver, Colorado, Zimmer Gunsul Frasca Architects, LLP Figure 1.13 diagram courtesy of ZGF Architects https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532363326221-GYBRX046JF4RKEJLAKJG/1.14_leed_nc_cover.jpg Part I The Four Perspectives of Integral Sustainable Design - Figure 1.14 US LEED-NC, 2009 Source: USGBC, ‘LEED’ and related logo is a trademark owned by the US Green Buidling Council and used https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532363431364-PW0QUK3S6A6P188250YV/1.15_ecological+design+cover+pag.jpg Part I The Four Perspectives of Integral Sustainable Design - Figure 1.15 Ecological Design, cover Figure 1.15 from Ecological Design, by Sim Van Der Ryn and Stuart Cowan. © 1995 Island Press, Washington, DC, reproduced by permission https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532363491680-VV2I5TDIM552Y5JO5LWP/1.16_wines_cov.6.jpg Part I The Four Perspectives of Integral Sustainable Design - Figure 1.16 Green Architecture, cover Figure 1.16 from Green Architecture by James Wines, Taschen, 2000 https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532363514123-W4X3M7UUX6HBRJXB3EJD/1.17_tucson_mtn.jpg Part I The Four Perspectives of Integral Sustainable Design - Figure 1.17 Tucson Mountain House, Tucson, Arizona, 2001, Rick Joy, architect Aesthetics of massive rammed earth, forms and materials of the desert context. Figure 1.17 photo Bill Timmerman, courtesy of Rick Joy Architects https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532363530723-AQBAI0GYAXWB4X652XIA/1.18_Agerbeck_ii_four_quadrant_1350pixresized.jpg Part I The Four Perspectives of Integral Sustainable Design - Figure 1.18 Wilber’s Integral four quadrant model Source: Graphic Facilitation by Brandy Agerbeck, loosetooth.com https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532363585009-J5S9MRSYV48TZ9Y6I78J/1.19_vanderryn_concerns.jpg Part I The Four Perspectives of Integral Sustainable Design - Figure 1.19 The concerns and questions of ecological design, diagram by Sim van der Ryn, architect Note that the four perspectives are clearly expressed: SELF = UL ECO-LOGIC = LR IDEO-LOGIC = LL TECHNO-LOGIC = UR Figure 1.19 courtesy of Sim Van der Ryn, architect https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1533241347936-BB0CA2FLPSN79HI0W6KK/Table+1.1.png Part I The Four Perspectives of Integral Sustainable Design - Table 1.1 Framework of methods and design phases for place (or other issues) https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1533241355406-YFK8OUBF7M7VJ6ZZPZJA/Table+1.2a.png Part I The Four Perspectives of Integral Sustainable Design - Table 1.2a LEED-NC Criteria Table 1.2 adapted from United States Green Building Council https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1533241358988-PP9U94DAFXJ7O7C4MWU5/Table+1.2b.png Part I The Four Perspectives of Integral Sustainable Design - Table 1.2b LEED-NC Criteria Table 1.2 adapted from United States Green Building Council https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1533241361415-049C5W1PUVIX7P2ZV7ZE/Table+1.2c.png Part I The Four Perspectives of Integral Sustainable Design - Table 1.2c LEED-NC Criteria Table 1.2 adapted from United States Green Building Council https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1533327487071-23ISWG26LA9DYHFZMUFA/5.1_4perspectives_diag_ULquad.jpg Part I The Four Perspectives of Integral Sustainable Design - Figure 5.1 Experiences perspective issues https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532372025499-PUZ2SWNZSB4YS4N3RI3D/5.2_lawrence_berkeley.jpg Part I The Four Perspectives of Integral Sustainable Design - Figure 5.2 Lawrence Berkeley National Laboratory Molecular Foundry, Berkeley, California; SmithGroup, architects Though the building achieves LEED Gold and several awards, and much of its basic organization is related to solar and lighting goals, its expression and aesthetics are mostly unrelated to its greenness: two simultaneous but only slightly intersecting perspectives. Figure 5.2 courtesy of United States Department of Energy https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532372027356-CN9QZSSD1KYY4BLGLX6Q/5.3_Backtyard_Toilets_UVA.JPG Part I The Four Perspectives of Integral Sustainable Design - Figure 5.3 Backyard toilets at the University of Virginia, Charlottesville, Virginia Even in the places of most utility, experiences abound – patterns of light and shade, the arc of the tree trunks, rich old brick textures, contrasting white mortar and doors, individual steps up – higher than usual. © Mark DeKay https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532372096017-W0B30W1YWMX14N4P6LUG/5.4_Raje_Forestmgt.jpg Part I The Four Perspectives of Integral Sustainable Design - Figure 5.4 Indian Institute of Forest Management, Bhopal, India; Anant Raje, architect Unconditioned circulation corridor dense with multiple patterns of experiential contrast: inside and outside, exposed and tempered, up and down, light and dark, order and mystery. © Mark DeKay https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532372109167-67LPEEGR0P2UQ88GOQ1P/5.5_Library+Alcove_UVA.JPG Part I The Four Perspectives of Integral Sustainable Design - Figure 5.5 Library alcove at University of Virginia Rotunda, Charlottesville, Virginia; Thomas Jefferson, architect A space almost perfect for the events of a library: soft transitions at the jamb from splayed edges, daylight from two sides, chairs that can move, options for where to sit, book storage to create intimacy. Only the added electric lighting departs from the fit of activity and space. © Mark DeKay https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532372139585-B208O21YFZJ0YTQ96834/5.6_siddi_sayed_mosque.jpg Part I The Four Perspectives of Integral Sustainable Design - Figure 5.6 Siddi Sayed Mosque, Ahmedabad, India Patterns of space giving rise to experiences of Nature. The retreat of the shade is made more powerful by the intensity of the sunny forecourt, yet the beauty of the intense light can be appreciated through the elegant carved stone trees-of-life screen below the arches in the back wall. The ritual washing of one’s feet is followed by the experience of hot, unshaded stone paving and then by the cool shaded stone floor. © Mark DeKay https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532372174681-URSCPRMWD7QZB57C61KJ/5.7_raje_mandevctr.jpg Part I The Four Perspectives of Integral Sustainable Design - Figure 5.7 Management Development Centre, Ahmedabad, India; Anant Raje, architect Even without being occupied by people, this space of open circulation and courtyard is alive with feeling. To be there is to feel calm and unself-consciously at home, yet alive and resonating with the place. Somehow the order of the place brings forth order in the person. © Mark DeKay https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532372205533-B0LAX6AUA6SOZX6M5KP1/5.8_maybeck_FIRSTCHURCH_better.jpg Part I The Four Perspectives of Integral Sustainable Design - Figure 5.8 First Church of Christ Scientists, Bernard Maybeck, architect Figure 5.8 photo Roy Flamm, courtesy of Bancroft Library, Berkeley, CA https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532372226630-BF5LYZCNEVB9LB4X6N0G/5.9_murcutt_2.jpg Part I The Four Perspectives of Integral Sustainable Design - Figure 5.9 Magney House, New South Wales, Australia, 1982 Glenn Murcutt, architect Which roof feels more sheltering? The majority of people say that the room above creates a feeling of greater shelter. Both have large walls of glass. The room in the bottom image may feel more open or more connected to the sky or more Modern, but not more sheltering. Figure 5.9 © courtesy of Anthony Browell https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532372284601-SYM64QL7WVL0LVP964VV/5.10_correa_britconsul.jpg Part I The Four Perspectives of Integral Sustainable Design - Figure 5.10 Courtyard at the British Consul, New Delhi, India, Charles Correa, architect In Indian architecture, there are many ways to inhabit the edge of a building in a more fluid and connected relationship between inside and out: balcony, buffer zone, terrace, outdoor room, courtyard © Mark DeKay https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532372291548-4HL8J86BIW8DEYUCQ11L/5.11_JSW_house_entry.jpg Part I The Four Perspectives of Integral Sustainable Design - Figure 5.11 Entry, Johnson House, Inverness, California, 1999; JSW/D, architects An entry demonstrating several patterns, including ‘places in-between’ and ‘creating rooms inside and out’ Figure 5.11 © courtesy of William Helsel https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532372343681-HGIPMJ0Z0I11ZS9NDR1I/5.12_WU_ScotchElm+copy.jpg Part I The Four Perspectives of Integral Sustainable Design - Figure 5.12 Visual aesthetics: Scotch Elm at Washington University. Beauty in form, colour, tone, structure and repetition. © Mark DeKay https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532372349379-5XY8D7YDBVE9U8HTLVKX/5.13_bicycle.jpg Part I The Four Perspectives of Integral Sustainable Design - Figure 5.13 Phenomenological aesthetics: Riding the bicycle. Beauty experienced through multiple senses, through time, including movement in space. Figure 5.13 courtesy of Meghana Kulkarni https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532372354164-VOPGH6RLOADH0UWEZWAL/5.14_NC_AIA.jpg Part I The Four Perspectives of Integral Sustainable Design - Figure 5.14 Process aesthetics: AIA North Carolina HQ competition, Matt Hall and Shane Elliott, OBSTRUCUTURES, architects The processes of food, water and shade revealed elegantly in a rainwater-irrigated, operable, user-interactive, symbolic, responsive ‘food wall’ facade. Figure 5.14 courtesy of Matt Hall and Shane Elliot, OBSTRUCTURES https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532372380199-1ZTHY5WQ1ST6WKRFV9Y6/5.15A_lagoon_park_2.jpg Part I The Four Perspectives of Integral Sustainable Design - Figure 5.15a Ecological aesthetics: Lagoon Park, living at the edge of wilderness, Santa Barbara, California; Van Atta landscape architects ‘Created wetland habitats, an inviting place for students and a system that filters and cleans runoff – all have been incorporated into a site that was once a gravel parking lot.’ Figure 5.15 photos Saxon Holt and Susan Van Atta, courtesy of Van Atta Landscape Architects https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532372388708-NGZ2O7O6SFYACQ0JG44X/5.15B_Lagoon_Park.jpg Part I The Four Perspectives of Integral Sustainable Design - Figure 5.15b Ecological aesthetics: Lagoon Park, living at the edge of wilderness, Santa Barbara, California; Van Atta landscape architects ‘Created wetland habitats, an inviting place for students and a system that filters and cleans runoff – all have been incorporated into a site that was once a gravel parking lot.’ Figure 5.15 photos Saxon Holt and Susan Van Atta, courtesy of Van Atta Landscape Architects https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532372461727-O7C62TQCXXIO96MAHDM4/5.16_Solar-Farmhouse.jpg Part I The Four Perspectives of Integral Sustainable Design - Figure 5.16 Traditional aesthetics of Sustainable Design: Solar Farmhouse, Fox, Arkansas, designed and built by Gary Coates and Kansas State Architecture Students Vernacular dogtrot meets atrium and solar greenhouse in a Traditional farmhouse language. Ventilation via windows, shading via overhangs, etc. For more information, see Dowden et al, 1987 Figure 5.16 courtesy of Gary Coates, architects https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532372538279-JGNRRKDDGZ72P44F2Z8G/5.17A_loblolly+house.jpg Part I The Four Perspectives of Integral Sustainable Design - Figure 5.17a Mental aesthetics of Sustainable Design: Loblolly House, Taylors Island, Maryland; KieranTimberlake Associates, architects ‘The west wall is an adjustable glazed system with two layers: interior accordion-style folding glass doors and exterior polycarbonate-clad hangar doors that provide an adjustable awning as well as weather and storm protection.’ Figure 5.17 drawings courtesy of Kieran Timberlake https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532372545941-20QQPPN2M552IU76OONR/5.17B_loblolly_dusk.jpg Part I The Four Perspectives of Integral Sustainable Design - Figure 5.17b Mental aesthetics of Sustainable Design: Loblolly House, Taylors Island, Maryland; KieranTimberlake Associates, architects ‘The west wall is an adjustable glazed system with two layers: interior accordion-style folding glass doors and exterior polycarbonate-clad hangar doors that provide an adjustable awning as well as weather and storm protection.’ Figure 5.17 photo © Barry Halkin https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532372557610-FTV79I6C2TMTHEGJZNVR/5.18_blueridge_dest.jpg Part I The Four Perspectives of Integral Sustainable Design - Figure 5.18 Pluralist aesthetics of Sustainable Design: Blue Ridge Parkway Destination Center, Asheville, North Carolina; Lord, Aeck & Sargent, architects ‘Nestled into a hill, the building evokes a ‘tree-house’ atmosphere that allows the visitor to experience the majestic views …’ Wood, steel and concrete elements; Modernist eco-facade and more Traditional, vernacular-related, pitched, wooden, exposed beam ceilings with green roof. Figure 5.18 courtesy of U.S. National Park Service https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532372597923-I8OBP00ZJZLSN1UWJZEX/5.19A_asmussen+1.jpg Part I The Four Perspectives of Integral Sustainable Design - Figure 5.19a Integral aesthetics of Sustainable Design: Rudolph Steiner Seminariet, Järna, Sweden; Erik Asmussen, architect A large building complex whose aesthetic cannot be comprehended from single images. ‘A functional and organically expressive form language, which evokes an experience of aliveness and a sense of participation in the forms and processes of the natural world' (Coates, 1997). Integral aesthetics expresses perceptions from multiple quadrants and is intended to create healing or high-state experiences. For an exquisite exploration of Asmussen’s work, see Erik Asmussen, Architect (Coates, 1997). Figure 5.19 © Max Plunger, images from Coates (1997) https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532373227898-DL09FD9C7OZ329YMM3EL/5.19B_asmussen+2.jpg Part I The Four Perspectives of Integral Sustainable Design - Figure 5.19b Integral aesthetics of Sustainable Design: Rudolph Steiner Seminariet, Järna, Sweden; Erik Asmussen, architect A large building complex whose aesthetic cannot be comprehended from single images. ‘A functional and organically expressive form language, which evokes an experience of aliveness and a sense of participation in the forms and processes of the natural world' (Coates, 1997). Integral aesthetics expresses perceptions from multiple quadrants and is intended to create healing or high-state experiences. For an exquisite exploration of Asmussen’s work, see Erik Asmussen, Architect (Coates, 1997). Figure 5.19 © Max Plunger, images from Coates (1997) https://greenvisionstudio.org/part-i-the-four-perspectives-of-integral-sustainable-design daily 0.75 2022-10-12 https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532534121564-XYDBQO82337O9EICW7XU/12.1_SpiralsVanderRyn.jpg Part II Levels of Complexity in Sustainable Design - Figure 12.1 Spiral of consciousness/culture Source: Van der Ryn, 2005 https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1533246319452-WGAGO37QSYAIYM1ARDE4/Table+12.1.png Part II Levels of Complexity in Sustainable Design - Table 12.1 Conditions for self-transformation to new levels along the values line source. Table 12.1 adapted from Beck and Cowan (1996) https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532446881986-K3KIBV948O9IDW1HPM8O/6.1_Psychograph1.jpg Part II Levels of Complexity in Sustainable Design - Figure 6.1 Psychograph Source: Integral Institute https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532446889539-QTUWP9Y6WB5A05VQF3DX/6.2_robert_kegan.jpg Part II Levels of Complexity in Sustainable Design - Figure 6.2 Robert Kegan Figure 6.2 courtesy of Robert Kegan https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1533327776131-82LOPQ5A4PLA49ADYBTK/6.3_man+perspective+063010.jpg Part II Levels of Complexity in Sustainable Design - Figure 6.3 Horizons expand with each new level. What can be seen, known and cared about expands with development. The awareness at each level is limited. Some things never appear on the horizon. https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532446919416-JKBRCRBB5SKZ0CQWOH1W/6.4_spiral_dynamics_model.jpg Part II Levels of Complexity in Sustainable Design - Figure 6.4 Spiral Dynamics model Source: Graphic facilitation by Brandy Agerbeck, Loosetooth.com https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1533327802118-N6JTVXYE2TIW94ZZBSLZ/6.5_nested+levels.jpg Part II Levels of Complexity in Sustainable Design - Figure 6.5 Four nested levels of line ‘A’ of design awareness https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1533244679697-9XIQ71K7HNGCRI9DXCYO/Table+6.1.png Part II Levels of Complexity in Sustainable Design - Table 6.1 Hypothetical levels on the ‘Line of bouncing ball games’ https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1533244685186-BMLRCF48K6LW5432PFX5/Table+6.2.png Part II Levels of Complexity in Sustainable Design - Table 6.2 Example sequences of developmental complexity Table 6.2 based on Wilber https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1533244688627-IX3A4PPLZA0NJDLSTX4Q/Table+6.3.png Part II Levels of Complexity in Sustainable Design - Table 6.3 Kegan’s five orders of the development of consciousness Table 6.3 based on Kegan (1982) https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1533244691664-0ESZ48CU4ER3BGNNZLCV/Table+6.4.png Part II Levels of Complexity in Sustainable Design - Table 6.4 Values and their drives Table 6.4 adapted from Beck and Cowan (1996) https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1533244708023-KGV81WFRAFIGGWJVXNKK/Table+6.5.png Part II Levels of Complexity in Sustainable Design - Table 6.5 Levels of complexity in the four contemporary structures https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1533244709858-N0WZJLWHBU2EHZZOU4X0/Table+6.6.png Part II Levels of Complexity in Sustainable Design - Table 6.6 The four contemporary structures in design https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1533244713190-FGHSNXXAFDAT4KDMNYOC/Table+6.7a.png Part II Levels of Complexity in Sustainable Design - Table 6.7a Major levels of designer’s worldview, exemplars and common issues https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1533244739091-W2IRJ5FN6VZESUKKEA9X/Table+6.7b.png Part II Levels of Complexity in Sustainable Design - Table 6.7b Major levels of designer’s worldview, exemplars and common issues https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1533328015519-W5JUV5X2RYNMIQHACOYD/10.1A_UL16_Niches_Matrix.jpg Part II Levels of Complexity in Sustainable Design - Figure 10.1a Unfolding prospects in the experiences perspective https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1533328103840-4QPAK343LTO2GKWHZQY7/10.1B_UL_Unfolding_Prospects_Expereinces.png Part II Levels of Complexity in Sustainable Design - Figure 10.1b Unfolding prospects in the experiences perspective https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532449136862-GHWJP93BTYMSSWUSV4QB/10.2A_halawa_2.jpg Part II Levels of Complexity in Sustainable Design - Figure 10.2a Halawa House, Agamy, Egypt, 1975, Abdel-Wahed El-Wakil, architect Figure 10.2 courtesy Aga Kahn Trust for Culture https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532449138878-7ZREV0G44HJABZ4H81Y0/10.2B_halawa_1.jpg Part II Levels of Complexity in Sustainable Design - Figure 10.2b Halawa House, Agamy, Egypt, 1975, Abdel-Wahed El-Wakil, architect Level 1 Sensory mediation: The Halawa House, in Egypt, creates an aesthetic experience of Nature as the contrast of felt forces. The design is revealed through the senses. One’s body as located in space – indoors or out, in the shade or sun, near or far from a window based on the conditions of climate. By day, one can lounge by the window in shade with the glare and intensity of light reduced by screening. By night, the cool sky is available in the court. Figure 10.2 courtesy Aga Kahn Trust for Culture https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532449144970-S6F4HHPFZCIJUM530QVX/10.3A_bartholomeusz_2.jpg Part II Levels of Complexity in Sustainable Design - Figure 10.3a Bartholomeusz House, Colombo, Sri Lanka, 1963, Geoffrey Bawa, architect Level 1 Sensory mediation: With extensive courtyards, loggias and verandas, the Bartholomeusz House creates a pleasant environment, obviating air conditioning and creating spaces that allow inhabitants to feel a direct connection to their surroundings, thermally and spatially. The materials are ‘honest’, never covered in layers, wood felt as wood, stone as stone. Structure is direct, ordered, and visible. Rain on barrel tiles falls to pools or stone trenches revealing its path. Figure 10.3 © David Robson https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532449147276-CIYZHJ5WWZ0NH17BRC2C/10.3B_bartholomeusz.jpg Part II Levels of Complexity in Sustainable Design - Figure 10.3b Bartholomeusz House, Colombo, Sri Lanka, 1963, Geoffrey Bawa, architect Figure 10.3 © David Robson https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532449149883-73HRLSOSZSX2YOB4F96F/10.4A_low_country_2.jpg Part II Levels of Complexity in Sustainable Design - Figure 10.4a Low Country Residence, Mt. Pleasant, South Carolina, 2005, Frank Harmon, architect Figure 10.4 © Richard Leo Johnson/Atlantic Archives https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532449153335-4CVP802YYE8RSHQFUXDY/10.4B_low_country_1.jpg Part II Levels of Complexity in Sustainable Design - Figure 10.4b Low Country Residence, Mt. Pleasant, South Carolina, 2005, Frank Harmon, architect Level 2 Intellectual mediation: giving each room in the house views of the creek to the west as well as providing protection from the harsh summer sun and hurricane winds, the Low Country Residence immerses the occupant in the site as ‘objective view’. The view is the experience, and is orchestrated from every room across porch, pool, and vegetation to water. It employs large pivoting metal screens, which, when horizontal, provide shade and when vertical, protection from the debris in this hurricane-prone area. The layers and overhead screen provide a perfect framing for experiencing natural change across the days and seasons and the radical change of a storm. Beauty, as beheld in the ‘eye of the mind’ is ordered and structured by an architecture of the mind, while the mind’s inventiveness is turned to mediate experience and natural force (sun, heat and wind) and therefore care for resources. Figure 10.4 © Richard Leo Johnson/Atlantic Archives https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532449160562-DQSPZ571LA82YOPSOTA5/10.5A_Short-MurcuttHouse_001017.jpg Part II Levels of Complexity in Sustainable Design - Figure 10.5a Marie Short House, Kempsey, New South Wales, Australia, 1975, Glenn Murcutt, architect Level 3 Contextual mediation: Through extensive design for natural ventilation, the Marie Short House creates the experience of the process of ventilative cooling. Adjustable steel louvers in the walls control the flow of wind-driven cross-ventilation, while fixed wood louvers allow airflow beneath gables and above open porches. Wide eaves protect from the sun; open plans align space and moving air. ‘Think of the building as an instrument that’s picking up all these sounds. So it’s addressing the hydrology, it’s addressing the geomorphology. It’s addressing the topography, the wind patterns, light patterns, altitude, latitude, the environment around you, the sun movements. It’s addressing the summer, the winter and the seasons in between. It’s addressing where the trees are, and where the trees are will tell you about the water table, the soil depth, climatic conditions.’ (Glenn Murcutt in Drew, 1999). And the building communicates the relationship of form to these processes. In its passivity is the occupant’s experience of connection to process and place. Figure 10.5 © Richard Powers https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532449164182-P0LE7WNPM7KFUAXD9PDS/10.5B_Short-MurcuttHouse_001190.jpg Part II Levels of Complexity in Sustainable Design - Figure 10.5b Marie Short House, Kempsey, New South Wales, Australia, 1975, Glenn Murcutt, architect Figure 10.5 © Richard Powers https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532449184449-DTRNGRNFOFASY5965MHZ/10.6A_pierce_county1.jpg Part II Levels of Complexity in Sustainable Design - Figure 10.6a Pierce County Environmental Services Building, Chambers Creek, Washington, Miller Hull, architect Level 3 Contextual mediation: Occupants experience a range of revealed processes through the sectional design of cooling chimney and lightwell adjacent to office pods: light, ventilation, plant life, the daily cycle of night flush cooling ‘Space planning was designed according to the European office model, where no desk is more than 30 feet from an exterior window. Proximity of all work stations to windows and views outdoors, introduction of interior plantings, abundant natural light, fresh air in all work areas.’ (architect’s statement) Space and structure organize natural and mechanical processes based in climatic and social contexts that are revealed and experienced directly and over time as merged beauty and utility. Figure 10.6 photos Peter Eckert, courtesy of Miller | Hull Partnership, architects https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532449188146-DYV7VN0NRB195V0GBUGP/10.6B_piercecty_envsrvcs.jpg Part II Levels of Complexity in Sustainable Design - Figure 10.6b Pierce County Environmental Services Building, Chambers Creek, Washington, Miller Hull, architect Figure 10.6 photos Peter Eckert, courtesy of Miller | Hull Partnership, architects https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532449191731-J9DH3RTRQ3A2EZK7UFAH/10.6C_pierce_county.jpg Part II Levels of Complexity in Sustainable Design - Figure 10.6c Pierce County Environmental Services Building, Chambers Creek, Washington, Miller Hull, architect Figure 10.6 photos Peter Eckert, courtesy of Miller | Hull Partnership, architects https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532449206897-44Z3MGE3U72ZYHL1DOZH/10.7A_Office+Building+of+the+Future+1.jpg Part II Levels of Complexity in Sustainable Design - Figure 10.7a Treescaper, project for Fortune Magazine’s ‘Tower of Tomorrow’, William McDonough + Partners, architects Level 4 Self-mediation: ‘We have configured a structure that is not just kind to nature; it actually imitates nature. Imagine a building that makes oxygen, distills water, produces energy, changes with the seasons – and is beautiful. In effect, that building is like a tree, standing in a city that is like a forest.’ (architect’s statement) These relationships are manifested visibly in the moss–integrated facade, three-storey gardens, waste treatment greenhouses, and green roof, giving occupants the experience of being interconnected with a Nature ‘in here’, and serving to raise their ecological awareness. Figure 10.7 courtesy of William McDonough & Partners, architects https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532449209073-VJP38H389XO83VOZFRSN/10.7B_GAT13_R.jpg Part II Levels of Complexity in Sustainable Design - Figure 10.7b Treescaper, project for Fortune Magazine’s ‘Tower of Tomorrow’, William McDonough + Partners, architects Figure 10.7 courtesy of William McDonough & Partners, architects https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532449217989-FPRDD9M3VE61MR4ICSYK/10.8A_point_house.jpg Part II Levels of Complexity in Sustainable Design - Figure 10.8a Point House, Mangawhai Heads, Northland, New Zealand, Strachan Group, architects Level 4 Self-mediation: inhabitants of the Point House experience Nature and living as interwoven and inseparable. Large sliding doors, bridges and decks reach out into the surrounding bush reinforcing the connection between landscape and the living environments. A central glass roofed breezeway covers flexible living spaces that can be indoors or out. Sliding shutters in the breezeway act as a ventilation flap. The building calls for interaction with itself in response to the rhythms of the place, a dynamic and participatory form of ecological awareness that places user in and a part of the process (thus transcending and including the experience of process) Figure 10.8 courtesy of Strachan Group Architects, Ltd https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532449221623-N2F3ASK0QXHPIG129UI4/10.8B_pointhouse.jpg Part II Levels of Complexity in Sustainable Design - Figure 10.8b Point House, Mangawhai Heads, Northland, New Zealand, Strachan Group, architects Figure 10.8 courtesy of Strachan Group Architects, Ltd https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1533328140737-XYTY4YD9MTAA93VROJYA/10.9A_LL16_Niches_Matrix.jpg Part II Levels of Complexity in Sustainable Design - Figure 10.9a Unfolding prospects in the cultures perspective https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1533328173607-OHSEP1F31RTJZV7PT6PU/10.9B_LL_Unfolding_Prospects_Cultures.jpg Part II Levels of Complexity in Sustainable Design - Figure 10.9b Unfolding prospects in the cultures perspective https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532449246874-XZ6DXXTSUMZ2SAL8XFPS/10.10A_rosiejoe_1.jpg Part II Levels of Complexity in Sustainable Design - Figure 10.10a Rosie Joe House, Bluff, Utah, Design Build BLUFF 2004 Level 1 Nature managed: off-the-grid, self-sufficient, creating its own energy, the Rosie Joe House maintains both an oppositional attitude of protection from its immediate site, and a merging or collapse of culture and Nature in its back-to-the-land vision. An outpost in the hostile wilderness, sun and rain are tamed and managed through human effort and guile. Figure 10.10 courtesy of DesignBuildBLUFF https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532449248528-UXWTYBM26KY4JS33C9TC/10.10B_rosiejoe_2.jpg Part II Levels of Complexity in Sustainable Design - Figure 10.10b Rosie Joe House, Bluff, Utah, Design Build BLUFF 2004 Figure 10.10 courtesy of DesignBuildBLUFF https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532449251000-SBN2VK172XPX6UIRE0VF/10.11A_findhorn.jpg Part II Levels of Complexity in Sustainable Design - Figure 10.11a Findhorn Ecovillage, Scotland; Michael and Judy Corbett, developers, 1970s Level 1 Nature managed: Findhorn (top) is an ecovillage in Scotland. Village Homes (bottom) is a suburban development in Northern California. Both are utopian in their agrarian idealism. Nature here is not the threat to be managed, as in the wilderness, but a benign force to be stewarded, worked with, and managed as a responsibility. They both incorporate a kind of neo-romantic notion of returning to ‘the garden’, where, if residents align sufficiently, all is provided. At the same time, they are organized around husbanding Nature as a trust to humans. Figure 10.11 Findhorn, courtesy of Findhorn Foundation; Village Homes, courtesy of Judy Corbett https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532449255225-JYK64ACISFDRAC7MPPCS/10.11B_village_homes.jpg Part II Levels of Complexity in Sustainable Design - Figure 10.11b Village Homes, Davis, California, Michael and Judy Corbett, developers, 1970s Level 1 Nature managed: Findhorn (top) is an ecovillage in Scotland. Village Homes (bottom) is a suburban development in Northern California. Both are utopian in their agrarian idealism. Nature here is not the threat to be managed, as in the wilderness, but a benign force to be stewarded, worked with, and managed as a responsibility. They both incorporate a kind of neo-romantic notion of returning to ‘the garden’, where, if residents align sufficiently, all is provided. At the same time, they are organized around husbanding Nature as a trust to humans. Figure 10.11 Findhorn, courtesy of Findhorn Foundation; Village Homes, courtesy of Judy Corbett https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532449267337-N7CSSFMBZQSWASUCIS70/10.12B_TROPHOUSE_01.jpg Part II Levels of Complexity in Sustainable Design - Figure 10.12a Tropical House, Sao Paolo, Brazil, 2008, Andrade Morettin, architect Level 2 Nature used: using a prefabricated system of simple materials (mosquito netting, PVC frames, wood structure) Morettin uses industrial technology and operability in an elegantly simple Modern composition to minimize resources of material and energy while maximizing use of on-site breezes for cooling. Figure 10.12 image courtesy of Nelson Kon https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532449273033-HAHEJVCYLH4U5O1YXJ4H/10.12C_Trophouse_02.jpg Part II Levels of Complexity in Sustainable Design - Figure 10.12b Tropical House, Sao Paolo, Brazil, 2008, Andrade Morettin, architect Figure 10.12 image courtesy of Nelson Kon https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532449282538-D5U8TAQQLFZT8B54883Z/10.13A_jubilee.jpg Part II Levels of Complexity in Sustainable Design - Figure 10.13a Jubilee Campus, University of Nottingham, UK, 1999, Michael Hopkins and Partners, architects Level 2 Nature used: as an example of humane high-tech Sustainable Design, the project converted a brownfield site, and incorporating low-energy heating and cooling systems, the Jubilee Campus reduced building emissions by 75 per cent, while providing a cultural centre for the larger campus ‘A low-pressure drop ventilation system uses corridors and stair towers as air plenums, reducing the energy needed to circulate air. Under normal conditions specially designed cowls (top photo) create adequate wind effect. During hot weather, photo-voltaic cells on the atrium roofs generate supplementary power for the fan driven ventilation.’ (Arup Engineers). These ‘green machines’ use science integrated with architecture to solve the environmental problems defined by engineering and then marry this with the provision of spatial amenity for human purpose by architecture yielding an economy of resources and a reduced cost to Nature. Figure 10.13 courtesy of Matt Buck https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532449284399-IV8R7NJY28RU7R4LSIAE/10.13B_jubilee_2.jpg Part II Levels of Complexity in Sustainable Design - Figure 10.13b Jubilee Campus, University of Nottingham, UK, 1999, Michael Hopkins and Partners, architects Figure 10.13 courtesy of Matt Buck https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532449303189-LAIJB9YANNN16FNKY8UW/10.14B_North+Eagle+Rock_Jeremy+Levine_2.jpg Part II Levels of Complexity in Sustainable Design - Figure 10.14a North Eagle House, Los Angeles, California, 2009, Jeremy Levine Design Level 3 Nature saved: building this residence/addition around three trees, the project presents an architecture of Sustainable Design ethics at a small scale. Rather than cutting vegetation to suit a predefined solution, the designer organizes the entire project around protecting the existing trees. Multiple courtyards help the owners appreciate the trees’ beauty and make an alliance with them for shade. The micro-habitat protection and care is completed with a green roof and landscaping is fed via greywater recycling and rainwater harvesting. Contrast this to ‘clear[cut] and grub’ practices common at Levels 1 and 2. Figure 10.14 courtesy of Jeremy Levine Design https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532449294679-FF09TS8J6RKKRBI75RWH/10.14A_North+Eagle+Rock_Jeremy+Levine_1.jpg Part II Levels of Complexity in Sustainable Design - Figure 10.14b North Eagle House, Los Angeles, California, 2009, Jeremy Levine Design Figure 10.14 courtesy of Jeremy Levine Design https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532449313776-J70OQLUBXDGO697MWZRS/10.15B_ShangriLa_38.jpg Part II Levels of Complexity in Sustainable Design - Figure 10.15a Shangri La Botanical Gardens and Nature Center, Orange, Texas, 2004, Lake Flato, architects Level 3 Nature saved: serving as a place to educate visitors on native ecosystems, the Botanical Gardens use the surrounding site as part of its regionalist architecture. This LEED Platinum project serves primarily as an interpretive centre for the site’s native ecosystems – cypress and tupelo swamp, wooded uplands, and prairie lowlands – as well as a facility for study and research. ‘The project team took an ecological inventory to define distinct ecological zones and their ecotones (areas of overlapping zones). The goals of the site plan were to: minimize disruption and fragmentation of ecological zones; maximize use of previously disturbed areas to protect native zones; and minimize site infrastructure intrusions, while emphasizing access to ecotones.’ Nature centres are some of the clearest American expressions of a postmodern level 3 cultures perspective on Sustainable Design. Figure 10.15 © Hester + Hardaway Photography https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532449309764-CQLVKUZIGGLICBXN477O/10.15A_ShangriLa_13.jpg Part II Levels of Complexity in Sustainable Design - Figure 10.15b Shangri La Botanical Gardens and Nature Center, Orange, Texas, 2004, Lake Flato, architects Figure 10.15 © Hester + Hardaway Photography https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532449324900-YJZ99S8VPWXJGBABVXCM/10.16A_LittleDiv_REVIS_DALLAS.jpg Part II Levels of Complexity in Sustainable Design - Figure 10.16a Entangled Bank, Re:Vision Dallas Competition, Dallas, Texas, 2009 (unbuilt), Diversified Architectural Consulting; Alelier Data+MOOV Level 4 Nature united: each of these projects is driven by the idea of a culture that transcends and includes Nature. Both exemplify a cultural attitude of sustainable development, where humans and Nature serve each other in a both/and world. Both use extensive technology to do so (photovoltaics, wind turbines and vertical and community gardens, rainwater catchment and irrigation, passive solar and solar thermal, etc.), but are driven by the goal of uniting culture and Nature and celebrating this complex relationship. They seek to construct and sustain patterns of the whole. Not only that, but these and several other projects from the competition clearly communicate a new cultural story of a more Integral sustainable life. Unlike many LEED Platinum projects, one cannot miss the intent here of a visible sustainable development that places people into significant relationship with Nature, both biotic and abiotic. Figure 10.16 Entangled Bank rendering © Little Diversified Architectural Consulting; https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532449327887-P2DQ4HXY597CIP7P6SMJ/10.16B_data_moov.jpg Part II Levels of Complexity in Sustainable Design - Figure 10.16b Forwarding Dallas, Re:Vision Dallas Competition, Dallas, Texas, 2009 (unbuilt), Alelier Data+MOOV Level 4 Nature united: each of these projects is driven by the idea of a culture that transcends and includes Nature. Both exemplify a cultural attitude of sustainable development, where humans and Nature serve each other in a both/and world. Both use extensive technology to do so (photovoltaics, wind turbines and vertical and community gardens, rainwater catchment and irrigation, passive solar and solar thermal, etc.), but are driven by the goal of uniting culture and Nature and celebrating this complex relationship. They seek to construct and sustain patterns of the whole. Not only that, but these and several other projects from the competition clearly communicate a new cultural story of a more Integral sustainable life. Unlike many LEED Platinum projects, one cannot miss the intent here of a visible sustainable development that places people into significant relationship with Nature, both biotic and abiotic. Forwarding Dallas rendering © Atelier Data + MOOV https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532449338696-2PJPWV38I6QB4NUI1RUO/10.17B_masdar_2.jpg Part II Levels of Complexity in Sustainable Design - Figure 10.17a Walled City of Masdar, Abu Dhabi, United Arab Emirates, 2007 (unbuilt), Foster + Partners, architects Level 4 Nature united: building on the idea of a Traditional walled city, and the high density, pedestrian-friendly concepts embedded therein, the Walled City of Masdar seeks to be the first zero-carbon, zero-waste city in the world. Masdar plans to use the surrounding land for wind and photovoltaic farms as well as research fields to keep the city entirely self-sustaining. Billed as a ‘sustainable urban blueprint for the future’, the car-free city engages both the oldest and newest of technologies to both anchor the project in its Arab desert culture and simultaneously create a new vision of sustainable development for a post-oil United Arab Emirates. Narrow streets, dense shaded development, multitudinous courtyards, covered circulation, and inner garden paradises combine with high-level technology, intelligent water systems and sophisticated mass transit. Figure 10.17 © Foster + Partners https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532449332256-1BS00ZI71QMI5NMT1WNP/10.17A_masdar.jpg Part II Levels of Complexity in Sustainable Design - Figure 10.17b Walled City of Masdar, Abu Dhabi, United Arab Emirates, 2007 (unbuilt), Foster + Partners, architects Figure 10.17 © Foster + Partners https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532447337255-B8NG1AZ8HBZFQ5178H30/7.1A_halawa_4.jpg Part II Levels of Complexity in Sustainable Design - Figure 7.1a Halawa House, Agamy, Egypt, 1975, Abdel-Wahed El-Wakil, architect Traditional dignity: The Halawa House, a recipient of the Aga Khan Award for Architecture in 1980, uses the vernacular of rural Egypt in a contemporary building, exemplifying climatic utility, and providing for delight in the patterns of sun, shade and breeze. Design ideas borne out of a regional pattern language (courtyard, fountain, loggia, wind-catcher, alcoves, masonry benches, belvedere, compressive masonry forms) give a cultural solution rooted in place. Figure 7.1 courtesy Aga Kahn Trust for Culture https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532447340440-SYNNLM77H3SHR6CYM2E0/7.1B_halawa_3.jpg Part II Levels of Complexity in Sustainable Design - Figure 7.1b Traditional disaster: From a Modern viewpoint, anchored in a Traditional regional aesthetic, the Halawa House does not accurately express its time, opting instead for the timeless alone. Could not architecture address both what does not change and what does? Figure 7.1 courtesy Aga Kahn Trust for Culture https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532447355419-HLYHNQO9JLUOGYF8TKW7/7.2A_Utzon_Fredensborg.jpg Part II Levels of Complexity in Sustainable Design - Figure 7.2a Fredensborg Housing, Fredensborg, Denmark, 1962, Jørn Utzon, architect Modern dignity: Utzon’s landmark housing development for retired Danish foreign service workers created a new Modern housing type that transcended and included the tile roof and courtyard type to also accommodate a model for suburban living, adaptation to topography, and the automobile. Figure 7.2 courtesy of Jørn Utzon https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532447358628-P6CAKIKRGBFOBIK7BC6Z/7.2B_fredensborg_.jpg Part II Levels of Complexity in Sustainable Design - Figure 7.2b Modern disaster: From the Postmodern view, in pursuing a Modern architecture accessible to all and relevant to a universal civilization, the project abstracts the house to a replicable unitary type without variation, disconnects ecologically from its site (the vast lawns), and promotes an unsustainable anti-urban life. Figure 7.2 courtesy of Jørn Utzon https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532447376056-97C2DOF3DX5UE1NAG0DD/7.3A_rossi_1.jpg Part II Levels of Complexity in Sustainable Design - Figure 7.3a Quartier Schutzenstrasse, Berlin, Germany, 1998, Aldo Rossi, architect Postmodern dignity: Concealing the fact that this is actually one office block, Rossi broke up the facade into multiple-coloured narrow segments to fit the urban precedent and suggest buildings on independent plots. Urbanistically successful, the project uses normative underpinnings of neoclassicism in several facade compositions. Figure 7.3 courtesy of Jim Hudson, www.architectureinberlin.com https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532447378942-ZII8PASAVZY0AHU3IH8O/7.3B_rossi_2.jpg Part II Levels of Complexity in Sustainable Design - Figure 7.3b Postmodern disaster: Critics have cited the overall appearance of inauthenticity, such as the imitation of stone detailing, often in veneer, like the detail shown with a slight gap between column and ground. The total number of facades exceeds the separations of independent structures behind them. The result is historic reference for effect colliding with contemporary use types. Figure 7.3 courtesy of Jim Hudson, www.architectureinberlin.com https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1533327844844-U7VGW7SYVACHNQ9D137A/8.1_complexity+1.jpg Part II Levels of Complexity in Sustainable Design - Figure 8.1 Complexity built by unfolding in multiple lines of design awareness. L4 = required for complex ecological design. Instead of adding a new content area at each higher level, an Integral design education develops several lines simultaneously, from simple to complex. https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1533246113577-6PIBBSE7R9BJKP69FAJA/Table+8.1.png Part II Levels of Complexity in Sustainable Design - Table 8.1 Level 1 Traditional content in the six essential lines of design awareness https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1533246118048-ICJAEHK6M3OK0KLG9PD2/Table+8.2.png Part II Levels of Complexity in Sustainable Design - Table 8.2 Levels of the place and context line https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532445727637-Y3PZJ8FDN7N7UQ8IBWMY/II.1A_saline_royale.jpg Part II Levels of Complexity in Sustainable Design - Figure II.1 a Traditional: Saline Royale (Royal Saltworks) at Arc-et-Senans, France, Claude-Nicolas, architect, 1775 Figure II.1A photo Gilles Pretet https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532445733848-WLM2NLX39049ZYLDBDWX/II.1B_farnsworth.jpg Part II Levels of Complexity in Sustainable Design - Figure II.1 b Modern: Farnsworth House. Plano, Illinois, Mies van der Rohe, architect 1951 Figure II.1B courtesy of Marco 2000 https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532445738472-8WW6GLYVXGTQ2SRZRZ7X/II.1C_gehry_residence.jpg Part II Levels of Complexity in Sustainable Design - Figure II.1 c Postmodern: Ghery Residence, Santa Monica, CA, Frank Ghery, architect, 1975 Figure II.1C courtesy of IK https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532445740755-YWSUE3ZUFRTL8QOFLPP7/II.1D_markia_ald.jpg Part II Levels of Complexity in Sustainable Design - Figure II.1 d Integral: Markia-Alderton House, Northern Territory, Australia, Glenn Murcutt, architect, 1994 Figure II.1D courtesy of anderson28 https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1533327618864-QFOD214HBTX2BR4L5PQI/II.2_SD_as_Interplay_of_levels.jpg Part II Levels of Complexity in Sustainable Design - Figure II.2 Sustainable Design as the interplay of levels in each quadrant https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1533327623173-1QQHUB74N25AZKZ4JGDB/II.3_The4_Sustain_Des_Perspectives.jpg Part II Levels of Complexity in Sustainable Design - Figure II.3 The four Sustainable Design perspectives https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532445758335-S4L3JC1MRS23LRJO1U01/II.4_arch2030_USelectricity.jpg Part II Levels of Complexity in Sustainable Design - Figure II.4 US electricity consumption by sector Source: Architecture 2030 https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532446150364-POX2EXC3XGD3UPRZW0F4/II.5_Temp_CO2_Graph_xl.png Part II Levels of Complexity in Sustainable Design - Figure II.5 Contributing almost half of the world’s CO2 emissions, and, noting the interconnected relationship between temperature and CO2 levels, buildings are a major driver of global climate changes currently taking place Source: Architecture 2030 https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1533327878513-WEKHXIE9KD51JHPW976I/9.1_Common_framework_for_Levels.jpg Part II Levels of Complexity in Sustainable Design - Figure 9.1 A common framework for levels across quadrants https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1533246227031-BEBEIV1T7TZ7PXO9IRU7/Table+9.1.png Part II Levels of Complexity in Sustainable Design - Table 9.1 The 16 prospects of Integral Sustainable Design https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1533246231165-W1BMZ6TRCTQS32W7TME6/Table+9.2.png Part II Levels of Complexity in Sustainable Design - Table 9.2 The 16 prospects with their examples and concerns https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1533328252945-RF7SX7GRM6NJ8V5UZA46/11.1A_16_Niches_MatrixUR.jpg Part II Levels of Complexity in Sustainable Design - Figure 11.1a Unfolding prospects in the behaviours perspective https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1533328280104-CE53T57TV2UIO3MHLG7W/11.1B_UR_Unfolding_Prospects_Behaviours.png Part II Levels of Complexity in Sustainable Design - Figure 11.1b Unfolding prospects in the behaviours perspective https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532531263742-KCEC2OYZN329A6MZZWT5/11.2A_Cantileverbarn.jpg Part II Levels of Complexity in Sustainable Design - Figure 11.2a Cantilevered Barn, Cade’s Cove, Great Smoky Mountains National Park, Tennessee, c1870–1915 Level 1 Embedded practices: the cantilevered barn reveals its structure through visible force logics, developed and improved over the course of generations of trial and error. There was no one designer; the craft was passed orally through the generations and from one farmer to another. One can read in the order of its form response, the patterns of rain, gravity, shade and sun, animals, and human labor. These forces are embedded in the forms. The technology is not separate from its spatial expression. Neither is it distinct from the knowledge of place and farming. Figure 11.2 courtesy of tinyfroglet https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532531266500-WXP3966XF4YICAAU25UP/11.2B_cantileverbarn.jpg Part II Levels of Complexity in Sustainable Design - Figure 11.2b Cantilevered Barn, Cade’s Cove, Great Smoky Mountains National Park, Tennessee, c1870–1915 Figure 11.2 courtesy of tinyfroglet https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532531271249-AFE4AFVA3TC2VPEURMBW/11.3A_zachary.jpg Part II Levels of Complexity in Sustainable Design - Figure 11.3a Zachary House, Zachary, Louisiana, 1999; Stephen Atkinson, architect Level 1 Embedded practices: Atkinson’s Zachary House employs in a contemporary structure the essence of its rural Louisiana vernacular ‘dog trot’ (breezeway). The simple two-room house type, separated by an open-air room between and spanned by a single gable provides shaded outdoor space and increases breezes via the Venturi effect. With steeply pitched roof and overhangs, the scheme related directly to deep archetypes of shelter and home. Although constructed of corrugated modern metal and light frame wood, unavailable to the progenitors of the type, it nevertheless, carries a Traditional beauty similar to the cantilever barn in what Atkinson calls, ‘modesty, timelessness, and direct expression of purpose’, a good summary of the level 1 behaviours prospect. Figure 11.3 © Tim Hursley https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532531274374-TDIRQ123ZKLUSKGVY0ST/11.3B_zachary.jpg Part II Levels of Complexity in Sustainable Design - Figure 11.3b Zachary House, Zachary, Louisiana, 1999; Stephen Atkinson, architect Figure 11.3 © Tim Hursley https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1533328309158-LVU6LC1Q2O7VIPR40Y6Q/11.4_Correlates_of_Behaviours_prospect.png Part II Levels of Complexity in Sustainable Design - Figure 11.4 Correlates of the behaviours, prospects in all quadrants https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1533328335135-HUIN6I51DCNYLU3YNV10/11.5_Traditional_level_all_quads.png Part II Levels of Complexity in Sustainable Design - Figure 11.5 The TRADITIONAL LEVEL in all quadrants https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532531291052-18RCULI2YVDJKPF9YSFN/11.6A_HOK_1.jpg Part II Levels of Complexity in Sustainable Design - Figure 11.6a Santa Clarita transit maintenance facility, Santa Clarita, California, 2008; HOK, architects Level 2 Building science: the first LEED Gold straw bale building, this super-insulated building utilizes multi-level technology (photovoltaic cells provide half of the energy needed for operation) and reacts automatically to changing climatic conditions of the extreme high/low temperatures indicative of its desert climate. It uses underfloor air distribution and high-performance glazing. The combination of high- and low-tech solutions helps this building to exceed stringent California energy efficiency standards by 40 percent. Figure 11.6 © HOK (Hellmuth, Obata and Kassabaum) https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532531294935-LPRUUEWCZI32UR8JPVE9/11.6B_HOK_2.jpg Part II Levels of Complexity in Sustainable Design - Figure 11.6b Santa Clarita transit maintenance facility, Santa Clarita, California, 2008; HOK, architects Level 2 Building science: the first LEED Gold straw bale building, this super-insulated building utilizes multi-level technology (photovoltaic cells provide half of the energy needed for operation) and reacts automatically to changing climatic conditions of the extreme high/low temperatures indicative of its desert climate. It uses underfloor air distribution and high-performance glazing. The combination of high- and low-tech solutions helps this building to exceed stringent California energy efficiency standards by 40 percent. Figure 11.6 © HOK (Hellmuth, Obata and Kassabaum) https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532531307327-KLMCVRQ75BOMS62GHZAA/11.7A_IFAW_1.jpg Part II Levels of Complexity in Sustainable Design - Figure 11.7a World Headquarters for the International Fund for Animal Welfare (IFAW), Yarmouth, Massachusetts, 2008; DesignLAB, architects Level 2 Building science: an AIA Top Ten Green Project, it utilizes low-tech, low-cost materials and considers climatic design tenets such as siting, orientation, natural daylighting and ventilation and high-efficiency mechanical systems. The IFAW earned a LEED Gold rating. Rational participatory planning reduced workspace per person by 50 per cent. Conservation practices reduced water consumption by 46 per cent compared to a building meeting the current federal standards. Rain gardens and bioswales filter and recharge 100 per cent of rainwater on the site, and an advanced septic system treats 100 per cent of wastewater to tertiary standards. Energy consumption is 32 per cent less than conventional offices. In short, its (level 2) claims to sustainability arise from logics of measurement (or simulated predictions) compared to quantitative standards (energy and water targets) and comparative multivariate metrics (LEED). Figure 11.7 © IFAW/International Fund for Animal Welfare/P. Vanderwarker https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532531310839-A9X0XF9Y6CM3WYKSTFY8/11.7B_IFAW_2.jpg Part II Levels of Complexity in Sustainable Design - Figure 11.7b World Headquarters for the International Fund for Animal Welfare (IFAW), Yarmouth, Massachusetts, 2008; DesignLAB, architects Figure 11.7 © IFAW/International Fund for Animal Welfare/P. Vanderwarker https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532531326848-BJPPMCA1YVH9JV5KJZKN/11.8A_Leura+06.jpg Part II Levels of Complexity in Sustainable Design - Figure 11.8a Leura House, Sydney, Australia, 2008; James Stockwell, architect Level 3 Cyclic analogues: this project is designed for passive solar performance, while organized as an analogue and completion of a landscape spatial sequence and as a participant in the climatic cycles of its place Not coincidentally, it uses a level 3 spatial order of ‘incompleteness’ of space with layers and transitions and the elimination of literal thresholds It addresses ‘warmth/cooling, ventilation and acoustics with simple passive methods backed up by hydronic heating/cooling’. The house produces its own power and water. A hierarchical logic of passive renewable power built on efficient machines built on smart passive systems is indicative of this LEVEL 3 PROSPECT. Figure 11.8 © Patrick Bingham Hall/Pesaro Publishing https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532531331548-ZEXK1NMEAJE3YZ5B0JH6/11.8B_Leura_May_15s.jpg Part II Levels of Complexity in Sustainable Design - Figure 11.8b Leura House, Sydney, Australia, 2008; James Stockwell, architect Figure 11.8 © Patrick Bingham Hall/Pesaro Publishing https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532531344081-ZK5VCWLLRZS6COCYM8QT/11.9A_547_Arts1.jpg Part II Levels of Complexity in Sustainable Design - Figure 11.9a 5.4.7 Arts Center, Greensburg, Kansas, 2008, Dan Rockhill, architect Level 3 Cyclic analogues: designed and built by graduate students at the University of Kansas, the Art Center utilizes multiple active and passive energy systems: photovoltaic cells, wind turbines, geothermal heating and cooling, thermal massing, cross-ventilation and stack ventilation, and a green roof, among other features. The first LEED Platinum building in Kansas, it harvests rainwater to irrigate buffalo grass and uses recycled insulation, siding, and countertops. As a level 3 prospect project, it not only saves resources (level 2) but links multiple energy water and material systems in ways that begin to make the building an analogue of an ecosystem. Figure 11.9 courtesy of Studio 804 https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532531347774-JTGNIB6OY2TTW42SC2EO/11.9B_547_arts2.jpg Part II Levels of Complexity in Sustainable Design - Figure 11.9b 5.4.7 Arts Center, Greensburg, Kansas, 2008, Dan Rockhill, architect Figure 11.9 courtesy of Studio 804 https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532531364998-OJAKBMW3GW3DO2O29OXA/11.10A_sliding_house_2.jpg Part II Levels of Complexity in Sustainable Design - Figure 11.10a Sliding House, Suffolk, England, 2008; dRMM, architects Level 4 Responsive structures: a moveable roof/wall shell structure slides over the three-part dwelling (main house, guest house, and greenhouse) to create unique environments and accommodate the desires of the occupants, depending on the time of day as well as season. ‘As it moves, the sliding element creates shifting outdoor living areas between the static elements as well as altering views, lighting conditions and the sense of enclosure inside the house.’ At the same time, the degree of shelter, sunlight and insulation also vary as a dynamic response to lively and chaotic climate conditions. Although this is a simple and large-scale response, it does suggest the kind of prospect that can be taken at level 4, where buildings and sites respond dynamically as if living. Figure 11.10 © Alex de Rijke (dRMM Architects) https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532531373188-DIEI8GF8ZSW6BWW1J7T4/11.10B_sliding_house_3.jpg Part II Levels of Complexity in Sustainable Design - Figure 11.10b Sliding House, Suffolk, England, 2008; dRMM, architects Level 4 Responsive structures: a moveable roof/wall shell structure slides over the three-part dwelling (main house, guest house, and greenhouse) to create unique environments and accommodate the desires of the occupants, depending on the time of day as well as season. ‘As it moves, the sliding element creates shifting outdoor living areas between the static elements as well as altering views, lighting conditions and the sense of enclosure inside the house.’ At the same time, the degree of shelter, sunlight and insulation also vary as a dynamic response to lively and chaotic climate conditions. Although this is a simple and large-scale response, it does suggest the kind of prospect that can be taken at level 4, where buildings and sites respond dynamically as if living. Figure 11.10 © Alex de Rijke (dRMM Architects) https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532531374031-RQCKWMJML1MHRCQFL8N3/11.10C_sliding_house_1.jpg Part II Levels of Complexity in Sustainable Design - Figure 11.10c Sliding House, Suffolk, England, 2008; dRMM, architects Level 4 Responsive structures: a moveable roof/wall shell structure slides over the three-part dwelling (main house, guest house, and greenhouse) to create unique environments and accommodate the desires of the occupants, depending on the time of day as well as season. ‘As it moves, the sliding element creates shifting outdoor living areas between the static elements as well as altering views, lighting conditions and the sense of enclosure inside the house.’ At the same time, the degree of shelter, sunlight and insulation also vary as a dynamic response to lively and chaotic climate conditions. Although this is a simple and large-scale response, it does suggest the kind of prospect that can be taken at level 4, where buildings and sites respond dynamically as if living. Figure 11.10 © Alex de Rijke (dRMM Architects) https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532531380226-9TJSMAFR9YSCI3Y011YU/11.11A_cradletocradle.jpg Part II Levels of Complexity in Sustainable Design - Figure 11.11a Cradle to Cradle Home, Roanoke, Virginia (unbuilt), 2006; Coates Design Level 4 Responsive structures: this is the winner of the C2C Cradle to Cradle International Design Competition. From its photosynthetic and phototropic ‘skin’ that moves with the sun to its soy foam wall panels and vegetated roof system, the Cradle to Cradle Home incorporates multi-level technology that addresses the full life cycle of building and materials to create a sustainable, ‘living building’ beyond anything considered in current green building rating systems. The level 4 behaviours prospect often exhibits biomimicry and ecomimicry. ‘… this living skin is photosynthetic and phototropic. It grows and follows the path of the sun, generating electri-city in excess of single family needs.’. ‘This design suggests that community interdependence is the necessary foundation for future growth. One home shelters one family, but creates a resource that benefits many.’ (www.cradletocradlehome.com) Figure 11.11 © Coates Design https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532531381107-478U95AAFJQSJLWL3JZR/11.11B_cradle_to_cradle.jpg Part II Levels of Complexity in Sustainable Design - Figure 11.11b Cradle to Cradle Home, Roanoke, Virginia (unbuilt), 2006; Coates Design Figure 11.11 © Coates Design https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1533328371926-HOVY3HOV5PKXZCHSF04O/11.12A_LR16_Niches_Matrix.png Part II Levels of Complexity in Sustainable Design - Figure 11.12a Unfolding prospects in the systems perspective https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1533328410561-P9ENXO04D90WW057FBIQ/11.12B_LR_Unfolding_Prospects_Systems.png Part II Levels of Complexity in Sustainable Design - Figure 11.12b Unfolding prospects in the systems perspective https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532531403900-BUYVNBGEX6XGUVIAU4WJ/11.13A_Jacal_03book.jpg Part II Levels of Complexity in Sustainable Design - Figure 11.13a Hill Country Jacal (weekend retreat), Pipe Creek, Texas, 1999, Lake-Flato, architects Level 1 Tacit systems: using a vernacular lean-to structure, the Hill Country Jacal (a Mexican term referring to a lean-to structure) utilizes pre-industrial strategies. Its design is a contemporary conscious use of building systems, practices, and patterns that emerged over centuries. ‘The simple screened cedar pole structure is oriented towards the prevailing summer breeze and creek while its stone wall shelters the living space from the northwest winter winds. The thick limestone wall houses an outdoor shower, bunk beds and composting toilet. The screened living space and adjacent open porch step down the hill under the simple shed roof.’ Figure 11.13 © Leigh Christian https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532531410134-WH1DWMXCGS4W42CHDYOK/11.13B_Jacal_05book.jpg Part II Levels of Complexity in Sustainable Design - Figure 11.13b Hill Country Jacal (weekend retreat), Pipe Creek, Texas, 1999, Lake-Flato, architects Figure 11.13 © Leigh Christian https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532531430275-SJ1UL9P3U51LNFCIKIGI/11.14A_Cellophane.jpg Part II Levels of Complexity in Sustainable Design - Figure 11.14a Cellophane House (a) completed, rendering (facing page), (b) assembly sequence (this page); installation, Kieran Timberlake Figure 11.14 © Kieran Timberlake https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532531438231-BKYIHA7BGBCGUN2C6JCZ/11.14B_cellophane.jpg Part II Levels of Complexity in Sustainable Design - Figure 11.14b Cellophane House (a) completed, rendering (facing page), (b) assembly sequence (this page); installation, Kieran Timberlake Level 2 Logical systems: the Cellophane House is an offsite fabricated dwelling for the Museum of Modern Art’s exhibition ‘Home Delivery: Fabricating the Modern Dwelling’. Relying heavily on modular prefabrication, it possesses immense building efficiencies, and the flexible system allows for configurations to suit a variety of sites. It is a mechanically fastened, demountable system logically reconfigurable, replaceable, and recyclable. The architects tell the story from the level 2 logical systems prospect: ‘A building is, at root, nothing more than an assemblage of materials forming an enclosure.’ ‘The actual materials are, in a sense, irrelevant: it is the manner in which they are joined together that defines the essence of a structure.’ ‘It begins with the system as its basis, allowing architecture to grow out of its opportunities and constraints.’ Figure 11.14 © Kieran Timberlake https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532531446459-DLN9AFRXWIXSXWR0TD9T/11.15A_OakLodge-ComHall.jpg Part II Levels of Complexity in Sustainable Design - Figure 11.15a Oak Lodge, Our Lady of the Oaks Retreat Center, Applegate, California, Siegal + Stain (2007) Figure 11.15 © JD Peterson https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532531450304-7M79I5YUOU5XUB3T7G04/11.15B_OakLodge-SWcornernite.jpg Part II Levels of Complexity in Sustainable Design - Figure 11.15b Oak Lodge, Our Lady of the Oaks Retreat Center, Applegate, California, Siegal + Stain (2007) Level 3 Complex systems: set in a remote location, the Oak Lodge uses the surrounding landscape as context to inform its design. Angles of the building follow contours of the earth and undulate to accommodate mature trees. In keeping with the Jesuit’s mission of environmental stewardship, the complex also features low-cost, low-tech sustainability ideas such as straw bale construction and ventilation chimneys. The dormitory wing is joined to the meeting rooms by a breezeway and screened porch. While the project is relatively low-tech, its designers read the landscape as a complex context in its structure, climate, and ecological dimensions. To see the landscape as a complex system is a LEVEL 3 PROSPECT. Figure 11.15 © JD Peterson https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532531572282-H0XKW3VL6N4QFQA9Z7KE/11.16A_Merrill+Center+0424.jpg Part II Levels of Complexity in Sustainable Design - Figure 11.16a Chesapeake Bay Foundation Philip Merrill Center, Annapolis, Maryland, 2000, Smith Group, Inc., architects Level 3 Complex systems: utilizing multiple active and passive sustainability systems, from solar power to cisterns for water capture, the Philip Merrill Center serves as an educational tool for environmental advocacy. The first LEED Platinum building, it treats both building and landscape as complex systems made of multiple processes. As an example, water is the central theme of the project and also of the organization itself, incorporating rain-water harvesting and reuse, composting toilets, cisterns, bioretention filters and more than 90 per cent reduction in water use over a comparable conventional office building. Combined with ecosystem restoration, native landscaping, etc., the project takes a whole-systems ecotechnic view of design for water. Figure 11.16 courtesy of Chesapeake Bay Foundation/CBF.org https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532531574563-HB5QEMQNDLF6A4C2JLU9/11.16B_Merrill+Center+0432.jpg Part II Levels of Complexity in Sustainable Design - Figure 11.16b Chesapeake Bay Foundation Philip Merrill Center, Annapolis, Maryland, 2000, Smith Group, Inc., architects Figure 11.16 courtesy of Chesapeake Bay Foundation/CBF.org https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532531580237-WFAWG0NPUCC2UWHO4OLS/11.17A_Zuidkas+highres3.jpg Part II Levels of Complexity in Sustainable Design - Figure 11.17a The Zuidkas Project, Amsterdam, The Netherlands (unbuilt), 2009; Paul de Ruiter, architect Figure 11.17 courtesy of Architectenbureau Paul de Ruiter https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532531592850-XHUQNV2N8W5OMWKN1C81/11.17B_zuidkas.jpg Part II Levels of Complexity in Sustainable Design - Figure 11.17b The Zuidkas Project, Amsterdam, The Netherlands (unbuilt), 2009; Paul de Ruiter, architect Figure 11.17 courtesy of Architectenbureau Paul de Ruiter https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532531595030-G7299OO2XL8G03RYB4FV/11.17C_Zuidkas.jpg Part II Levels of Complexity in Sustainable Design - Figure 11.17c The Zuidkas Project, Amsterdam, The Netherlands (unbuilt), 2009; Paul de Ruiter, architect Level 4 Living systems: through combining multiple programs in one complex (residential, commercial, educational and parks) as well as numerous systems to generate and store energy (greenhouse, fermentation plant and CHP power installation), The Zuidkas Project serves as an example of the building-ecosystems of tomorrow. Commissioned by the Government Building Agency, ‘The main objective of the Zuidkas project is to achieve the highest possible score with regard to the fulfillment of environmental objectives.’ ‘The concept of the urban greenhouse or “Zonneterp” establishes connections between a greenhouse with a co-fermentation plant on the one hand and the built-up environment on the other. This concept involves five recycling streams: waste, water, heat, CO2 and energy.’ The proposal is similar on a smaller scale to Paolo Soleri’s visions of dense, three dimensional, eco-functional cities Figure 11.17 courtesy of Architectenbureau Paul de Ruiter https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532531598534-9Y4PRQDLS5DFOOXZ0BSD/11.18A_Hammarby.jpg Part II Levels of Complexity in Sustainable Design - Figure 11.18a Hammarby Sjostad, Stockholm, Sweden, 2007–2009. Level 4 Living systems: the people who live in Hammarby Sjostad are considered part of an eco-cycle known as the Hammerby Model (diagram). Their energy, waste, sewage and water are managed in a sustainable way, and in so doing promote the reality of living systems as a way of life. Designed for 25,000, all homes are built to sustainable standards, families live in apartments, prefabrication is the norm, and the project reinhabits an industrial site. It suggests what is possible at the city scale in terms of eco-cycling. It demonstrates ecological restoration, sustainable development, brownfield reclamation, and social regeneration. Sustainability in this prospect takes bioregion as its context and seeks to construct a society organized functionally like Nature (ecomimicry). Figure 11.18 photo courtesy of Malena Karlsson https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532531601139-2N24FD9ONJLMOT3I7RY9/11.18B_Hammarby.jpg Part II Levels of Complexity in Sustainable Design - Figure 11.18b Hammarby Sjostad, Stockholm, Sweden, 2007–2009. Level 4 Living systems: the people who live in Hammarby Sjostad are considered part of an eco-cycle known as the Hammerby Model (diagram). Their energy, waste, sewage and water are managed in a sustainable way, and in so doing promote the reality of living systems as a way of life. Designed for 25,000, all homes are built to sustainable standards, families live in apartments, prefabrication is the norm, and the project reinhabits an industrial site. It suggests what is possible at the city scale in terms of eco-cycling. It demonstrates ecological restoration, sustainable development, brownfield reclamation, and social regeneration. Sustainability in this prospect takes bioregion as its context and seeks to construct a society organized functionally like Nature (ecomimicry). Figure 11.18 diagram courtesy of Lena Wettrén, Bumling AB; https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532531608016-6V1OAP104ICE5HTR0627/11.19_Trajectory_black.jpg Part II Levels of Complexity in Sustainable Design - Figure 11.19 Reed’s trajectory of environmentally responsible design Figure 11.19 courtesy of Bill Reed, architect https://greenvisionstudio.org/integral-sustainable-design-home daily 0.75 2018-08-15 https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1490991970300-Y0V09WUYFXSS6SNQ9FHD/image-asset.png Integral Sustainable Design Home The Big Gorilla, print + Kindle https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1533316386164-HHK88FIZ2OPGO6PHNDOP/Vital_source_500x122.png Integral Sustainable Design Home e-book & rental https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1490985896412-XEHSVZ9QIIA4JAU2F7EO/ABE_Books_DES_06_Logo_180.jpg Integral Sustainable Design Home Independents https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532709550293-YKABUAORQX9X3MK1NGFN/ISD+Cover.jpg Integral Sustainable Design Home https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1533316152569-9XQTEMS4IJWT73Q3XPZ3/routledge_500x122.jpg Integral Sustainable Design Home Publisher https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1490987292645-07T3PQ7TVLCA3QQKLHRY/google-play-logo180.png Integral Sustainable Design Home Buy e-Book https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1490987901235-FZ9J4ESNQLZOG9KKAUXP/ebooks-com-logo-180.png Integral Sustainable Design Home Buy e-Book https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532979262315-30CONW4DX0GUOVHUYSD0/CoverSQ.jpg Integral Sustainable Design Home https://greenvisionstudio.org/part-ii-levels-of-complexity-in-sustainable-design-the-four-contemporary-structures daily 0.75 2018-07-26 https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1533328553946-YOXRYTSR6MVYIDCQYSD1/15.1_structure+to+process+copy+copy.png Part III Ecological Design Thinking - Figure 15.1 The shift from structure to process: Do we see the form and anatomy of our design or do we see its flows and physiology? https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532542138271-3JVDCT8F2VWE0USVYM1Y/15.2A_MICA_courtyard.jpg Part III Ecological Design Thinking - Figure 15.2a MICA School, Gujarat, India, 1991, Anant Raje, architect Courtyard and western facade. Understanding the process of the intense Indian sun generates a solution with no exterior west openings, but large, inset, protected openings facing the court. Light, through the order of the form, becomes all indirect. © Mark DeKay https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532542140834-75UN54Y78D95B7YN15NH/15.2B.jpg Part III Ecological Design Thinking - Figure 15.2b MICA School, Gujarat, India, 1991, Anant Raje, architect Courtyard and western facade. Understanding the process of the intense Indian sun generates a solution with no exterior west openings, but large, inset, protected openings facing the court. Light, through the order of the form, becomes all indirect. © Mark DeKay https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532542151160-0AVBB63VKDOOXKDQE5GN/15.3A_StuttgartRowhouses+copy.jpg Part III Ecological Design Thinking - Figure 15.3a Rowhouses, Expo 2000, Stuttgart, Germany c1996 With a site not oriented cardinally, the organization of the rowhouses follows both the street and the sun. The solar collecting apertures cant towards due south. Fixed and movable shades adjust to the moving sun in summer. Operable windows for cross and stack-ventilation provide a high airflow rate, while operable louvers provide secure lower rates of flow. © Mark DeKay https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532542153740-7D0JLVZIW2FDT8DSN47W/15.3B_StuttgartRowhouses2+copy.jpg Part III Ecological Design Thinking - Figure 15.3b Rowhouses, Expo 2000, Stuttgart, Germany c1996 With a site not oriented cardinally, the organization of the rowhouses follows both the street and the sun. The solar collecting apertures cant towards due south. Fixed and movable shades adjust to the moving sun in summer. Operable windows for cross and stack-ventilation provide a high airflow rate, while operable louvers provide secure lower rates of flow. © Mark DeKay https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532542164281-0RH4W0SK2QL77ALWU3HD/15.4A_houtan_1.jpg Part III Ecological Design Thinking - Figure 15.4a Landscape as a Living System, Shanghai Houtan Park, Shanghai, China, 2010, Turenscape, China, landscape architects and Peking University Graduate School of Landscape Architecture ‘The Houtan Park is a regenerative living landscape on Shanghai’s Huangpu riverfront. The park’s constructed wetland, ecological flood control, reclaimed industrial structures and materials, and urban agriculture are integral components of an overall restorative design strategy to treat polluted river water and recover the degraded waterfront in an aesthetically pleasing way.’ (ALSA, 2010) It is form made of process in which the designers also take responsibility for the change and development of the landscape and social processes in the site over time. Figure 15.4 Rendering courtesy of Turenscape https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532542176322-4QIR9S1ECDNAVG2YHNGI/15.4B_houtan_4.jpg Part III Ecological Design Thinking - Figure 15.4b Landscape as a Living System, Shanghai Houtan Park, Shanghai, China, 2010, Turenscape, China, landscape architects and Peking University Graduate School of Landscape Architecture ‘The Houtan Park is a regenerative living landscape on Shanghai’s Huangpu riverfront. The park’s constructed wetland, ecological flood control, reclaimed industrial structures and materials, and urban agriculture are integral components of an overall restorative design strategy to treat polluted river water and recover the degraded waterfront in an aesthetically pleasing way.’ (ALSA, 2010) It is form made of process in which the designers also take responsibility for the change and development of the landscape and social processes in the site over time. Figure 15.4 Photo courtesy of Kongjian Yu https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1533246562697-WZLM73DPRA4PADNFIFRU/Table+15.1.png Part III Ecological Design Thinking - Table 15.1 Types of process-form relationships in design https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1533328585172-FLV5BKK5M4FVCXSBUJSY/16.1_Materiality+to+Config+copy.png Part III Ecological Design Thinking - Figure 16.1 Shift from materiality to configuration: Do we see what our designs are made of or what their patterns are? https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532542238015-5JTRP04154N3CZCGHZYF/16.2B_OCnfig_UofOstudent.jpg Part III Ecological Design Thinking - Figure 16.2a Student projects In design we find always the character of both fundamental materiality and significant configuration. Materials are configured in to patterns, in these examples in relation to spatial and structural order. © Mark DeKay https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532542236529-WT5T4ESBEGPJOS72NYCA/16.2A_Materiality_UofOstudet+copy.jpg Part III Ecological Design Thinking - Figure 16.2b Student projects In design we find always the character of both fundamental materiality and significant configuration. Materials are configured in to patterns, in these examples in relation to spatial and structural order. © Mark DeKay https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532542268732-UUGTXKCN3TR4DP3TTJBA/16.3A_surkej+2.jpg Part III Ecological Design Thinking - Figure 16.3a The Surkej Resevoir Complex, west of Ahmedabad, Gujarat, India, 1446–1451; Muhammad Shah, architect. Site plan (top), view from arcade at mosque to great tank (bottom) and plan of tombs and mosque (facing page) A pleasure palace, lake, mosque, mausoleum and market complex from the Mughal era. This elegant composition is made of dozens of interrelated patterns at multiple scales, repeated over and over: walled courtyards, arcades, alcoves, domed vaulting, grids of pillars, pillars with geometric bases and capitals, patterned sandstone floors, ceremonial niches, tiered step-ghats, etc. Figure 16.3 plans, Klaus Herdeg https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532542273246-CB9V772PPTHEEORTAW6G/16.3C_SurkejCloister+copy.jpg Part III Ecological Design Thinking - Figure 16.3b The Surkej Resevoir Complex, west of Ahmedabad, Gujarat, India, 1446–1451; Muhammad Shah, architect. Site plan (top), view from arcade at mosque to great tank (bottom) and plan of tombs and mosque (facing page) A pleasure palace, lake, mosque, mausoleum and market complex from the Mughal era. This elegant composition is made of dozens of interrelated patterns at multiple scales, repeated over and over: walled courtyards, arcades, alcoves, domed vaulting, grids of pillars, pillars with geometric bases and capitals, patterned sandstone floors, ceremonial niches, tiered step-ghats, etc. https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532542271262-C37JZY6Z42NBPHIWU4L9/16.3B_surkej+1.jpg Part III Ecological Design Thinking - Figure 16.3c The Surkej Resevoir Complex, west of Ahmedabad, Gujarat, India, 1446–1451; Muhammad Shah, architect. Site plan (top), view from arcade at mosque to great tank (bottom) and plan of tombs and mosque (facing page) A pleasure palace, lake, mosque, mausoleum and market complex from the Mughal era. This elegant composition is made of dozens of interrelated patterns at multiple scales, repeated over and over: walled courtyards, arcades, alcoves, domed vaulting, grids of pillars, pillars with geometric bases and capitals, patterned sandstone floors, ceremonial niches, tiered step-ghats, etc. Figure 16.3 plans, Klaus Herdeg https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532542286378-M6890DG6I5URY9Q2D6H3/16.4A_alexander_2.jpg Part III Ecological Design Thinking - Figure 16.4a Eishin College, Iruma-shi, Saitama Prefecture, Japan, Christopher Alexander and Center for Environmental Stucture, 1985–1989 The project was designed from a set of about 200 patterns from the urban scale of its large site to the detials of its ornament and paving, which defines ‘a way of life for a high school and university.’ (Alexander, 2001, vol II, pp363–366). A few examples: separate classroom buildings; each building like a house; gardens between the classrooms; paths connecting classrooms exposed to rain. ‘Of all the projects we have done, this is one where the development of the pattern language and generative process received the most complete, and formal process of discovery of patterns, experiments, modification and formulation of patterns, hammering out a final version in committee, and then formal ratification of our final draft by the body of the whole school: directors, teachers, staff and students.’ (Center for Environmental Structure, 2006) Figure 16.4 © Christopher Alexander/Center for Environmental Structure https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532542290752-UKU90MGU9Y3O4WNA4BHH/16.4B_alexander_3.jpg Part III Ecological Design Thinking - Figure 16.4b Eishin College, Iruma-shi, Saitama Prefecture, Japan, Christopher Alexander and Center for Environmental Stucture, 1985–1989 The project was designed from a set of about 200 patterns from the urban scale of its large site to the detials of its ornament and paving, which defines ‘a way of life for a high school and university.’ (Alexander, 2001, vol II, pp363–366). A few examples: separate classroom buildings; each building like a house; gardens between the classrooms; paths connecting classrooms exposed to rain. ‘Of all the projects we have done, this is one where the development of the pattern language and generative process received the most complete, and formal process of discovery of patterns, experiments, modification and formulation of patterns, hammering out a final version in committee, and then formal ratification of our final draft by the body of the whole school: directors, teachers, staff and students.’ (Center for Environmental Structure, 2006) Figure 16.4 © Christopher Alexander/Center for Environmental Structure https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532542293883-LOKB45UNKE0JJPY6NR8L/16.4C_alexander_4.jpg Part III Ecological Design Thinking - Figure 16.4c Eishin College, Iruma-shi, Saitama Prefecture, Japan, Christopher Alexander and Center for Environmental Stucture, 1985–1989 The project was designed from a set of about 200 patterns from the urban scale of its large site to the detials of its ornament and paving, which defines ‘a way of life for a high school and university.’ (Alexander, 2001, vol II, pp363–366). A few examples: separate classroom buildings; each building like a house; gardens between the classrooms; paths connecting classrooms exposed to rain. ‘Of all the projects we have done, this is one where the development of the pattern language and generative process received the most complete, and formal process of discovery of patterns, experiments, modification and formulation of patterns, hammering out a final version in committee, and then formal ratification of our final draft by the body of the whole school: directors, teachers, staff and students.’ (Center for Environmental Structure, 2006) Figure 16.4 © Christopher Alexander/Center for Environmental Structure https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532542296469-2N0B8Q05NORPV5S46VDB/16.4D_alexander_1.jpg Part III Ecological Design Thinking - Figure 16.4d Eishin College, Iruma-shi, Saitama Prefecture, Japan, Christopher Alexander and Center for Environmental Stucture, 1985–1989 The project was designed from a set of about 200 patterns from the urban scale of its large site to the detials of its ornament and paving, which defines ‘a way of life for a high school and university.’ (Alexander, 2001, vol II, pp363–366). A few examples: separate classroom buildings; each building like a house; gardens between the classrooms; paths connecting classrooms exposed to rain. ‘Of all the projects we have done, this is one where the development of the pattern language and generative process received the most complete, and formal process of discovery of patterns, experiments, modification and formulation of patterns, hammering out a final version in committee, and then formal ratification of our final draft by the body of the whole school: directors, teachers, staff and students.’ (Center for Environmental Structure, 2006) Figure 16.4 © Christopher Alexander/Center for Environmental Structure https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1533328498360-Y3SZ0VVJ8OKA0B8P3TTD/13.1_objects+to+relationships+copy+copy.png Part III Ecological Design Thinking - Figure 13.1 Shift from objects to relationships. Which do we see more: the things or how the things are connected? https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532541744675-S96WXQWGALBN4UNXA25E/13.2A_NID_court+copy.jpg Part III Ecological Design Thinking - Figure 13.2a National Institute of Design, Ahmedabad, India, 1961; Kapadia + Banker, architects © Mark DeKay https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532541747565-HIMBFQZGN4VUQV50LJP6/13.2B_NIDbelow+copy.jpg Part III Ecological Design Thinking - Figure 13.2b National Institute of Design, Ahmedabad, India, 1961; Kapadia + Banker, architects A building that cannot be understood as an object alone, but rather as a framework for changing relationships between inside and outside, between people and climate. Indoor space, courtyard and underneath space are inhabited at different times of day and year, depending on conditions; whole walls open for breezes in the hot season. © Mark DeKay https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532541762600-OI8D09P8QR6OWMEPPI40/13.3A_ten_eyck_4.jpg Part III Ecological Design Thinking - Figure 13.3a Underwood Family Sonoran Landscape Laboratory, Tucson, Arizona; Ten Eyck, landscape architects, 2010 Figure 13.3 photos Bill Timmerman, courtesy of Ten Eyck Landscape Architects, Inc. https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532541763894-JYPNCZVZDAGGYHC4BGK5/13.3B_ten_eyck_1.jpg Part III Ecological Design Thinking - Figure 13.3b Underwood Family Sonoran Landscape Laboratory, Tucson, Arizona; Ten Eyck, landscape architects, 2010 This project is organized and expresses ecological relationships and social relationships in an integrated way. It is social space and circulation, and an educational facility. It allies with the surrounding buildings providing shade and accepting their stormwater. `It exemplifies sustainable strategies of water harvesting, climate regulation, air and water cleansing, recycling, urban wildlife habitat and human well-being. The former greyfield is now a thriving habitat that shades the southern exposure of the new building with a vine-covered scrim. An 11,600-gallon tank collects water produced by the building to support the native garden.’ (ASLA, 2010) Figure 13.3 photos Bill Timmerman, courtesy of Ten Eyck Landscape Architects, Inc. https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532541823264-J4ZZNKPBHQP5T5HITZN5/14.2A_Laclede%27sLandingProj1+copy.jpg Part III Ecological Design Thinking - Figure 14.2a Student model, study of form generated by context A project set in an urban context. Sun studies to protect adjacent sites’ access to sun help generate a unique massing. What may appear arbitrary manifests an underlying order of place. © Mark DeKay https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532541825924-8F5C4637NZIAIPBZOFKK/14.2B_Laclede%27sLandingProj2+copy.jpg Part III Ecological Design Thinking - Figure 14.2b Student model, study of form generated by context A project set in an urban context. Sun studies to protect adjacent sites’ access to sun help generate a unique massing. What may appear arbitrary manifests an underlying order of place. © Mark DeKay https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532541828714-AXJVK8GQWD9VHQIVJDZB/14.3A_AlbuquerqueAerial+copy.jpg Part III Ecological Design Thinking - Figure 14.3a The Rio Grande near Albuquerque Two different landscapes, one rich in rainfall, the other dry. Could the Integral Sustainable Designer today ever design similarly in both contexts? © Mark DeKay https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532541831031-A6Z9XDAQRRAEQD1237O6/14.3B_ColumbiaR_OR+copy.jpg Part III Ecological Design Thinking - Figure 14.3b The Columbia River Gorge (Washington side) Two different landscapes, one rich in rainfall, the other dry. Could the Integral Sustainable Designer today ever design similarly in both contexts? © Mark DeKay https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532541855971-VDOKMDZCG75TDRU9UA6E/14.4B_LarsensLibrarySouth+copy.jpg Part III Ecological Design Thinking - Figure 14.4a Building in a Scandinavian climate, Gentofte Central Library, Denmark, Henning Larsen South versus north orientations (above) and interior versus perimeter spaces on a rainy day (below). More light in this climate is better most of the time, and it comes in winter only from the south (when sunny) and from the sky overhead (when overcast). A reading room, laid out like a winter garden at the northern main entrance, affords view of the surrounding park. Such a building belongs nowhere in America. © Mark DeKay https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532541854261-WWNYETLE7ATJRT8FKPB7/14.4A_LarsensLibraryNorth+copy.jpg Part III Ecological Design Thinking - Figure 14.4b Building in a Scandinavian climate, Gentofte Central Library, Denmark, Henning Larsen South versus north orientations (above) and interior versus perimeter spaces on a rainy day (below). More light in this climate is better most of the time, and it comes in winter only from the south (when sunny) and from the sky overhead (when overcast). A reading room, laid out like a winter garden at the northern main entrance, affords view of the surrounding park. Such a building belongs nowhere in America. © Mark DeKay https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1533328526124-8QL4I38A9WMDY7D17LD0/14.1_Analysis_to_Context+Clares+Edit.png Part III Ecological Design Thinking - Figure 14.1 Shift from analysis to context: Do we break the whole into parts or place it into its larger whole? https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532541859014-2X8BQRYQPEZLO7P0RE8A/14.4C_LarsensibraryInterior+copy.jpg Part III Ecological Design Thinking - Figure 14.3c Building in a Scandinavian climate, Gentofte Central Library, Denmark, Henning Larsen South versus north orientations (above) and interior versus perimeter spaces on a rainy day (below). More light in this climate is better most of the time, and it comes in winter only from the south (when sunny) and from the sky overhead (when overcast). A reading room, laid out like a winter garden at the northern main entrance, affords view of the surrounding park. Such a building belongs nowhere in America. © Mark DeKay https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532541861093-H2RVPIX0LCHWSUEBFGZ1/14.4D_LarsensLibrarySunspace+copy.jpg Part III Ecological Design Thinking - Figure 14.4d Building in a Scandinavian climate, Gentofte Central Library, Denmark, Henning Larsen South versus north orientations (above) and interior versus perimeter spaces on a rainy day (below). More light in this climate is better most of the time, and it comes in winter only from the south (when sunny) and from the sky overhead (when overcast). A reading room, laid out like a winter garden at the northern main entrance, affords view of the surrounding park. Such a building belongs nowhere in America. © Mark DeKay https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532541880659-TD7F79JGY9Z8ZIMBUV06/14.5A_bambu_3.jpg Part III Ecological Design Thinking - Figure 14.5a The Green School, Bali, Indonesia 2008, John and Cynthia Hardy & PT Bambu Set in the context of Indonesia, this school has a remarkable campus constructed completely from local sustainably harvested bamboo and powered by local, on-site renewable energy systems including a bamboo sawdust hot water and cooking system, a hydropowered generator and solar panels. The scheme responds to the contexts of climate, site, culture and ecology. Figure 14.5 © PT Bambu https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532541883142-ZLFCMO4PO4962DHHDWLP/14.5B_bambu_2.jpg Part III Ecological Design Thinking - Figure 14.5b The Green School, Bali, Indonesia 2008, John and Cynthia Hardy & PT Bambu Set in the context of Indonesia, this school has a remarkable campus constructed completely from local sustainably harvested bamboo and powered by local, on-site renewable energy systems including a bamboo sawdust hot water and cooking system, a hydropowered generator and solar panels. The scheme responds to the contexts of climate, site, culture and ecology. Figure 14.5 © PT Bambu https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532541889188-FQSKVIH8XH6NX9EGV99X/14.6_kandalama1.jpg Part III Ecological Design Thinking - Figure 14.6 Kandalama Hotel, Dambilla, Sri Lanka, Geoffrey Bawa, 1991 The project is both an elegant topographic response and a merging with the site in which the integration of human thought and the biological world is clearly expressed. ‘The concrete frame is used to support a second skin of timber sun breakers, which in turn support a screen of vegetation, while the flat roof has been turned into a tropical garden.’ (Geoffrey Bawa Trust, 2010) Figure 14.6 courtesy of Geoffrey Bawa Trust https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532541594225-66H5190P0YZ56YU4CC6A/III.1_Alaskan+river_edit.jpg Part III Ecological Design Thinking - Figure III.1 Glacial river in Alaska: structure and process dancing Figure III.1 © Susanne Bennett https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1533246463659-G1WHBELPLPKLTB6BDRKW/Part+III+Introduction+Table+III.1.png Part III Ecological Design Thinking - Table III.1 Key criteria of living systems Table III.1 adapted from Capra (1996) https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1533328628415-2Z2ZK13V5FKSYIAZB7K1/17.1_parts+to+whole+copy.png Part III Ecological Design Thinking - Figure 17.1 The shift from parts to wholes: Do we see essence in the constituent parts of our designs or their distinguishing qualities as emerging in their integral wholeness? https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532542567435-XEL3C5FJ4IH90M5FJFZ7/17.2_KoldingBlock+copy.jpg Part III Ecological Design Thinking - Figure 17.2 Bio-works, Kolding, Denmark, 1992 This government redevelopment of a large block of perimeter apartments created a neighborhood park and playground, which also handles stormwater runoff, and treats the neighborhood’s sewage in a combination of glassed (the pyramid) and outdoor constructed wetlands. There is no more ‘away’; cycles are complete and visible and alive. Whole. © Mark DeKay https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532542572589-84VVTNR1OAGQYV8MAVCE/17.3_TaosLodge+copy.jpg Part III Ecological Design Thinking - Figure 17.3 Taos Lodge, New Mexico A space with the feeling of wholeness. Filtered light, shade, cool breeze, a good meal, companionship, a view to a living landscape from a place filled with life. © Mark DeKay https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1533328654944-SVF8XOUPPD4IV77LXIV5/18.1_Hierarchies+to+Networks+copy.png Part III Ecological Design Thinking - Figure 18.1 The shift from hierarchies to networks: Do we see the patterns our designs as like a tree or as like a many-levelled web or lattice? https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532542626515-QGWMO0LQP5WW2HMHBWR8/18.2A_GREENINFRA.jpg Part III Ecological Design Thinking - Figure 18.2a Green Infrastructure Network, Downtown Plan, Chattanooga, Tennessee, 2003 GreenVision Studio, Mark DeKay and Tracy Moir-McClean (2003) Network of interconnected green places and green links: parks, cemeteries, floodplains, highway edges, greenways, pedestrian paths, etc. © Mark DeKay https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532542629352-3FXYVP9FNKFV1366WG0X/18.2B_GreenInfraElements+copy.jpg Part III Ecological Design Thinking - Figure 18.2b Green Infrastructure Network, Downtown Plan, Chattanooga, Tennessee, 2003 GreenVision Studio, Mark DeKay and Tracy Moir-McClean (2003) Network of interconnected green places and green links: parks, cemeteries, floodplains, highway edges, greenways, pedestrian paths, etc. © Mark DeKay https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532542639585-UW3WLEGTQPAQ9W6OSJ4Q/18.3A_belapur+phase+1+plan.jpg Part III Ecological Design Thinking - Figure 18.3a Belapur Housing, Phase II Plan, India; Charles Correa This housing project links multiple scales of open space in a connected, hierarchical, nested, network of social, circulation and spatial relationships: 1) the shared open space of the stream that cuts through the community; 2) the large public squares shared by 50–60 household; 3) the 3–4 smaller courts that open onto each square; 4) the housing cluster courtyards shared by 6–8 houses and 5) the private walled courts or gardens of each house. Figure 18.3 plans courtesy Charles Correa, Architect https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532542642898-N0LG6FEBKXJOR4Y3OAB4/18.3B_belapur+phase+2+plan.jpg Part III Ecological Design Thinking - Figure 18.3b Belapur Housing, Phase II Plan, India; Charles Correa This housing project links multiple scales of open space in a connected, hierarchical, nested, network of social, circulation and spatial relationships: 1) the shared open space of the stream that cuts through the community; 2) the large public squares shared by 50–60 household; 3) the 3–4 smaller courts that open onto each square; 4) the housing cluster courtyards shared by 6–8 houses and 5) the private walled courts or gardens of each house. Figure 18.3 plans courtesy Charles Correa, Architect https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532542649025-55W10XUMWCUKN813Q9X2/18.3_belapur+image+.jpg Part III Ecological Design Thinking - Figure 18.3c Belapur Housing, Phase II Plan, India; Charles Correa This housing project links multiple scales of open space in a connected, hierarchical, nested, network of social, circulation and spatial relationships: 1) the shared open space of the stream that cuts through the community; 2) the large public squares shared by 50–60 household; 3) the 3–4 smaller courts that open onto each square; 4) the housing cluster courtyards shared by 6–8 houses and 5) the private walled courts or gardens of each house. Figure 18.3 photo © Joseph St Anne https://greenvisionstudio.org/part-iii-ecological-design-thinking-the-six-perceptual-shifts daily 0.75 2018-08-03 https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532621727662-ZXPHQA5BXMU6I7PVW3HA/24.1a_thorncrown.jpg Part IV Designing Relationships to Nature - Figure 24.1a Nature, beauty, unity: Thorncrown Chapel, Eureka Springs, Arkansas, E. Fay Jones, architect Situated in a dense forest, the chapel has no cultivated landscape. Structure and trees express oneness of subject and object, inside and outside, person and place, Nature and spirit. Soaring walls, transparency, the forest canopy, awe. Slender struts, branches, columns, trunks. Peace. Lightness that lives. Figure 24.1 © Dustin Holmes https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532621733277-2DMA7XDB8ODLELFNITKN/24.1b_thorncrown_2.jpg Part IV Designing Relationships to Nature - Figure 24.1b Nature, beauty, unity: Thorncrown Chapel, Eureka Springs, Arkansas, E. Fay Jones, architect Situated in a dense forest, the chapel has no cultivated landscape. Structure and trees express oneness of subject and object, inside and outside, person and place, Nature and spirit. Soaring walls, transparency, the forest canopy, awe. Slender struts, branches, columns, trunks. Peace. Lightness that lives. Figure 24.1 © Dustin Holmes https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532621738257-3B6QP5XKX5J3HX4YW48H/24.2A_searanch.jpg Part IV Designing Relationships to Nature - Figure 24.2a An extension of the land, yet distinctly human: The Sea Ranch, Condominium One, Sonoma County, California, 1966, MLTW (Moore/Lyndon/Turnbull, Whitaker), architects Figure 24.2 A: © Kevin Matthews/Artifice Images https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532622045380-VOI9ZK2A2A2NQM66EYNB/24.2b_searanch_2.jpg Part IV Designing Relationships to Nature - Figure 24.2b An extension of the land, yet distinctly human: The Sea Ranch, Condominium One, Sonoma County, California, 1966, MLTW (Moore/Lyndon/Turnbull, Whitaker), architects Figure 24.2B: © William Turnbull, Jr./MLTW Collection 1952-1997 (2000-9), Environmental Design Archives, University of California-Berkeley https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532622039756-MBG50L1TSG46R58IWQH1/24.3A_unity_1.jpg Part IV Designing Relationships to Nature - Figure 24.3a Unity of the world: ‘A House is a Garden is a House …’ sequences, Isernhagen Germany, 2005–2006, HansjörgGöritzArchitekturstudio (Goeritz, 2009) Figure 24.3 © HansjörgGöritzArchitekturstudio https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532622049760-0OX47IF9ZSVR42D9RM8T/24.3B_unity_sketch_3.jpg Part IV Designing Relationships to Nature - Figure 24.3b Unity of the world: ‘A House is a Garden is a House …’ sequences, Isernhagen Germany, 2005–2006, HansjörgGöritzArchitekturstudio (Goeritz, 2009) Figure 24.3 © HansjörgGöritzArchitekturstudio https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532622055721-SB9F73UF279CFJQEFXMB/24.3E_unity_3.jpg Part IV Designing Relationships to Nature - Figure 24.3c Unity of the world: ‘A House is a Garden is a House …’ sequences, Isernhagen Germany, 2005–2006, HansjörgGöritzArchitekturstudio (Goeritz, 2009) Figure 24.3 © HansjörgGöritzArchitekturstudio https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532622059281-MZEN37DLTU939QIJQS4Z/24.3F_unity_sketch_1.jpg Part IV Designing Relationships to Nature - Figure 24.3d Unity of the world: ‘A House is a Garden is a House …’ sequences, Isernhagen Germany, 2005–2006, HansjörgGöritzArchitekturstudio (Goeritz, 2009) Figure 24.3 © HansjörgGöritzArchitekturstudio https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532622051640-7HZHSZG0WJQ809J86LYR/24.3C_unity_2.jpg Part IV Designing Relationships to Nature - Figure 24.3e Unity of the world: ‘A House is a Garden is a House …’ sequences, Isernhagen Germany, 2005–2006, HansjörgGöritzArchitekturstudio (Goeritz, 2009) Figure 24.3 © HansjörgGöritzArchitekturstudio https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532622053317-Q71NC7269XFP6QM4HQ7S/24.3D_unity_sketch_2.jpg Part IV Designing Relationships to Nature - Figure 24.3f Unity of the world: ‘A House is a Garden is a House …’ sequences, Isernhagen Germany, 2005–2006, HansjörgGöritzArchitekturstudio (Goeritz, 2009) Figure 24.3 © HansjörgGöritzArchitekturstudio https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532622062494-E33A1EI38IRY0XH9O34B/24.4A_Salk_Institute1.jpg Part IV Designing Relationships to Nature - Figure 24.4a Silence and emptiness: Salk Institute, La Jolla, California, 1959–1965, Louis Kahn, architect On a bluff above the Pacific Ocean, the central courtyard like ‘a roofless cathedral’, a ‘facade to the sky’. Vast sky, infinite horizon, the sea beyond view, concealed, but heard. Aware of senses and sun, clouds, water, breezes. Like in a meadow, surrounded by forests. Surrounded by teak-screened private offices of scientists, angled to the ocean, prospects for contemplation. In-between, stillness, silence. Figure 24.4 courtesy of Jim Harper https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532622064279-K59QPZ3U9RE4OSN3F9WA/24.4B_Salk_Institute2.jpg Part IV Designing Relationships to Nature - Figure 24.4b Silence and emptiness: Salk Institute, La Jolla, California, 1959–1965, Louis Kahn, architect On a bluff above the Pacific Ocean, the central courtyard like ‘a roofless cathedral’, a ‘facade to the sky’. Vast sky, infinite horizon, the sea beyond view, concealed, but heard. Aware of senses and sun, clouds, water, breezes. Like in a meadow, surrounded by forests. Surrounded by teak-screened private offices of scientists, angled to the ocean, prospects for contemplation. In-between, stillness, silence. Figure 24.4 courtesy of Jim Harper https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532622066944-V0V0QBKAYNBRS8DZ8PCA/24.5A_supreme_house.jpg Part IV Designing Relationships to Nature - Figure 24.5a Supreme House, State Parliament for Principality of Lichtenstein, 2009, Assembly Room Plenum (top), Hypostyle Hall (bottom), © HansjörgGöritzArchitekturstudio Order and silence. A place of quiet even when filled with the action of state. Figure 24.5 © Jürg Zürcher https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532622068959-33A0SO1UUSI8Z2551KN5/24.5B_1.jpg Part IV Designing Relationships to Nature - Figure 24.5b Supreme House, State Parliament for Principality of Lichtenstein, 2009, Assembly Room Plenum (top), Hypostyle Hall (bottom), © HansjörgGöritzArchitekturstudio Order and silence. A place of quiet even when filled with the action of state. Figure 24.5 © Jürg Zürcher https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532622071661-D3WU7HXZH8GG83OF9AA9/24.6A_LBS+Model+2.jpg Part IV Designing Relationships to Nature - Figure 24.6a ‘Hortus Conclusus’, LBS (Savings Bank for Lower Saxony) Head Offices, Hannover, Germany, 1997; © HansjörgGöritzArchitekturstudio An architecture and landscape of continuity: This rich ‘theme for a new perspective’ uses thick boundaries to enclose a research and service park. The boundaries themselves are variously urban forest, ordered groves, urban entrance square and offices-in-gardens within a garden enclosure. Nature is present as culture is present in an elegant order of continuity. Figure 24.6 © HansjörgGöritzArchitekturstudio https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532622074432-INZ0XCQ3YVNEMZXUFXXI/24.6B_LBS+Model+1.jpg Part IV Designing Relationships to Nature - Figure 24.6b ‘Hortus Conclusus’, LBS (Savings Bank for Lower Saxony) Head Offices, Hannover, Germany, 1997; © HansjörgGöritzArchitekturstudio An architecture and landscape of continuity: This rich ‘theme for a new perspective’ uses thick boundaries to enclose a research and service park. The boundaries themselves are variously urban forest, ordered groves, urban entrance square and offices-in-gardens within a garden enclosure. Nature is present as culture is present in an elegant order of continuity. Figure 24.6 © HansjörgGöritzArchitekturstudio https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532622076378-WYEGU1T32WZUM5PJJTQ1/24.6C_LBS_SKETCH.jpg Part IV Designing Relationships to Nature - Figure 24.6c ‘Hortus Conclusus’, LBS (Savings Bank for Lower Saxony) Head Offices, Hannover, Germany, 1997; © HansjörgGöritzArchitekturstudio An architecture and landscape of continuity: This rich ‘theme for a new perspective’ uses thick boundaries to enclose a research and service park. The boundaries themselves are variously urban forest, ordered groves, urban entrance square and offices-in-gardens within a garden enclosure. Nature is present as culture is present in an elegant order of continuity. Figure 24.6 © HansjörgGöritzArchitekturstudio https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532619873101-W8M03WW5O8SO2PQ4GZ2F/IV.1_thorncrown.jpg Part IV Designing Relationships to Nature - Figure IV.1 Thorncrown Chapel, Eureka Springs, Arkansas, 1980, E. Fay Jones, architect Figure IV.1 © Dustin Holmes https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1533328710022-CKPCL9MZKELSJ2E3WVA6/IV.2_The4_Sustain_Des_Perspectives.jpg Part IV Designing Relationships to Nature - Figure IV.2 The four Sustainable Design perspectives https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532621375972-AZ00BK5BF26FSR9MJCHM/22.1_Brunsell+House.jpg Part IV Designing Relationships to Nature - Figure 22.1 Roof as habitat: Brunsell-Sharples House, The Sea Ranch, California, Obie G. Bowman, 2005 Nature as an integrated ecosystem is played out in Bowman’s project for Sea Ranch. Here an extensive green roof is incorporated seamlessly into the surrounding landscape, thus transforming the the house from environmental impact to ecological contribution. Figure 22.1 © Obie G. Bowman, architect https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532621391998-J38BE1F78CZP62VPRPLO/22.2B_CreekView+copy.jpg Part IV Designing Relationships to Nature - Figure 22.2a Contextual structure of habitat and prime conservation land, Beaver Creek Watershed Green Infrastructure Plan, Knox County, Tennessee, 2006 Figure 22.2 © Mark DeKay and Tracy Moir-McLean A fragment of the watershed is shown. Shaded areas represent the land best for protecting slopes, forests, water resources, farmland and a range of wildlife habitat zones. White areas are the places where development has the least impact on the network structure of the living landscape. Source: Mark DeKay and Tracy Moir-McClean (2006) https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532621390684-PQ5SVZSH418GHG6ZCJ2F/22.2A_BC_Corridors_All_9.5crop+copy.jpg Part IV Designing Relationships to Nature - Figure 22.2b Contextual structure of habitat and prime conservation land, Beaver Creek Watershed Green Infrastructure Plan, Knox County, Tennessee, 2006 Figure 22.2 © Mark DeKay and Tracy Moir-McLean A fragment of the watershed is shown. Shaded areas represent the land best for protecting slopes, forests, water resources, farmland and a range of wildlife habitat zones. White areas are the places where development has the least impact on the network structure of the living landscape. Source: Mark DeKay and Tracy Moir-McClean (2006) https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532621405822-X9AO4JQIXGYMO1P16COC/22.3A_vitlycke1_sharpened.jpg Part IV Designing Relationships to Nature - Figure 22.3a Metaphoric power: Vitlycke Museum, Tanum, Sweden, 1997; Carl Nyrén, architect The museum orients people to an area rich in ancient rock carvings. The form speaks of present and prehistoric, referencing house, barn and Bronze-age boats. A continuous skylight through the centre of the building connects to the sky, while edge spaces connect to the landscape. Tree-like columns, a copper ceiling of reflected ancient light. Cloud-like daylight reflectors in the galleries. It ‘suggests mysteries just beyond, and perhaps forever beyond, the reach of science, discursive reason and conscious awareness’ (Coates, 2007). For more on this example and other work of Carl Nyrén, see the most excellent The Architecture of Carl Nyrén by Gary Coates (2007). Figure 22.3 © Ulf Celander https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532621407218-S2XS47ALFTFK7P9M6P4G/22.3B_vitlycke2_sharpened.jpg Part IV Designing Relationships to Nature - Figure 22.3b Metaphoric power: Vitlycke Museum, Tanum, Sweden, 1997; Carl Nyrén, architect The museum orients people to an area rich in ancient rock carvings. The form speaks of present and prehistoric, referencing house, barn and Bronze-age boats. A continuous skylight through the centre of the building connects to the sky, while edge spaces connect to the landscape. Tree-like columns, a copper ceiling of reflected ancient light. Cloud-like daylight reflectors in the galleries. It ‘suggests mysteries just beyond, and perhaps forever beyond, the reach of science, discursive reason and conscious awareness’ (Coates, 2007). For more on this example and other work of Carl Nyrén, see the most excellent The Architecture of Carl Nyrén by Gary Coates (2007). Figure 22.3 © Ulf Celander https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532621408639-Z0EXKQPPDI52GR9720WE/22.3C_vitlycke+1.jpg Part IV Designing Relationships to Nature - Figure 22.3c Metaphoric power: Vitlycke Museum, Tanum, Sweden, 1997; Carl Nyrén, architect The museum orients people to an area rich in ancient rock carvings. The form speaks of present and prehistoric, referencing house, barn and Bronze-age boats. A continuous skylight through the centre of the building connects to the sky, while edge spaces connect to the landscape. Tree-like columns, a copper ceiling of reflected ancient light. Cloud-like daylight reflectors in the galleries. It ‘suggests mysteries just beyond, and perhaps forever beyond, the reach of science, discursive reason and conscious awareness’ (Coates, 2007). For more on this example and other work of Carl Nyrén, see the most excellent The Architecture of Carl Nyrén by Gary Coates (2007). Figure 22.3 © Ulf Celander https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532621416373-R02Q9VJIDGI0X40WN40S/22.4A_hortus_conclusus.jpg Part IV Designing Relationships to Nature - Figure 22.4a ‘Hortus Conclusus’, Central Hospital St Juergen, Bremen, Germany, 1992, © HansjörgGöritzArchitekturstudio Figure 22.4 © HansjörgGöritzArchitekturstudio A cultural conversation about Nature in which we live and get healed: The ‘enclosed garden’ of this 1500-bed hospital commune is made by a thick, occupied, permeable serving ‘wall’ with a large-scale perimeter loggia inside as a calm corridor. Both oasis within the city and alternate spatial model to suburbia. Eliminating redundant buildings and relocating parking frees the centre to make a generous, secluded park with ‘silent tranquility and reposefulness’. https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532621417759-THOGFHWS9H000UFP75YG/22.4B_hortus_conclusus.jpg Part IV Designing Relationships to Nature - Figure 22.4b ‘Hortus Conclusus’, Central Hospital St Juergen, Bremen, Germany, 1992, © HansjörgGöritzArchitekturstudio Figure 22.4 © HansjörgGöritzArchitekturstudio A cultural conversation about Nature in which we live and get healed: The ‘enclosed garden’ of this 1500-bed hospital commune is made by a thick, occupied, permeable serving ‘wall’ with a large-scale perimeter loggia inside as a calm corridor. Both oasis within the city and alternate spatial model to suburbia. Eliminating redundant buildings and relocating parking frees the centre to make a generous, secluded park with ‘silent tranquility and reposefulness’. https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532620788969-LCGOQA4Q8T4NYMJ1D5DX/20.1_ParekhHouse-India.jpg Part IV Designing Relationships to Nature - Figure 20.1 Migration, Parekh House, Ahmedabad, India; Charles Correa, architect Charles Correa used two different climatically derived sections placed parallel to each other to facilitate seasonal and daily migration. The ‘winter section’, intended for use on winter days and summer evenings, is located on the eastern elevation where it can be warmed by morning sun. It has roof terraces under a partial shade pergola. The ‘summer section’, a retreat for hot summer afternoons, is placed in the centre of the house, between the winter section and the service core, minimizing exposure to the outside. Its height is used to exploit stack ventilation. Figure 20.1 from Sun, Wind & Light, Architectural Design Strategies, 2nd ed. , © 2001 John Wiley and Sons https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532620810370-UGW5KH1Y0VPTEE51E9G4/20.2A_shoren-in1.jpg Part IV Designing Relationships to Nature - Figure 20.2a Experience begets meaning: Shoren-in Temple, Kyoto, Japan, c1185 Dedicated to the Shijoko Nyorai Buddha representing light and fire, the Shoren-in Temple is a showcase for light and its many variations throughout the course of a year. Every autumn and spring there is a night light show, in which various courtyards and gardens are illuminated to display the cyclical ways in which light plays on the changing landscape. The connection to Nature is further reinforced on a daily basis through the moveable internal and external partitions, allowing experiences to be shaped by the desired proximity to the outdoors. For example, the afternoon tea service occurs in a covered space, walled only by the garden foliage, whereas the meditation classes occur on a platform surrounded by a meditation rock garden. Figure 20.2 © Robert Kown https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532620812845-PLVPR6EORHBUPLXLZ7ZD/20.2B_shoren_in2.jpg Part IV Designing Relationships to Nature - Figure 20.2b Experience begets meaning: Shoren-in Temple, Kyoto, Japan, c1185 Dedicated to the Shijoko Nyorai Buddha representing light and fire, the Shoren-in Temple is a showcase for light and its many variations throughout the course of a year. Every autumn and spring there is a night light show, in which various courtyards and gardens are illuminated to display the cyclical ways in which light plays on the changing landscape. The connection to Nature is further reinforced on a daily basis through the moveable internal and external partitions, allowing experiences to be shaped by the desired proximity to the outdoors. For example, the afternoon tea service occurs in a covered space, walled only by the garden foliage, whereas the meditation classes occur on a platform surrounded by a meditation rock garden. Figure 20.2 © Robert Kown https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532620823247-59BH6O8BOBAH2ED2Y9R8/20.3A_predock_1.jpg Part IV Designing Relationships to Nature - Figure 20.3a The Three Realms, Turtle Creek House, Dallas, Texas, 1993, Antoine Predock The ‘theater of the trees’ house was a response to the client’s passion for bird-watching. It is all about multiple vantage points on Nature. Entry is cave-like, through planted limestone steps (above). Ground level floor opens to forest, with stairs ascending to bridge for multiple observation heights (next page, top). ‘A central “sky ramp” projects the fissure of the entry into the surrounding canopy of trees’ (next page, bottom). Enclosed roof terrace frames sky views. Figure 20.3 © Tim Hursley https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532620830764-1KH7NJSIJBMEGMTP0O3Q/20.3B_Predock_2.jpg Part IV Designing Relationships to Nature - Figure 20.3b The Three Realms, Turtle Creek House, Dallas, Texas, 1993, Antoine Predock The ‘theater of the trees’ house was a response to the client’s passion for bird-watching. It is all about multiple vantage points on Nature. Entry is cave-like, through planted limestone steps (above). Ground level floor opens to forest, with stairs ascending to bridge for multiple observation heights (next page, top). ‘A central “sky ramp” projects the fissure of the entry into the surrounding canopy of trees’ (next page, bottom). Enclosed roof terrace frames sky views. Figure 20.3 © Tim Hursley https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532620833140-BDA2Y5KA4OBALDFH60EZ/20.3C_predock_3.jpg Part IV Designing Relationships to Nature - Figure 20.3c The Three Realms, Turtle Creek House, Dallas, Texas, 1993, Antoine Predock The ‘theater of the trees’ house was a response to the client’s passion for bird-watching. It is all about multiple vantage points on Nature. Entry is cave-like, through planted limestone steps (above). Ground level floor opens to forest, with stairs ascending to bridge for multiple observation heights (next page, top). ‘A central “sky ramp” projects the fissure of the entry into the surrounding canopy of trees’ (next page, bottom). Enclosed roof terrace frames sky views. Figure 20.3 © Tim Hursley https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532620852563-4E3W6AJLNW94WW615B4G/20.4A_kings+road+house.jpg Part IV Designing Relationships to Nature - Figure 20.4a Symphonies of the senses: King’s Road House, Rudolph Schindler, Los Angeles, California, 1922 Though modern in its expression, its attitude to connection with Nature is more like traditional Japanese. Built around the occupancy of two couples with private sleeping areas and shared indoor and outdoor public spaces, the King’s Road House is organized as equal parts indoor and outdoor space. The house fosters these interconnected relationships through a consistent exposure to the surrounding Nature as walled and bounded gardens. Strategies include rooftop tented and vine-covered sleeping arbors, direct connections from inside to outside with large sliding doors and shoji-like walls, an in-between zone made from extending floor and overhanging roof. ‘... its mixing of inside and outside, the reverse of the early modernist attitude that Nature must be kept at bay’ (Steele, 2005). Figure 20.4 © Lian Chang https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532620854401-QAIWF1J9ZUQ9PAFZDXZQ/20.4B_kings+road+house+2.jpg Part IV Designing Relationships to Nature - Figure 20.4b Symphonies of the senses: King’s Road House, Rudolph Schindler, Los Angeles, California, 1922 Though modern in its expression, its attitude to connection with Nature is more like traditional Japanese. Built around the occupancy of two couples with private sleeping areas and shared indoor and outdoor public spaces, the King’s Road House is organized as equal parts indoor and outdoor space. The house fosters these interconnected relationships through a consistent exposure to the surrounding Nature as walled and bounded gardens. Strategies include rooftop tented and vine-covered sleeping arbors, direct connections from inside to outside with large sliding doors and shoji-like walls, an in-between zone made from extending floor and overhanging roof. ‘... its mixing of inside and outside, the reverse of the early modernist attitude that Nature must be kept at bay’ (Steele, 2005). Figure 20.4 © Lian Chang https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532620886810-OD0IM4U2TY4JO7LAI791/21.1A_zumthor_1.jpg Part IV Designing Relationships to Nature - Figure 21.1a Materials with natural origins: House Truog Gugalun, Versam, Switzerland, Peter Zumthor, architect In creating an addition to the existing 17th-century cabin, Zumthor designed a new adjoining structure, connected by exposed joinery along the wall and united by a seamless roof, covering both the old and new parts. By maintaining a similar material palette and revealing the processes by which the two structures were connected, Zumthor expressed the characteristics embedded in wood construction. Additionally, through the juxtaposition of old and new, time-based weathering effects of wood construction are also made visible and emphasized. Figure 21.1 © Marloes Faber https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532620899552-SQSFAADDIP9XBR6TG1Y9/21.1B_zumthor_2.jpg Part IV Designing Relationships to Nature - Figure 21.1b Materials with natural origins: House Truog Gugalun, Versam, Switzerland, Peter Zumthor, architect In creating an addition to the existing 17th-century cabin, Zumthor designed a new adjoining structure, connected by exposed joinery along the wall and united by a seamless roof, covering both the old and new parts. By maintaining a similar material palette and revealing the processes by which the two structures were connected, Zumthor expressed the characteristics embedded in wood construction. Additionally, through the juxtaposition of old and new, time-based weathering effects of wood construction are also made visible and emphasized. Figure 21.1 © Marloes Faber https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532620913563-SU5D3MI6BE7FZ9LA6PXI/21.2_barragan.jpg Part IV Designing Relationships to Nature - Figure 21.2 Visible resource thrift, Barragán House, Mexico City, Mexico, 1947–1948; Luis Barragán, architect Luis Barragán’s work exemplifies an approach to design that expresses a visible thrift by its spare use of ‘pure’ materials in simple and essential forms, unornamented. Barragán’s is an architecture where space is shaped with only a few primary elements; as such, light, colour and texture become more important as the experience of the space itself is forwarded. Figure 21.2 photo Armando Salas, Portugal, © Barragán Foundation, Switzerland / ProLitteris, Switzerland / DACS https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532620928174-WSUC18076NNDQLH3K8WZ/21.3a_living_homes_1.jpg Part IV Designing Relationships to Nature - Figure 21.3a Living Homes model house, Santa Monica, 2006, Ray Kappe, architect Figure 21.3A © Berg/Davis Photography https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532620929304-S983M3TY3XFUH2PF71Z6/21.3b_livinghomes_2.jpg Part IV Designing Relationships to Nature - Figure 21.3b Living Homes model house, Santa Monica, 2006, Ray Kappe, architect Figure 21.3B © Grant Mumford Photography https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532620949967-PQGD92QL2G1J1CZN3H53/21.4A_Douglas_house_2.jpg Part IV Designing Relationships to Nature - Figure 21.4a Douglas House, Harbor Springs, Michigan, 1973, Richard Meier, architect Figure 21.4 courtesy of Ezra Stoller © Esto https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532620953210-RNPFYQ38G80RCVIIUE3U/21.4B_douglas_house_1_1.jpg Part IV Designing Relationships to Nature - Figure 21.4b Douglas House, Harbor Springs, Michigan, 1973, Richard Meier, architect Figure 21.4 courtesy of Ezra Stoller © Esto https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532620958945-4VVHVDTL91VCCB1X9W2X/21.5A_Pineforest.jpg Part IV Designing Relationships to Nature - Figure 21.5a Pine Forest Cabin, Methow Valley, Washington, 1999, Cutler Anderson, architects Figure 21.5 © Art Grice https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532620961921-3VN388HET98F4X3WSJ4S/21.5B_Pineforest_2.jpg Part IV Designing Relationships to Nature - Figure 21.5b Pine Forest Cabin, Methow Valley, Washington, 1999, Cutler Anderson, architects Figure 21.5 © Art Grice https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1533247414911-YXG7YUIN16MA9OOYFEVU/Part+IV+Conclusion+Table+IV.1.png Part IV Designing Relationships to Nature - Table IV.1 Designing relationships to Nature: level, metaphor and intention https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532620017690-EIKQYJV5YKHWO6SGJEYM/19.1_susanne_clouds.jpg Part IV Designing Relationships to Nature - Figure 19.1 Tennessee River Sky Figure 19.1 © Susanne Bennett https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1533328737697-6XQ89NW43V4NTNNM5N7P/19.2_4quads%2B4levels_master_book+copy.png Part IV Designing Relationships to Nature - Figure 19.2 A common framework for levels across quadrants https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532620121984-B1Q7YMY1FUTQ0D408061/19.3_Levels_of_evolution_Wilber.jpg Part IV Designing Relationships to Nature - Figure 19.3 Levels of evolution: A = physiosphere, B = biosphere, C = noosphere Figure 19.3 from Sex, Ecology, Spirituality by Ken Wilber, © 1995, 2000 Ken Wilber. Reprinted by arrangement with Shambhala Publications Inc. https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1533328759414-C656QF95P3LHHMISJBHN/19.4_Traditional+Classical.png Part IV Designing Relationships to Nature - Figure 19.4 Traditional Classical Nature Nature (exteriors) is split from culture and self (interiors). Humanity and culture are above and beyond Nature. Note: In figure 19.4, 19.6, 19.8, 19.10, 19.12, 19.13 and 19.16, the following abbreviations apply: P = physiosphere (matter), B = biosphere (life), N = noosphere (mind), T = theosphere (spirit) https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532620169512-1B4PAJ61VH5PSIY2PH0M/19.5_cole_pastoral.jpg Part IV Designing Relationships to Nature - Figure 19.5 Nature as the great wilderness, ‘The Pastoral State’, Thomas Cole, 1833 Cole’s landscape depicts the power of Nature and the abundance humans create by cultivation, work, and improvement of it. Life is carved out from the wild (Hendrich, 2009). https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1533328819871-6MOOX9XU75TTAG3EQBYR/19.6_Romantic.png Part IV Designing Relationships to Nature - Figure 19.6 Traditional Romantic Nature, culture and self (interiors) are collapsed into Nature (exteriors). Biosphere is expanded and equated with higher levels of noosphere and theosphere; Nature = spirit. See note in Figure 19.4. https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532620183784-Y80P2YD6V7KUHUAAOYFX/19.7_Frederick_Edwin_Church_001.jpg Part IV Designing Relationships to Nature - Figure 19.7 Nature as the lost paradise; ‘Twilight in the Wilderness’, Frederick Church, 1860 Here the beauty of Nature stands alone as a pristine land, free of human intervention. In the context of the industrialization of America, which was happening alongside Church’s development as an artist, this painting represents man’s desire to rediscover Nature as it once was: paradise. https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1533328848541-XGOUZCOTB5J8V94PCVU8/19.8_Primeval+Garden.png Part IV Designing Relationships to Nature - Figure 19.8 raditional ‘garden’ Nature. Humans exist(ed) in a created Nature managed by spirit (T). More natural = more spiritual. The original Eden contains no societies (N). In the heavenly garden on earth, N is collapsed into T. See note in Figure 19.4. https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532620198700-US3B90WYBI6WAEMJGMET/19.9_garden_primeval.jpg Part IV Designing Relationships to Nature - Figure 19.9 Nature as primeval garden: With its restorative powers and overwhelming sense of purity, Jason Stark captures the role of Nature as a mother and source of life, to which man is intrinsically drawn. Figure 19.9 © Jason Stark https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1533328874605-04NRE1EJCRXTY8NRHO2T/19.10_Empirical+Reductionism.png Part IV Designing Relationships to Nature - Figure 19.10 Scientific empirical nature. All quadrants are radically, grossly reduced to their objective and fundamental behaviors. No higher levels than what can be observed exist. All other phenomena are derivative. See note if Figure 19.4. https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532620234195-IY46A89X6ACKKJ0EB37Q/19.11_Eschatologisch+onderzoek+N%C2%B02.jpg Part IV Designing Relationships to Nature - Figure 19.11 Nature as the great biosphere; 'Pre-Genetelogical Research', Maarten Vanden Eynde, 2000 Working with the remnants of wooden beams, Vanden Eynde’s work highlights the natural origins of this common building material, while the work as a whole serves as a reminder of man’s mastery over the natural world. Figure 19.11 © Maarten Vanden Eynde, genetology.net https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1533328912299-RHDMWZ06VQ4P3689AD5G/19.12_Web+of+Life_diag_book+copy.png Part IV Designing Relationships to Nature - Figure 19.12 Web-of-life Nature. Interiors are collapsed to exteriors. Subtle reductionism. More holistic than empirical gross reductionism. See note in Figure 19.4. https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1533328944210-7S5CPH7K81LRJUF2UNKC/19.13_Cultural+Construction_new.png Part IV Designing Relationships to Nature - Figure 19.13 Culturally constructed nature. In the radical Postmodern view, all quadrants are collapsed (deconstructed) into culture. Higher levels are suspect as hierarchy. All other phenomena are derivative. See note in Figure 19.4. https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532620255108-W3O65I675676FVLXGGIG/19.14_AshDome2-1.jpg Part IV Designing Relationships to Nature - Figure 19.14 Nature as the great web of life; ‘Ash Dome’, David Nash, 1977 Through the typological construction of a dome, here formed by the shaping of trees over several decades, does Nash illustrate the dynamic and integral relationship between humans and Nature. Figure 19.14 © David Nash, courtesy Annely Juda Fine Art, London https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532620267462-X6J7S2XK2COBGZPDIMHV/19.15_ecology+framework.jpg Part IV Designing Relationships to Nature - Figure 19.15 The Integral Ecology framework: Who x how x what; Integral Ecology Center Source: redrawn from Integral Ecology Centre https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1533328969570-4TK7WCTCHUV1DE59Z6Q2/19.16_Integral+Living+Community.png Part IV Designing Relationships to Nature - Figure 19.16 Integral Nature as living community. This is ‘all-quadrant, all-level’ Nature. The theosphere (T) is incorporated in theory and glimpsed as a state, but is not established as a permanent stage of experience. T is more a personal than cultural phenomena. See note in Figure 19.4. https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532620277861-G5A83YWBAFMUGWZPRSS8/19.17_nature_matrix_perspective.jpg Part IV Designing Relationships to Nature - Figure 19.17 Nature as the great matrix of perspectives The Integral level is comfortable with paradox and complexity. Seen from one level the oil storage canisters reflect the morning light beautifully and the train’s colours are amplified. The scene, with its reflections and verdant setting, is beautiful from another level. There is the decaying detritus of a long derelict waterfront and the icons of our petroleum-addicted society clashing with and invading the order of Nature, full of life. We are dependent on Nature’s resources and that relationship always has its consequences for which we can take responsibility. The image is a poignant reflection of our times. Figure 19.17 © Susanne Bennett https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532620299158-W2VE0VHIRZ3MCHIM868M/19.18_Great_Self.jpg Part IV Designing Relationships to Nature - Figure 19.18 Nature as the great Self manifesting Susanne Bennett’s image suggests the luminosity and dance of Nature as embedded with a wondrous and mysterious life force that presents the viewer the possibility of a shared resonance beyond the ego’s limited ‘I-ness’ Figure 19.18 © Susanne Bennett https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1533246678676-IWKC012RHNNWT299L7MM/Table+19.1.png Part IV Designing Relationships to Nature - Table 19.1 NATURE, Nature, nature https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1533246679769-PV8XT0HPQB6WNF1Q9YAX/Table+19.2.png Part IV Designing Relationships to Nature - Table 19.2 Characteristics of a structural hierarchy https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1533246682523-1IX18LLGYPR40MSTHDE3/Table+19.3.png Part IV Designing Relationships to Nature - Table 19.3 The five contemporary levels of complexity in design https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1533246707117-CE9I2A2APT0DZIE3FLHN/Table+19.4a.png Part IV Designing Relationships to Nature - Table 19.4a Historic metaphors for Nature at five levels of development https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1533246710311-TTO72H8NBCNR9GK71F1T/Table+19.4b.png Part IV Designing Relationships to Nature - Table 19.4b Historic metaphors for Nature at five levels of development https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1533246711635-0QMNECXA1AFP3V4PTMCW/Table+19.5.png Part IV Designing Relationships to Nature - Table 19.5 Designing relationships to Nature: Level, metaphor and intention https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1533329015641-VB2W206H17DOFDE57XGN/23.1_C_PM_CrossVent+copy.jpg Part IV Designing Relationships to Nature - Figure 23.1 Draft pattern map of design strategies related to cross-ventilation https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532621531737-H221ACAIAQB3NCR99ODW/23.2A_murcutt_3.jpg Part IV Designing Relationships to Nature - Figure 23.2a Design expressing natural process: Magney House, NSW, Australia, Glenn Murcutt, architect Situated on a barren wind-swept site overlooking the ocean, the entire house is situated to utilize the large amounts of natural sunlight and ventilation. The asymmetrical v-shaped roof, oversized leader head and rain leader dropping to a below-ground cistern express the building’s relationship to the hydrologic cycle. The sound of rain can be heard on the roof and in the swirl of the downpipe. The deep overhang, louvers, high equator-facing wall and sloping roof express a careful fitting to the processes of light, shade, sun and wind. Figure 23.2 © Anthony Browell https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532621535696-OJH8ZM8AXWR0BFODGWIR/23.2B_murcutt_1.jpg Part IV Designing Relationships to Nature - Figure 23.2b Design expressing natural process: Magney House, NSW, Australia, Glenn Murcutt, architect Situated on a barren wind-swept site overlooking the ocean, the entire house is situated to utilize the large amounts of natural sunlight and ventilation. The asymmetrical v-shaped roof, oversized leader head and rain leader dropping to a below-ground cistern express the building’s relationship to the hydrologic cycle. The sound of rain can be heard on the roof and in the swirl of the downpipe. The deep overhang, louvers, high equator-facing wall and sloping roof express a careful fitting to the processes of light, shade, sun and wind. Figure 23.2 © Anthony Browell https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532621541529-N7EB1W23UKZP5XTT2AHL/23.3_constructed_wetland.jpg Part IV Designing Relationships to Nature - Figure 23.3 Constructed treatment wetlands, Living Waters Garden, China Figure 23.3 courtesy of Lonnie Feather & Keepers of the Waters https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532621543642-1HK7LAL6FAVWS5JH343L/23.4_living_water_aerial.jpg Part IV Designing Relationships to Nature - Figure 23.4 Aerial view, Living Waters Garden, Chengdu, China, 1998, Betsey Damon, artist, Margie Ruddick, landscape architect. Built by The Chengdu Fu & Nan Rivers Comprehensive Revitalization Project. Figure 23.4 courtesy of Lonnie Feather & Keepers of the Waters https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532621562746-M89YTTCCCQEDDZCQYI8X/23.5C_WorldBirdCen_09book.jpg Part IV Designing Relationships to Nature - Figure 23.5a Architecture improving and providing wildlife habitat: Birding Center, Mission Texas, 2004, Lake/Flato, architects Modelled on the way in which birds nest – utilizing recycled materials, biodegradability, and designed for maximum efficiency – the project creates a human habitat as a headquarters for eco-tourism while also creating new bird habitat on restored agricultural land via a series of courtyards interwoven with built structures and linked with trellised outdoor circulation, frameworks for plants to grow on and protected terrace rooms at the edges. Figure 23.5 © Hester + Hardaway Photography https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532621551727-E1PF25UBX83ELVG8XES9/23.5A_WorldBirdCen_12book.jpg Part IV Designing Relationships to Nature - Figure 23.5b Architecture improving and providing wildlife habitat: Birding Center, Mission Texas, 2004, Lake/Flato, architects Modelled on the way in which birds nest – utilizing recycled materials, biodegradability, and designed for maximum efficiency – the project creates a human habitat as a headquarters for eco-tourism while also creating new bird habitat on restored agricultural land via a series of courtyards interwoven with built structures and linked with trellised outdoor circulation, frameworks for plants to grow on and protected terrace rooms at the edges. Figure 23.5 © Hester + Hardaway Photography https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532621554254-XQAU45YTSTXZ1DWEROUS/23.5B_WorldBirdCen_20book.jpg Part IV Designing Relationships to Nature - Figure 23.5c Architecture improving and providing wildlife habitat: Birding Center, Mission Texas, 2004, Lake/Flato, architects Modelled on the way in which birds nest – utilizing recycled materials, biodegradability, and designed for maximum efficiency – the project creates a human habitat as a headquarters for eco-tourism while also creating new bird habitat on restored agricultural land via a series of courtyards interwoven with built structures and linked with trellised outdoor circulation, frameworks for plants to grow on and protected terrace rooms at the edges. Figure 23.5 © Hester + Hardaway Photography https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1533247229433-M1YO87CASTQPC4HOHZCU/Table+23.1.png Part IV Designing Relationships to Nature - Table 23.1 Alexander’s 15 fundamental properties of living structure. Table 23.1 from Alexander (2001) https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1533247231874-UDR9KD2ZVJHAU7I8BO3J/Table+23.2.png Part IV Designing Relationships to Nature - Table 23.2 Some relationships among patterns in a pattern language Table 23.2 adapted from Salingaros (2000) https://greenvisionstudio.org/part-iv-designing-relationships-to-nature-metaphors-and-injunctions-for-deep-connections daily 0.75 2022-10-12 https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1534262913792-8CXIPDDKY4X8IU99ZIB0/ISD_Cover_1200.jpg Front Matter - Integral Sustainable Design Front Cover https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1534262924939-6EP8WSYISFZS37804OEQ/DeKay_IntegralSusDesign_BackCover.jpg Front Matter - Integral Sustainable Design Back Cover https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1534262912456-O5DM4QHD90IBBZ791LMA/DeKay_CoverSketch1200.jpg Front Matter - Integral Sustainable Design Sketch https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532633414819-5EM5RO0WW1XX3QQEKOZK/0_i.i_Madrid_2005_SolarDecath_HI_RES.jpg Front Matter - Figure i.1 Madrid Solar Decathlon Project: Sustainable Design driven by a technological definition of performance. Students from Universidad Politécnica de Madrid Figure i.1 courtesy of Stefano Paltera/U.S. Department of Energy Solar Decathlon Competition https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1533326730916-9ZH31S4TVWCP1X4MK8RG/i.2_The4_quads_of_integral_theory.jpg Front Matter - Figure i.2 The four quadrants of Integral Theory https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1533326737798-KAGAMF5Y59V2CY0XJZ8K/i.3_The4_perspectives_of_Integral_theory.jpg Front Matter - Figure i.3 The four quadrants of Integral Theory, with their concerns and value criteria https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532633459630-SJWQUQGX0XDSXK7GSK8N/0_i.iv_big_three.jpg Front Matter - Figure i.4 Integral Theory’s four quadrants simplified to the ‘Big Three’ Source: Integral Institute https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532633465657-MFBMIF8KWK1E1UL6JZS7/0_i.v_Psychograph1.jpg Front Matter - Figure i.5 Psychograph Source: Integral Institute https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532633484874-SZSLFKD3GKPN5OU5AL63/6_i.vi_complexity_4quad.jpg Front Matter - Figure i.6 Three levels of complexity unfolding in the four quadrants Source: Integral Institute https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1533326773409-R2SHCBVW6IPTVVED5PLH/7_i.vii_4quad_correlated.jpg Front Matter - Figure i.7 Four quadrant correlates for humans along lines of increasing complexity Source: Author after Integral Institute https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1533326777968-8B38KGA7PNZ29ECM19AI/8_i.viii_gross+and+subtle.jpg Front Matter - Figure i.8 Gross (left) and subtle (right) reductionism https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532633504915-R3M9I1SW4TDHLGEPUTFQ/9_i.ix_SWL_COVER.jpg Front Matter - Figure i.9 Sun, Wind, & Light cover https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532633509147-8MOSDA570AXHMHRGI150/10_i.x_fallingwater.jpg Front Matter - Figure i.10 ‘Fallingwater’, Edgar J Kaufman Sr., Residence, Bear Run, PA, 1936, Frank Lloyd Wright, architect Figure i.10 courtesy of Pablo Sanchez https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532633515444-P85K0F1BQXMXN6210ZKJ/11_i.xi_zerohouse.jpg Front Matter - Figure i.11 ZeroHouse (unbuilt) 2005, Specht Harpman, architects Figure i.11 © Specht Harpman Architects https://greenvisionstudio.org/preface daily 0.75 2018-07-26 https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1532634020792-MG4E5YFO82S8WJWURYED/C.1_4perspectives_zones.jpg Conclusion - Figure C.1 The eight methodological zones of Integral Theory’s methodological pluralism. Figure C.1 based on Wilber (2006) https://greenvisionstudio.org/conclusion daily 0.75 2018-08-06 https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1533573161334-0O2JPM3T4FUGVQLS8E4H/ArchReview_logo.jpg Book Reviews https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1533573125066-LR3CVQTPUC9MT0PY3W2V/IntegarlReview.jpeg Book Reviews https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1533573175581-NAAHROQO47M8QYRO81XE/Metrolis_headline_800.jpg Book Reviews https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1533572300700-Q0E8C1F30XRUBIZDKF48/Ecotecture_logo.png Book Reviews https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1533572382858-93WPZSF5BZV8QDVJXCK6/RCME.jpg Book Reviews https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1533573142460-VRB47J1Q2R5MO9AOOBZU/JITP_logo_600short.jpg Book Reviews https://greenvisionstudio.org/in_form daily 0.75 2022-10-31 https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/ededb863-f225-41fc-a1b9-00380680c9f7/IEC_2020_Cover.001.jpeg In_FORM - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1533913748476-2IQVS79OEOFRGKMFT2T1/47bed492d1097b85530cb6b2a7d95f8b_6402ca31cdfb3e804a72b84793c47f1d4c88a791d4072b0c9239fb0a466319a2.jpeg In_FORM https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/e57b9f6c-c133-4deb-b427-7cfb1cf371da/Mind_of_Maker2.001.jpeg In_FORM - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1534187281508-SMMU99YA1XHWNMHCDTUU/plz.jpg In_FORM https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1575049368236-VLB8J00HYKDCGIS2PX61/BTS1_Acropolis-Museum1000.jpg In_FORM The class at the Acropolis Museum, Athens Click for video montage clip https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1534195021539-KPQ7GR8SY24YU9K0RJ9F/Screen+Shot+2018-08-07+at+3.51.30+PM.png In_FORM https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1534187967675-TJLT3OGIX875H2T5MYV9/IMG_20141215_112115+2.jpg In_FORM https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1534187998264-LBRPN1MIYMQBPV79BY0S/Team_India_Sharad.jpg In_FORM https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1534188199865-VT988YYF662C9G9J9N3Q/IMG_20141215_112136.jpg In_FORM https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1533926135913-LDXQM19MJP0KDRPMPNMT/Beirut_Students.jpg In_FORM https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1533926136962-M6Z9HR1OB4DZBKA1YIXT/Final_group.jpg In_FORM https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1533926140552-4IEI4RX2F2B3NYGGRL0K/IMG_2665.jpg In_FORM https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1533926432231-89MFKWP9UBY11J77EHXI/IMG_2667.jpg In_FORM https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1533926439621-IQOXWU7906Q985U30HCH/SustDesWeek2017UABjpg.jpg In_FORM https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/26227145-c537-47b1-89c9-156d726874fc/integral_design_research_loc.jpg In_FORM - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/34583a8a-fc31-491d-a007-a7fc0a3bdc34/Iuav_Integral_3_ClimateCOVER_.001.jpeg In_FORM - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1534185745195-YH9TT00P1MD6A8D3AICS/Climate_talk_tilte.jpeg In_FORM https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1533744237577-NM6FSC5V1RAT2HPIG0I3/In_Form_card.jpg In_FORM https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1534191494678-EQORIWE0SCRAPD8I0HIB/Mark%2BSusanne.jpg In_FORM https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1534193946240-HFPV5SXKI88JBHJH5FXL/Sustainable_Poster_1080p.jpg In_FORM https://greenvisionstudio.org/landing-page daily 0.75 2022-10-24 https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1533587586174-L6WRLT57K6VJW7JYCA2F/Best_Paper_Sq.jpg Works https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/070dcbd0-feff-4ba7-a3d0-4241682528ff/IDE.jpg Works - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1533584354819-5A0MWUK9APYSFJX69TVO/SWL_cover_image_600x600.jpg Works https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1533575397132-I6GWJT271D2ZVB1I6G60/CoverSQ.jpg Works https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/bcad7108-49de-477c-a9a9-48ce23106754/Black_Border+copy.jpg Works - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/d865ec03-f9d1-45b6-a349-a62721173db4/In_FORM.jpg Works - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://greenvisionstudio.org/chapter-1-beyond-comfort daily 0.75 2022-11-11 https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1665591403740-ZK2AWA2WUTPQRL7M6PC0/1_07_Realities%2BPossibilities.jpg Chapter 1: Beyond Comfort - From conventional realities to experiential possibilities Each current practice reality has well-intended aims, yet comes with associated disasters. Each can be transformed to a new aspirational design commitment with greater possibilities for pleasure, satisfaction and Nature appreciation. https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1665591403756-M8GAX1WVKWKFZHZ8E85A/1_08_Experiential+Aesthetics.jpg Chapter 1: Beyond Comfort - Experiential Aesthetics More complex apprehensions include the less complex level. Appreciating experience engages all three degrees of human faculties. An individual can develop capacity at each level on this aesthetic line. https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1665591405260-V87ZQCPBIFJFQT6FQU6G/1_10_Nested+Experiences.jpg Chapter 1: Beyond Comfort - Nested experiential state complexity More inclusive states seem to depend on less inclusive ones. adapted and expanded from Watchman et al. 2021 https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1665591405218-NG78KKE1F3A7O30NVI39/1_11_Spectrum+of+Occupant+Experiences.jpg Chapter 1: Beyond Comfort - Spectrum of occupant experiences Building standards begin with habitability. Conventional practice targets sufficiency. Good designers aim beyond comfort. https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1665591406304-RQ3KUBNDHGU0LU3UZNCU/1_12_Russell%27s+Circumplex+Model.jpg Chapter 1: Beyond Comfort - James Russell's circumplex model All affective states mapped on a two-dimensional system of positive-negative valence and high-low arousal (emotive energy). https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1665591406533-AY6DRIUCOZENPCZFSP1L/1_13_Experiential+States.jpg Chapter 1: Beyond Comfort - Framework for affective states in buildings Using dimensions similar to Russel's, we map the universe of potential states for building occupants. Conventional practices target the neutral zone; more profound buildings, farther right. https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1665591408263-ID6DPNGSH7CVFEZCG2GB/1_16_Thermal+Environmental+Conditions.jpg Chapter 1: Beyond Comfort - Framework of environmental conditions in and around buildings Most conventional buildings target conditions that are steady-state + uniform in space across all scales. Most of the design schemas in this book facilitate conditions that are more dynamic in time, non-uniform in pace, or both. https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1665591408216-WMMILRZTVFTIO47ZPXKU/1_18_Biophilia+Theories.jpg Chapter 1: Beyond Comfort - Scientific biophilia theories Nature contact generates love, awe, creativity and stewardship. Attention restoration theory and stress reduction theory attempt to explain the mechanism for some effects with measurements using experimental subjects. https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1665591409833-XPRT24FKLHWM0RG3JWQF/1_20_Degrees+of+Nature+Complexity.jpg Chapter 1: Beyond Comfort - Degrees of Nature complexity Complexity increases from abiotic to living systemic Nature. Each of these increases in complexity when temporally varied. adapted from Watchman et al. 2021 https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1665591409778-0GCSPXAV2YMC7X118SX0/1_21_Connecting+to+Varieties+of+Nature.jpg Chapter 1: Beyond Comfort - Connecting to varieties of Nature Multiple worldviews operate simultaneously in society. How design forges Nature connections is contingent on Nature's occurrence from a worldview. Designers can navigate these to address a diverse public. https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1668180443433-M7ADBMUU6GTQ0XNSQ6JQ/Schema_map.jpg Chapter 1: Beyond Comfort - Front Matter https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1668180532809-F8VGUAVRS5QZGIHNIK6R/1_01_Acropolis%2BMuseum.jpg Chapter 1: Beyond Comfort - 1: Beyond Comfort https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1668180434320-6HYTOG8TK7M533EP47LM/2_01_Novartis+Campus+Forum+3.jpg Chapter 1: Beyond Comfort - 2: Integral Experience https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1668180437284-0U9E4AXIZ8HZUU9DZGHD/3_01a_Opener_Greece_National_Library.jpg Chapter 1: Beyond Comfort - 3: Excited By Evidence https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1668180683768-MMUL3CG1LZRDYWK9ERED/4I_01_Texas%2BA%2526M%2BEngineering%2BCollege.jpg Chapter 1: Beyond Comfort - 4: Experiential Schemas https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1668180442845-X4NU9XWEZ4O75CVWAYCV/Conclusion_sq.jpg Chapter 1: Beyond Comfort - 5: Concluding Thoughts https://greenvisionstudio.org/chapter-2-integral-experience daily 0.75 2022-11-11 https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1668180846663-K0KOHRH0SCYB6ISGDCFH/Schema_map.jpg Chapter 2: Integral Experience - Front Matter https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1668180877598-ZHAX39D516FC5LLGABBH/1_01_Acropolis%2BMuseum.jpg Chapter 2: Integral Experience - 1: Beyond Comfort https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1668180842517-JKO6VJZPXCK1LC8QMV15/2_01_Novartis+Campus+Forum+3.jpg Chapter 2: Integral Experience - 2: Integral Experience https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1668180844819-S47KUA3CW9MDQL771F56/3_01a_Opener_Greece_National_Library.jpg Chapter 2: Integral Experience - 3: Excited By Evidence https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1668181277407-YZUK2N5BFGM580P8WLPP/4I_01_Texas%2BA%2526M%2BEngineering%2BCollege.jpg Chapter 2: Integral Experience - 4: Experiential Schemas https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1668180845658-A1SCJE4HPW14QTP8P5EJ/Conclusion_sq.jpg Chapter 2: Integral Experience - 5: Concluding Thoughts https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1665588215647-1XPJ20KH957C178KWUQC/2_05_Edwin+Cheney+House.jpg Chapter 2: Integral Experience - Edwin Cheney House Oak Park, Illinois, 1904 Frank Lloyd Wright, architect https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1665588216109-EP9IHNGTTK2PBCVRE297/2_06_Vocabulary+of+Archetypes.jpg Chapter 2: Integral Experience - Vocabulary of Archetypes Thiis-Evensen 1987, 443, 301 left Essence of the skeletal frame archetypes right What the roof does https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1665588218972-67ZA2VM6TCW3VA8WBJ97/2_07_Integral+Theory%27s+Four+Quadrants.jpg Chapter 2: Integral Experience - Integral theory’s four quadrants Two essential universal distinctions frame four fundamental perspectives on any occurrence. Each employs different methods that reveal and obscure. They differ significantly in what counts for value, yet represents the basic knowledge approaches humans have developed. based on illustration from DeKay's 2011 framing of Wilber's model for sustainable design https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1665588220379-BF42NX1ISMTWWCEDFBB2/2_08_Four+Perspectives.jpg Chapter 2: Integral Experience - Four perspectives on architectural experience Each researcher, looking through a distinct yet valid lens, employing different methods, taking a distinguishable prospect, arrives at unique results. Each contributes a valuable aspect to understanding the topic. None frame the whole picture. https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1665588222085-AHW7WKLV6P43I1DNIZ66/2_09_The+Integral+Context+of+Experience.jpg Chapter 2: Integral Experience - The integral context of architectural experience Architecture generates potentials for individuals. Each of these four fundamental perspectives is necessary to understand architectural experience. None can be reduced to any of the others. The data reveled from each perspective's methods is valid in its own domain. Each influences the other as they co-arise. UR Behaviors Perspective LR Systems Perspective UL Experiences Perspective LL Cultures Perspective https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1665588222444-QKYJ5ETKVZAY92GESTZC/2_10_Spatial+Organizations+%2B+Natural+Force.jpg Chapter 2: Integral Experience - Spatial organizations and natural force dynamics as interlinked The dynamics of Nature vary; buildings vary them further. The perceptual shift in the designer's mind is from architecture as structure to process to dynamic unfolding. https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1665588223147-72APPO36OH92A5RQ7QQ0/2_11_Occupant+Behaviors.jpg Chapter 2: Integral Experience - Occupant behaviors modify dynamic natural conditions People affect in multiple ways the conditions they sense. They are inter-actors in setting their own field of possibilities. https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1665588223600-3SGDS5FPME2EPW9MDA3H/2_12_Distribution+of+Conditions.jpg Chapter 2: Integral Experience - Distribution of conditions-in-space generate fields of possibilities The product of Nature and architecture, patterns of conditions-in-buildings provide the basis for a first-person life-world. https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1665588226141-GBASGOMXUDOFETVALTPO/2_13_Native+North+American+Architecture.jpg Chapter 2: Integral Experience - Native North American architecture Examples show regional form language responding to climate as modified for inhabitation and constructed from local material resources. The forms become culturally significant. adapted from Grondzik + Kwok 2014 https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1665588226110-RNTZKXW8MHVDW6EIGV4V/2_14_Backgrounds+of+Interpretation.jpg Chapter 2: Integral Experience - Underpinning backgrounds of interpretation Objective perspectives provide the elements for shared interpretations. Shared meaning occurs in the presence of communal situations. https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1665588227173-SE757ECFS5BL262A7Y9B/2_15_Nature+Encounters.jpg Chapter 2: Integral Experience - Nature encounters and meanings as co-arising Experiences of Nature engender shared meanings. Meaning frames care. https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1665588228467-GS6CIDHU01XE5SNUBRGG/2_16_Backgrounds+Constrain+Experiences.jpg Chapter 2: Integral Experience - Interpretive backgrounds constrain possible experiences Objective inputs provide stimuli for sensation, perception and emotion, but what is perceived and how the perceptions are interpreted are both limited by worldview. https://greenvisionstudio.org/chapter-3-excited-by-evidence daily 0.75 2022-11-11 https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1668181446953-SVZUZU6Y32ZUO54HYGIR/Schema_map.jpg Chapter 3: Excited by Evidence - Front Matter https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1668181475410-2D0IYRL3SYXG2SOQN521/1_01_Acropolis%2BMuseum.jpg Chapter 3: Excited by Evidence - 1: Beyond Comfort https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1668181442175-WN81Q9EAP7OCJ7WBKUVQ/2_01_Novartis+Campus+Forum+3.jpg Chapter 3: Excited by Evidence - 2: Integral Experience Stitched Panorama https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1668181445237-S7CMA56UDPK2WABKRVOX/3_01a_Opener_Greece_National_Library.jpg Chapter 3: Excited by Evidence - 3: Excited By Evidence https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1668181570251-2XNXPR485VW69ZT9V48M/4I_01_Texas%2BA%2526M%2BEngineering%2BCollege.jpg Chapter 3: Excited by Evidence - 4: Experiential Schemas https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1668181446094-Y8PLK22753VXSUE57MYY/Conclusion_sq.jpg Chapter 3: Excited by Evidence - 5: Concluding Thoughts https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1665592247471-70Z2TYPSWH4DAS2WGUK4/3_02_Environment%2C+Senses%2C+%2B+Perception.jpg Chapter 3: Excited by Evidence - Environment, senses + perception Environmental data is processed by sensory organs that send impulses to the brain, which then interprets the information. Sensation is a physical process and perception is psychological. https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1665592247530-V0Z399WA2WTI3K6I79TI/3_04_Adaptive+Opportunity+Toolbox.jpg Chapter 3: Excited by Evidence - Adaptive opportunity toolbox Examples of how culture, company policy, and building design, operation, and technology can support the four types of behavioral adaptation https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1665592248429-1PG5DBHKS1A2I92CQT7J/3_05_Eye+Physiology.jpg Chapter 3: Excited by Evidence - Eyes physiology https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1665592248615-VY8VOQ0HMFIOAXVZ49N8/3_06_Ancestral+vs+Modern+Daily+Light+Exposure.jpg Chapter 3: Excited by Evidence - Ancestral versus modern daily light exposure https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1665592252017-URZIDIRWN868XE5CYU5Y/3_07_Diurnal+Solar+Cycle+%2B+Hormone+Production.jpg Chapter 3: Excited by Evidence - Diurnal solar cycle and hormone production Daily changes in daylight intensity, color temperature and spectral distribution affect hormone production. This affects alertness and other biological functions. Sun path varies by latitude and season; times illustrate mid-latitude spring/fall; color temperatures are generalized. https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1665592249962-H0SF9KEXJHH2S1Y3PTNT/3_09_Skin+Physiology.jpg Chapter 3: Excited by Evidence - Skin physiology https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1665592251058-JLI3CR8JK7L9KTM18YDK/3_10_Dynamic+Thermal+Patterns.jpg Chapter 3: Excited by Evidence - Dynamic thermal patterns https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1665592252248-GFZ50Z925JN4ATQO4V8C/3_11_Air+Movement%27s+Cooling+Effect.jpg Chapter 3: Excited by Evidence - Air movement's cooling effect People experience equivalent comfort at warmer temperatures with increased air movement. Values are calculated with CBE Thermal Comfort Tool (Tartarini et al. 2020), at typical values of 1.3 met, summer 0.65 clo. Still air means ≤20 ft/min (0.1 m/s). https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1665592253528-GM4HLHCXYWLBOPIVU8ZD/3_12_Alliesthesia+Framework.jpg Chapter 3: Excited by Evidence - Alliesthesia framework Thermal pleasure comes from rapid thermal contrast or differentiation across different skin areas. Greater pleasantness comes from increased corrective stimulus. https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1665592253286-Y93OE4W8T62PT13Z4JVY/3_13_Saw-Tooth+Thermal+Transition.jpg Chapter 3: Excited by Evidence - Saw-tooth thermal transition https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1665592254336-DPP2BFLE0OB6VO0UIKZX/3_14_Comfort+Preference+in+Office+Buildings.jpg Chapter 3: Excited by Evidence - Calculated versus field-observed comfort preference in office buildings PMV model predicted well for HVAC buildings but poorly for naturally ventilated ones. People in HVAC buildings tolerate change poorly, while occupants in naturally-ventilated buildings increase their preferred temperature as outdoor climate warms. (de Dear + Brager 2001). https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1665592254804-HOTT1KAD2SBVZ9DD1J62/3_15_Adaptive+Comfort+Model.jpg Chapter 3: Excited by Evidence - Adaptive Comfort Model in ASHRAE Standard 55 As the mean outdoor temperature rises seasonally, occupants adapt and the comfort zone shifts correspondingly upward, a radical departure from 20th century assumptions. https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1665592255618-2JMGJBZXIQP559V18LDV/3_16_Adaptive+Comfort+Model_Annual.jpg Chapter 3: Excited by Evidence - Adaptive Comfort Model: annual comfort range The laboratory-generated PMV-based comfort zone depends on clothing (which may or may not vary seasonally or by location, particularly if people become accustomed to constant indoor temperatures). The field-based ACM climate zone relates indoor comfort temperatures to a running mean outdoor temperature. For Phoenix, the graph shows a substantial difference in the summer, and potential related energy savings. https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1665592256037-IXXJD0EZXICKGUXL737S/3_17_Adaptive+Comfort+Model_Regional.jpg Chapter 3: Excited by Evidence - Adaptive Comfort Model: regional differences Map indicates how much ACM raises top of comfort zone above 27C (80.6F) allowed by Std 55 [1]. Darker areas indicate larger differences, therefore larger energy savings using ACM. analysis by Tom Parkinson 1. Upper limits based on 50% RH, summer 0.65 clo and office work activity at 1.3 met (ASHRAE Std 55 Fig 5.2) https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1665592256453-G44XTARORB2NO8HDXVSC/3_18_Ear+Physiology.jpg Chapter 3: Excited by Evidence - Ears physiology https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1665592257156-0DH4TBN39WV732NVNDJO/3_19_Sound+Colors.jpg Chapter 3: Excited by Evidence - Sound colors https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1665592258642-MGXSLMRFVUXG2OEFFMYY/3_20_Sound+Pleasure+Model.jpg Chapter 3: Excited by Evidence - Sound pleasure model Pleasurable sounds are characterized by lively environments with discernible foreground sounds or calm atmospheres with eneventful background sounds. based on Andringa + Lanser 2013 https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1665592258437-FDGI3FZMN6PHZ1NSE8VN/3_21_Nose+Physiology.jpg Chapter 3: Excited by Evidence - Nose physiology https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1665592260967-QLJBXJ0E8TXNMLYY0K9B/3_22_Edinburgh+Smellmap.jpg Chapter 3: Excited by Evidence - Edinburgh Smellmap Scent walks employ groups of people and various visualization techniques to reveal the sources, spatial pattern and movements of urban smells. Colored dots indicate the scent origin; coutour lines show where the wind blows the scents. Image Kate McLean sensorymaps.com https://greenvisionstudio.org/chapter-4-experiential-schemas daily 0.75 2022-11-11 https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1668181782172-9261PEIMSFHC9P5LU6YU/Schema_map.jpg Chapter 4: Experiential Schemas - Front Matter https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1668182202503-ONSP51MSRHJZ21KCTMIJ/1_01_Acropolis%2BMuseum.jpg Chapter 4: Experiential Schemas - 1: Beyond Comfort https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1668181777958-PJT7MLY82WYLTLY49NXC/2_01_Novartis+Campus+Forum+3.jpg Chapter 4: Experiential Schemas - 2: Integral Experience https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1668181780156-OGLJ7LGVGMAKJ5OJOPCT/3_01a_Opener_Greece_National_Library.jpg Chapter 4: Experiential Schemas - 3: Excited By Evidence https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1668182287311-M0VWE8MQL9BMK32UR6IZ/4I_01_Texas%2BA%2526M%2BEngineering%2BCollege.jpg Chapter 4: Experiential Schemas - 4: Experiential Schemas https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1668181781085-Q1413LVUMJXPJIPTKAF8/Conclusion_sq.jpg Chapter 4: Experiential Schemas - 5: Concluding Thoughts https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1666021325598-2T7FWA0OQYUC9I8YYZUK/Image%2BIcon+Below+copy-01+copy.png Chapter 4: Experiential Schemas https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1666021325570-IFVMPSFZTYCBZ9KJ4EG8/Image%2BIcon+Below+copy-02+copy.png Chapter 4: Experiential Schemas https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1666021326130-X9MAP4SGZ8KSHTOPBDFH/Image%2BIcon+Below+copy-03+copy.png Chapter 4: Experiential Schemas https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1666021326149-U1QYGGVETEU4E74B8SJE/Image%2BIcon+Below+copy-04+copy.png Chapter 4: Experiential Schemas https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1666021326654-21N2QUR876BVPBW85PWE/Image%2BIcon+Below+copy-05+copy.png Chapter 4: Experiential Schemas https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1666021326697-MSMUU7J8IXFWXK5KHO7C/Image%2BIcon+Below+copy-06+copy.png Chapter 4: Experiential Schemas https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/7653ff26-13db-4b07-ab7b-e9fc292ce475/Ch4_Intro_Page_1.jpg Chapter 4: Experiential Schemas - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1666362361024-IBDOMYT62DPKZ3YN4XVU/4I_02a_Dai-ichi+Yochien+Preschool.jpg Chapter 4: Experiential Schemas - Dai-ichi Yochien Preschool Kumamoto City, Japan Youji No Shiro + Hibino Sekkei architects https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1666362361036-BDLJ0RGUDR4SWLD7P0T8/4I_02b_Dai-ichi+Yochien+Preschool.jpg Chapter 4: Experiential Schemas - Dai-ichi Yochien Preschool Kumamoto City, Japan Youji No Shiro + Hibino Sekkei architects https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1666362361986-JUTQH0S0EESQVPL1XFL7/4I_03a_Perez+Art+Museum.jpg Chapter 4: Experiential Schemas - Perez Art Museum Miami, Florida, 2013 Herzog + De Meuron Architects https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1666362362088-P6R60PQCLS27OAF2Q9H3/4I_03b_Perez+Art+Museum.jpeg Chapter 4: Experiential Schemas - Perez Art Museum Miami, Florida, 2013 Herzog + De Meuron Architects https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1666362362622-EOMHNZXNPCBP0S0FFGRG/4I_04a_Villa+Elxis+Sunrise.jpg Chapter 4: Experiential Schemas - Villa Elxis Moonset Paros Island, Greece, 2016 Studio 265 + Vazaios Petropoulous architects Sunrise view over the Aegean https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1666362362755-482G7NUZO4LYYMYKHJ7T/4I_04b_Villa+Elxis+Moonset.jpg Chapter 4: Experiential Schemas - Villa Elxis Moonset Paros Island, Greece, 2016 Studio 265 + Vazaios Petropoulous architects Moonset view from covered dining terrace allowing the appreciation of the blue hour. Also aligns with sunset. https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1666362363671-K1GRAYH4384OIHLAONN8/4I_05a_Water-Cherry+House.png Chapter 4: Experiential Schemas - Water/Cherry House Eastern Japan coast, 2012 Kengo Kuma, architect pohotos © Mitisumasa Fujitsuka https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1666362364392-CY7XBJV4D32W5I500Y1X/4I_05b_Water-Cherry+House.png Chapter 4: Experiential Schemas - Water/Cherry House Eastern Japan coast, 2012 Kengo Kuma, architect pohotos © Mitisumasa Fujitsuka https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1666362364250-ZQ8XP4Y0QBAEST3VSQZO/4I_06a_NY+Carlsberg+Glyptotek+Addition.jpg Chapter 4: Experiential Schemas - NY Carlsberg Glyptotek Addition Copenhagen, Denmark, 1996 Henning Larsen, Architect Visitors journey "through a rich sequence of daylight infusions and blacked out rooms." (Larsens 2010) Underground Egyptian Sarcophagi exhibit https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1666362365206-B07WWWDCKAAZ1FHI3JF0/4I_06b_NY+Carlsberg+Glyptotek+Addition.jpg Chapter 4: Experiential Schemas - NY Carlsberg Glyptotek Addition Copenhagen, Denmark, 1996 Henning Larsen, Architect Visitors journey "through a rich sequence of daylight infusions and blacked out rooms." (Larsens 2010) Toplighted circulation https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1666362372991-IMI1IDT63MT60VQ7G8DB/4I_07a_Univ.+of+TN+Art+%2B+Architecture+Building.jpg Chapter 4: Experiential Schemas - University of Tennessee Art + Architecture Building Knoxville, Tennessee, USA, 1980 McCarty Holsaple McCarty architects https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1666362372559-RG2JYUS5W37DAQWIZ7M3/4I_07b_Univ.+of+TN+Art+%2B+Architecture+Building.jpg Chapter 4: Experiential Schemas - University of Tennessee Art + Architecture Building Knoxville, Tennessee, USA, 1980McCarty Holsaple McCarty architects https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1666365277199-6F5E38HUNG2AGKLYY084/4I_08a_Magney+House+copy.jpg Chapter 4: Experiential Schemas - Magney House Bingie Point, New South Wales Australia, 1984 Glenn Murcutt, architect https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1666365278018-PRKPXSDRBH2Y6CF9OEMO/4I_08b_Magney+House+copy.jpg Chapter 4: Experiential Schemas - Magney House Bingie Point, New South Wales Australia, 1984 Glenn Murcutt, architect https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1666365283407-1H8RWV765NNLIJ4YQNZT/4I_09a_Turtle+Creek+House+copy.jpg Chapter 4: Experiential Schemas - Turtle Creek House Dallas, Texas, 1993 Antoine Predock, architect Entrance through a metaphorical stove cave. The view opens to the lawn at ground level and into the forest understory. The “theater of the trees” house, built for a birdwatcher, offers multiple varied vantage points on nature. A sky bridge enters the canopy. A rood terrace frames sky and star watching. https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1666365282497-CHDJ2IVYARNEFKDP3YHW/4I_09b_Turtle+Creek+House+copy.jpg Chapter 4: Experiential Schemas - Turtle Creek House Dallas, Texas, 1993 Antoine Predock, architect Entrance through a metaphorical stove cave. The view opens to the lawn at ground level and into the forest understory. The “theater of the trees” house, built for a birdwatcher, offers multiple varied vantage points on nature. A sky bridge enters the canopy. A rood terrace frames sky and star watching. https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1666365285664-B7GQYIQWMTZK23ETB5X6/4I_09c_Turtle+Creek+House+copy.jpg Chapter 4: Experiential Schemas - Turtle Creek House Dallas, Texas, 1993 Antoine Predock, architect Entrance through a metaphorical stove cave. The view opens to the lawn at ground level and into the forest understory. The “theater of the trees” house, built for a birdwatcher, offers multiple varied vantage points on nature. A sky bridge enters the canopy. A rood terrace frames sky and star watching. https://greenvisionstudio.org/chapter-5-concluding-thoughts daily 0.75 2022-11-11 https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1668182464833-9WPKPDS4FAIG5MGIYBSA/Schema_map.jpg Chapter 5: Concluding Thoughts - Front Matter https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1668182626353-220NF97RRCMUNDKX8KMH/1_01_Acropolis%2BMuseum.jpg Chapter 5: Concluding Thoughts - 1: Beyond Comfort https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1668182507957-5P79N34OHZ448RGMGJ99/2_01_Novartis+Campus+Forum+3.jpg Chapter 5: Concluding Thoughts - 2: Integral Experience https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1668182462532-45M32UPNN89TCPJ9DS08/3_01a_Opener_Greece_National_Library.jpg Chapter 5: Concluding Thoughts - 3: Excited By Evidence https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1668182736091-HW9WZF6UKIFC8BDHKQ2C/4I_01_Texas%2BA%2526M%2BEngineering%2BCollege.jpg Chapter 5: Concluding Thoughts - 4: Experiential Schemas https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1668182463515-B7WXVR76IT9JYEERLI3J/Conclusion_sq.jpg Chapter 5: Concluding Thoughts - 5: Concluding Thoughts https://greenvisionstudio.org/4-contrast daily 0.75 2022-11-11 https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1666021325598-2T7FWA0OQYUC9I8YYZUK/Image%2BIcon+Below+copy-01+copy.png 4: Contrast https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1666021325570-IFVMPSFZTYCBZ9KJ4EG8/Image%2BIcon+Below+copy-02+copy.png 4: Contrast https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1666021326130-X9MAP4SGZ8KSHTOPBDFH/Image%2BIcon+Below+copy-03+copy.png 4: Contrast https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1666021326149-U1QYGGVETEU4E74B8SJE/Image%2BIcon+Below+copy-04+copy.png 4: Contrast https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1666021326654-21N2QUR876BVPBW85PWE/Image%2BIcon+Below+copy-05+copy.png 4: Contrast https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1666021326697-MSMUU7J8IXFWXK5KHO7C/Image%2BIcon+Below+copy-06+copy.png 4: Contrast https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/0909d5d7-e718-4e66-85d8-27d9af4d1d8b/Image%2BIcon+Beside_Contrast.png 4: Contrast - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1665754082947-VP1HR02XJYMLD4D6KBD4/C0_Six.jpg 4: Contrast - Six contrast dimensions Adapted from Jacobsen et al. 1990 https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1665754082730-JQA2K3E5B3N78I8EV586/C1_Therm_Gilardi.jpg 4: Contrast https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1665754084147-KNPTYV490JNENMDXY7MG/C1_Therm_Heatmap.jpg 4: Contrast - Thermic hues diagram left Heatmap of hue-emotion association Darker cells symbolize higher percentage of participants endorsing the color-emotion association. Jonauskaite et al. 2020 right Emotional arousal from color Brighter and more saturated colors are associated with higher levels of emotional arousal. adapted from Wilms + Oberfeld 2018 https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1665754084135-H369YWTUNVL8RFI7ROYY/C1_Therm_NYT.jpeg 4: Contrast https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1665754085612-RESH8JFKHO36UJLR1WRN/C2_Haptic_Body.jpg 4: Contrast - Body thermal sensitivity mapping This study's 310 sensor points on a person is the densest microscale thermal sensitivity testing to date. adapted from Luo et al. 2019 https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1665754085133-5A1FE9D00JHLNDFKRW48/C2_Haptic_Handle.jpg 4: Contrast https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1665754085816-WY224QCV9LYWEVB210OQ/C2_Haptic_Rail.jpeg 4: Contrast https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1665754086293-NUQDN7A2CVZJJABA8RLH/C2_Haptic_Saynatsalo.jpg 4: Contrast https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1665754088694-7T9G6PDA9VH8WPKK8OQ4/C3_Scintil_Sand.jpg 4: Contrast https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1665754087232-CQ0W2UQXJNR2DBSCJ26H/C3_Scintil_Court.jpg 4: Contrast https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1665754090315-LN3R94QPNY0HKSIB8SIU/C3_Scintil_Views.jpg 4: Contrast - Facade types: interior views and subjective response left Interior views of three facades with equal transparency and opaque proportions under two sky conditions. Labels refer to non-uniform distribution of rectangular openings (Irregular), uniform distribution of the same openings (Regular) and venetian blinds (Blinds). Chamilothori et al. 2016 right Subjective responses for social vs working contexts under clear sky (graphs refer to top row images) adapted from Chamilothori et al. 2019 https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1665754088695-WOXPRAL6TCJOP8TZFXKI/C3_Scintil_Facade.jpg 4: Contrast - Facade types: architect assessments left 20 built facades and their abstracted patterns adjusted to 40% perforation for simulation right 20 patterns assessed for degree of excitement and calmness in a survey of architects adapted from Chamilothori et al. 2018 https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1665754090655-0G54OZV5ULDPAD6Y4N3L/C3_Water_Silence.jpg 4: Contrast https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1665754091021-F7EJWKDTCEX8OIBM64H7/C3_Water_Triton.jpg 4: Contrast https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1665754089959-A9PIYH4E3894TBMCNTXX/C3_Water_Alliesthesia.jpg 4: Contrast - Water touching alliesthesia Pleasure from water contact depends on contrast between the initial body state and water's temperature. A cold body feels more pleasant touching very warm water, while a warm body maximizes thermal pleasantness in contact with cooler water. adapted from Mower 1976 https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1665754091183-H52R7PGZL85UR8A7JR5Z/C4_Engage_Butanta.jpg 4: Contrast https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1665754095980-ENJE04JMJR5G4L8O0456/C4_Engage_Zuishoji.png 4: Contrast https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1665754092218-5L92YATMNMVZCKE1S8SI/C4_Engage_Rain.jpg 4: Contrast - Engage rain with protection left Rain porch with outboard columns and extended roof (below) and deeply protected, screened sleeping porch (above) center Covered arcade (below) and roofed gallery (above), both with direct access from adjacent rooms. right Window seat with awning window and horizontal exterior shade (below) and bay window with horizontal ventilation inlet to admit air without rain (above) https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1665754092780-QTNPGC42Z3775OQEZD3U/C4_Inhab_Elder.jpg 4: Contrast https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1665754093287-FCSMKQREVW6FIT1QCNTC/C4_Inhab_Glass.jpeg 4: Contrast https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1665754095605-F7Q06HK7OOXA412W2M4Y/C4_Inhab_Types.jpg 4: Contrast - Type variants for designing in-between space Horizontal and vertical adjacency arrangements among inside (in), semi-enclosed (semi) and outdoor (out) spaces. based on Watchman et al. 2020 Also see Sea Ranch Condo One saddlebag space example in G6 Engagement and Retreat https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1665754096183-TSD0SJ98Z8M6VQOEOZMK/C4_Light_Lichtenstein.jpg 4: Contrast A 1915 https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1665754096801-I0OKGV5YBRP0ELB1LZ47/C4_Light_VanWass.JPG 4: Contrast https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1665754097699-XIJXY5MYJQHRO7V7TEY3/C4_Light_Zones.jpg 4: Contrast - Light zones in Rovaneimi Municipal Library Rovaneimi, Finland, 1965 Alvar Aalto, architect Skylights define distinct light-zones in activity areas while shadow-zones limit and define their edges. Five reading niches are illuminated by skylight scoops. No electric lighting is used in the darker circulation zone in between the brightly toplighted circulation desk and the fan-shaped reading room. analysis + illustrations Madsen 2006 https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1665754211981-Z0DXQBBMK8TMY2CHVTIY/C4_Temper_Ayub.jpg 4: Contrast https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1665754098871-DX9UXWJZLOZ5THISUGZG/C4_Temper_Galleria.jpeg 4: Contrast https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1665754099288-IAXBO4V55S2AIEUL5CMT/C4_Temper_Paths.jpg 4: Contrast - Tempered pathways Warm weather types A Cool walk B Trellised path C Shady arcade Cool weather types D Warm walk E Warm loggia F Glazed way https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1665754099844-ZRFSSOMG845UWWCYWXDC/C5_Enclave_Winslow.jpg 4: Contrast https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1665754212610-TIRZI0ZA0ZZWDFK8CC93/C5_Enclave_Zachary.jpg 4: Contrast https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1665754100189-40L2J4GMHK2TT97LB76O/C5_Enclave_Pockets.jpg 4: Contrast - Organizations for warm and cool enclaves A Rocky Mtn. Inst. Innovation Ctr. Basalt, Colorado, 2015, ZGF B Winslow House River Forest, Illinois, 1893 Frank Lloyd Wright C Cloud House Otis, Oregon, 2012, G Z Brown D Zachary House Zachary, Louisiana, 2005 Atkinson Architecture E Carnegie Inst. for Global Eco. Stanford, California, 2004, EHDD F Olnick Spanu House Garrison, New York, 2008 Alberto Campo Baeza https://greenvisionstudio.org/4-gradient daily 0.75 2022-11-11 https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1666021325598-2T7FWA0OQYUC9I8YYZUK/Image%2BIcon+Below+copy-01+copy.png 4: Gradient https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1666021325570-IFVMPSFZTYCBZ9KJ4EG8/Image%2BIcon+Below+copy-02+copy.png 4: Gradient https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1666021326130-X9MAP4SGZ8KSHTOPBDFH/Image%2BIcon+Below+copy-03+copy.png 4: Gradient https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1666021326149-U1QYGGVETEU4E74B8SJE/Image%2BIcon+Below+copy-04+copy.png 4: Gradient https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1666021326654-21N2QUR876BVPBW85PWE/Image%2BIcon+Below+copy-05+copy.png 4: Gradient https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1666021326697-MSMUU7J8IXFWXK5KHO7C/Image%2BIcon+Below+copy-06+copy.png 4: Gradient https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/ca1419a7-1253-429f-8179-ad3d953252cd/Image%2BIcon+Beside_Gradient.png 4: Gradient - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1665756959991-Q8W9AFKZHP4L82FLOUY0/G2_Adapt_Graph.jpg 4: Gradient - Satisfaction with vertical gradients Recent research shows that older standards for thermal gradients were too restrictive and that most seated people find acceptable a gradient between head and feet of about 5°C/m (3°F/ft). For the average seated person, that is a temperature difference of about 7°C (12°F) from head to toe. adapted from Liu et al. (2020) https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1665756960049-TNKYG4RP5VOSS8FHFR2O/G2_Adapt_Conditions.jpg 4: Gradient - Altitude adjustments in cool vs warm conditions Cool Elevated sitting and sleeping; floors insulated from cold earth and cold outside air Warm Floor level or low sitting and sleeping, or elevated for breezes; floors in contact with cooler earth or elevated for breeze and isolation from ground moisture https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1666190083508-2JZETH7ALQ4VQBRXOU3M/G2_Datum_Monte.jpg 4: Gradient - Monte Alban sketch by Jørn Utzon, 1962 pre-Columbian Zapotec + Mixtec Oaxaca state, Mexico https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1666190083540-JWHFYMY9FQSXSZOVVG1S/G2_Datum_Houses.jpg 4: Gradient - Chinese + Japanese houses sketch by Jørn Utzon, 1962 grounded vs detached floors https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1665756961789-H5N443I0YRDYXT9GDHOX/G2_Datum_Relations.jpg 4: Gradient - Floor + Ground Relationships Vertically From detached above ground to submerged, each condition engenders a different feeling, sensed directly. Horizontally From more (left) to less (right) enclosure by earth adapted and expanded from Watchman et al. (2021) https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1665756964248-SFM16NY3R791S7WKXS2D/G4_Incalescent+Center_Trennemoor.jpg 4: Gradient - Trennemoor House Kirchhorst, Germany, 1992 Hansjörg Göritz Studio Thermal patterns, plan diagram https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1666190634314-J4O0LKODR3T1XZH15OQD/G4_Incalescent+Center.jpg 4: Gradient - Source surface area and temperatures A Wood stove small delivery area 400 °F/200 °C B Concentrated radiant wall medium delivery area 150 °F/65 °C C Dispersed radiant wall large delivery area 80 °F/27 °C C Trombe wall (passive) large delivery area average 100 °F/38 °C peak 20–130 °F/49–54 °C D Active radiant floor largest delivery area required 75–85 °F/24–29 °C https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1665756963241-5348EVBHJAWKZGXXPF8N/G4_IncaCen_Radiant.jpg 4: Gradient - Radiant thermal space A radiant field's spatial pattern is a product of both heat source and room design. Principles _ Less enclosure = more temperature range. Edge is closer to outdoor temperature. _ Less enclosure or more glass = more temperature range. _ Centralized sources generate circular fields. Wall sources generate more linear fields. _ More thermal contours in same distance = steeper gradient = greater social gathering effect. https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1665756962050-2J984IU23LX70R2R3JVA/G4_Euph_Sounds.jpg 4: Gradient - Cognitive impacts of water sounds left Creative effect of sounds Water sounds support creative thought. adapted from Haapakangas et al. 2011 right Urban soundscape semantic profiles A variety of water sounds are preferred across a range of qualities. adapted from Jeon et al. 2012 https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1665756967532-JUELLUYYAF8WVENYMLPQ/G4_Zeph_Data.jpg 4: Gradient - Air + wind preferences left Air movement preferences Building occupants generally prefer more air movement than that with which they are provided. Zhang et al. 2007 right Wind type preference Compared to other patterns, people prefer air flow patterns that follow the fluctuations of natural wind. Zhao + Li 2004 https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1665756964967-DQ99DZ0DTKY83TMKUY6M/G4_Shades_Data.jpg 4: Gradient - Outdoor shade + thermal stress Conditions on a typical June day in Knoxville, Tennessee (zone 4-A mixed-humid climate). UTCI calculations were based on average hourly data for temperature, solar radiation, humidity and wind speed for each daylight hour, based on TMY-2 weather files. Summer outdoor conditions in full shade cause no bodily thermal stress all day. https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1665756967341-6JJDYUBH7SCTQ5S850BJ/G4_Shades_Rooms.jpg 4: Gradient - Outdoor room configurations A Lincoln, Massachusetts, 1938 Walter Gropius + Marcel Breuer Unglazed south facade, parallel overhead louvers + opaque west wall (Process Architecture 1980) B Ha Long City, Viet Nam, 2020 HGAA, architects Overhead metal panels, vines mesh grid, tree openings, wire mesh walls (Astbury 2021) C Fine overhead slats, opaque plane + pool opening. See precedent. D Buggenhout, Belgium, 2013 Geers + van Severn, architects Opaque overhead and bounding vines on metal grid (Divsare 2016) https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1665756969434-9ENNQTKJAH0YJJCSJFI8/G5_Pocket_Plans.jpg 4: Gradient - Pockets of shadow variations Anant Raje, architect Shaded areas show partly-enclosed shadow pockets open to outdoor air; boundaries to interior have operable windows and doors. left Mudra Institute of Communications Classroom Building Ahmedabad, India, 1990 top right ATIRA Staff Housing (Ahmedabad Textile Industry Research Association) Ahmedabad, India, 1984 bottom right Bhopal Development Authority Headquarters Bhopal, India, 1990 https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1665756969800-5IHV5A3U7A4WV3IS4937/G6_Engage_Enclose.jpg 4: Gradient - Degrees of enclosure left Sea Ranch Condos, Unit 9 Exposed window seat and entry court; enclosed four-poster living space and isolated bed loft. right Palace of the Lions (Palacio de los Leones), The Alhambra Grenada, Spain, 14c 1 Open-to-sky Court of the Lions 2 Three-sided open pavilions 3 Arcaded surrounding gallery 4 Interior salas (halls) 5 Protected alcoves 6 More remote/enclosed alcoves analyses by Zachary Dulin + Mark DeKay https://greenvisionstudio.org/4-rhythm daily 0.75 2022-11-11 https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/ac308743-7e27-4639-894b-fcc4a9c9bb3e/Image%2BIcon+Beside_Rhythm.png 4: Rhythm - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1665759348327-IT9BQ784O88TWKVFRL64/R2_AperEng_Graph.jpg 4: Rhythm - Cooling effect of air movement Faster air flow, lighter clothing and local user controls all increase the temperature occupants find acceptable. ASHRAE Std. 55 defines comfort zones where 80% of people find conditions thermally acceptable. The graph shows zones calculated for 0.5 and 1.0 clo (clothing factor), defined by PMV (Predicted Mean Vote) within limits of +/– 0.5. Separate (dark and light gray) zones are defined for occupant local control over air movement vs no local control. Additional colored curves (outer edges) show comfort at more relaxed slightly warm (+1) and slightly cool (–1) PMV limits. https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1665759348300-CO2XKLI31IP2D6U5SG7Q/R3_Biorythmic+Radiance.jpg 4: Rhythm - Programming to Support Circadian Stimulus (CS) Every lighting scheme requires a specific schedule to support occupant CS (0 for no light to 0.7 max). To represent examples, not prescriptions, y-axes show relative system output (intensity) as percentage. x-axes are also examples. left Color temperature variability. Tunable LED lights are programed to change correlated color temperature (CCT) across the day, while light intensity changes relatively slightly. right Light intensity viability. CCT stays constant at 3000K, while the primary control for regulating CS is light intensity. both from Figuero et al. 2016 https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1665759349513-PBLKUPZ3DUQLYZ4U225U/R4_Dawn_Plan.jpg 4: Rhythm - Adobe Canyon House Patagonia, Arizona, 2005 Studio Rick Joy, architects Plan. Occupants can migrate to opposite terraces, close doors to control low-angle sun, choose an exposed edge or a shaded retreat. In heat, western doors can be closed and sunset light appreciated indirectly on the landscape from the eastern terrace. https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1665759350814-9VHXD967TZVDPYNQ5Y8Q/R4_Dawn_SunMoon.jpg 4: Rhythm - Dawn and dusk places left Moonrise + moonset azimuth Plan view. Darker tones indicate the azimuth range (compass orientation) between major and minor lunar standstills. Inner ring is moon; outer ring, sun. Rising of both is in east and setting of both in west. right Golden hour + blue hour altitude Elevation view. Gray shaded sectors show twilight ranges with astronomical definitions. Dawn + dusk definitions are marked as points. Blue and golden hours are approximate culturally-defined ranges. Labels apply am and pm. https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1665759351029-QN91U8B2S2RI3I4N9Y5N/R4_Dawn_Views.jpg 4: Rhythm - Low-glare views upper left Deep covered terrace, low reflectance, diffusing ground lower left Walls receive early or late light and golden hour color (alpenglow) lights buildings and landscapes (Lynch + Livingston 1995) upper right Adjustable louvers allow reflected light and color. Movable screens support daily open/close cycles. lower right Small shielded apertures and splayed edges https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1665759349621-A0RWXLYX6EZOBOPX8TA4/R4_Circadian_Data.jpg 4: Rhythm - Circadian Stimulus vs Circadian Light People need CS ≥ 0.3 in the morning, deceasing in the afternoon, and low CS ≤ 0.1 in the evening (Figueiro + Rhea 2017). https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1665759354721-WDQYBSA6BU2R0Z5586WT/R4_RadSail_Plan.jpg 4: Rhythm - Radiant Stoneflower Eden Isle, Arkansas, 1965 E Fay Jones, architect Ground floor plan https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1665759353825-9WXBHAAPG73NXKX4JTII/R4_Radiant+Sailing.jpg 4: Rhythm - Passive Building Daily cycles left Passive solar building: mass warms with rapidly with daytime sun, cools slowly as it heats the room at night. right Passively cooled building: mass warms slowly with daily heat gains, cools rapidly with night air. https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1665759352530-DKXZTBOMXNKOGKZV1IHK/R4_Habitat_View.jpg 4: Rhythm - View + habitat layering Good views are often layered. Include horizontal view layers: foreground, middle ground and background (Gorlin 2018). Also arrange angular view layers: sky, in-between and ground sectors (Matusiak + Klöckner 2015). Biodiversity increases with the number of layers. Include vertical landscape layers: tree canopy, understory trees, shrubs, herbaceous and ground. Also arrange lateral landscape layers: water, wetlands, meadows, grassland (Darke + Tallamy 2014). https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1665759352717-F8TGMI60IZFENO81IO5C/R4_Habitat_Rooms.jpg 4: Rhythm - Design variations A Creek House Truckee, California, US, 2018 Faulkner Architects (Brillon 2018) B Sand House Trancoso, Brazil, 2019 Studio MK27, architects (The Plan 2019) See also C3 Scintilating Sun C Optical Glass House Hiroshima, Japan, 2012 Hiroshi Nakamura + NAP architects (Frearson 2013) See also C4 Inhabited Periphery D Nezu Museum Minato City, Tokyo, Japan, 2009 Kengo Kuma, architect (Frampton + Kuma 2012) https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1665759355793-4XIAK3PYHFVXQYABIZPO/R5_Helio_Plan.jpg 4: Rhythm - Fredensborg House plan Fredensborg, Denmark, 1963 Jørn Utzon, architect https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1665759356013-9V7LFOAAGA0LTWS1IGHO/R5_Helio_Data.jpg 4: Rhythm - Heliotropic rooms left Solar site plan Tempe à Pailla (Tempe a païa)Eileen Gray's studied rooms, views and circulation in relation to sun. right Activity locations + sun path diagram based on 36˚N latitude, mixed climate Inner ring suggests cool season daily events in buildings that follow the sun path. Middle ring recommends warm season events in orientations opposite the sun's position. Outer ring marks seasonal solar path with extremes of sunrise and sunset. https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1665759357301-QALC340KSRE5LK05WB7V/R6_Cooling+Conversions_Comfort+Model.jpg 4: Rhythm - Adaptive Comfort Model Field study results showing occupants' preferred comfort temperature in relation to seasonal shifts in outdoor temperature. 80 and 90% acceptability zones rise with climatic trends. This holds for NV, MM and AC buildings (Parkinson et al. 2020). https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1665759357052-6S0WEKOJVVB08EJ6YHTP/R6_Cooling+Conversion_Modes.jpg 4: Rhythm - Mixed-mode cooling typology Three common MM operational schemes combining NV and AC. A building may use one, two or all three schemes (Brager 2006). A Concurrent schemes use AC and NV in the same space at the same time. B Zoned schemes simultaneously use NV in one area and AC in another. C Change-over schemes switch from NV to AC as conditions warm on a daily or seasonal basis—­or as occupancy changes. https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1666021325598-2T7FWA0OQYUC9I8YYZUK/Image%2BIcon+Below+copy-01+copy.png 4: Rhythm https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1666021325570-IFVMPSFZTYCBZ9KJ4EG8/Image%2BIcon+Below+copy-02+copy.png 4: Rhythm https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1666021326130-X9MAP4SGZ8KSHTOPBDFH/Image%2BIcon+Below+copy-03+copy.png 4: Rhythm https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1666021326149-U1QYGGVETEU4E74B8SJE/Image%2BIcon+Below+copy-04+copy.png 4: Rhythm https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1666021326654-21N2QUR876BVPBW85PWE/Image%2BIcon+Below+copy-05+copy.png 4: Rhythm https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1666021326697-MSMUU7J8IXFWXK5KHO7C/Image%2BIcon+Below+copy-06+copy.png 4: Rhythm https://greenvisionstudio.org/4-flux daily 0.75 2022-11-11 https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1666021325598-2T7FWA0OQYUC9I8YYZUK/Image%2BIcon+Below+copy-01+copy.png 4: Flux https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1666021325570-IFVMPSFZTYCBZ9KJ4EG8/Image%2BIcon+Below+copy-02+copy.png 4: Flux https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1666021326130-X9MAP4SGZ8KSHTOPBDFH/Image%2BIcon+Below+copy-03+copy.png 4: Flux https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1666021326149-U1QYGGVETEU4E74B8SJE/Image%2BIcon+Below+copy-04+copy.png 4: Flux https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1666021326654-21N2QUR876BVPBW85PWE/Image%2BIcon+Below+copy-05+copy.png 4: Flux https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1666021326697-MSMUU7J8IXFWXK5KHO7C/Image%2BIcon+Below+copy-06+copy.png 4: Flux https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/c7d49c02-e4df-4f34-9cda-fa8edbf33952/Image%2BIcon+Beside_Flux.png 4: Flux - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1665759792306-7CAUKRGX2FXFANEHHZYV/F1_Melodic_Graph.jpg 4: Flux - Material acoustic characteristics left Sound absorption vs frequency Fiberglass absorbs the most sound over a wide frequency band. Harder materials are more reflective, less absorptive. Glass absorbs low frequencies and reflects high frequency. adapted from Engineering Toolbox 2003 right Rain noise vs frequency Stiffer denser materials transmit less rain noise, while more drum-like construction transmits more. adapted from BRE 2004, Toyoda + Takahashi 2013 and Pyrotek 2018 https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1665759792365-1ZGKVE1WNP1XNW2IB2PD/F1_Melodic_Sounds.jpg 4: Flux - Bring wind and rain sounds to occupants A fabric B foliage C perforated wall D water E hard surfaces F metal roof, visible rain-chain https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1665759793761-FSJUGYK432SPXNUHTX8H/F2_Current_Data.jpg 4: Flux - Presence effects of wind-generated movement Both shadows projected from wind moving foliage and wind-animated reflections from water onto building surfaces can help people feel connected to the present more than static conditions. adapted from Nute + Chen 2020 https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1665759796979-7JTBO5C4GXPMOUVMSW6H/F3_Mirror_Data.jpg 4: Flux - Reflecting pool geometry left Reflected images appear equal in height to objects. Best reflections are beyond 45˚ view angle, enhanced by shallow edges and a deeper pool middle. top right A larger pool in the direction of view captures more image. bottom right Viewing position affects which reflections can be seen. Angles of incidence and reflection are equal. https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1665759795587-QSTATHTZ01GREEIQOOOW/F3_Fans_Strategy.jpg 4: Flux - Integrated fan operating strategy As conditions warm, a smart fan turns on; speed increases as temperature rises. AC setpoint can then be higher, saving energy and providing greater comfort control. https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1665759795550-76PUEQGRWNO2HCE8KB2N/F3_Fans_Design.jpg 4: Flux - Ceiling fan design guide left Felt room airspeed Velocity varies with fan diameter and distance from fan center. Even lowest shown speed has 3˚F (1.7˚C) cooling effect. Raftery et al. 2019 right Fans first decision chart Use the flow chart to help determine the best air flow distribution regime. adapted from Raftery + Douglass-Jaimes 2020 https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1665759798240-U2GDOYNISNMKI2R48WE8/F3_Reveal_Gando+Houses.jpg 4: Flux - Gando Teacher’s Housing Conveyance + storage plan diagram https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1665759797168-DA5ERLV880Y28IM1O05P/F3_Reveal_Diagram.jpg 4: Flux - Revealed conveyance left House on a Pond conveyance right Exposed rainwater pathways A Gutterless rain curtain + exposed gravel trench B Expressed gutter + scupper free-fall C Expressed gutter + rain chain + grated catch basin D Gando Teacher's Houses: Open channel on wall + sloped down-channel + ground drain E Outrigger gutter + free-fall to splash vessel F Expressed gutter, scupper, leader-head + rain-leader https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1665759793885-5YGUQQSZVJQX4J36C0AF/F3_Animate_Diagram.jpg 4: Flux - Caustic reflections + projections Caustic patterns are reflected from the water surface and projected to the pool bottom. adapted from Taylor 2017 https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1665759798696-XKBGOAHBIEL6DH171EN6/F4_Complu_Variant.jpg 4: Flux - Compluvium variations top left Roman Atrium House Diagram is typological composite. Pompeii, 1st century CE top right Copper House II Chondi, Maharashtra, India, 2012 Studio Mumbai bottom left Benesse House Naoshima, Japan, 1995 Tadao Ando bottom right Impluvium Cabin Neltume, Chile, 2019 SAA Arquitectura + Territorio https://greenvisionstudio.org/4-sequence daily 0.75 2022-11-11 https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1666021325598-2T7FWA0OQYUC9I8YYZUK/Image%2BIcon+Below+copy-01+copy.png 4: Sequence https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1666021325570-IFVMPSFZTYCBZ9KJ4EG8/Image%2BIcon+Below+copy-02+copy.png 4: Sequence https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1666021326130-X9MAP4SGZ8KSHTOPBDFH/Image%2BIcon+Below+copy-03+copy.png 4: Sequence https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1666021326149-U1QYGGVETEU4E74B8SJE/Image%2BIcon+Below+copy-04+copy.png 4: Sequence https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1666021326654-21N2QUR876BVPBW85PWE/Image%2BIcon+Below+copy-05+copy.png 4: Sequence https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1666021326697-MSMUU7J8IXFWXK5KHO7C/Image%2BIcon+Below+copy-06+copy.png 4: Sequence https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1665760319364-LT1UK5AXMLCCMY1RL71I/S1_Patina_Weather.jpg 4: Sequence - Exterior materials weathering Many factors influence weathering, including climate, site context, facade or roof orientation, UV and rain exposure, atmospheric pollution and architectural detailing. Each material shows its own life span and weathering process. Samples are representative only. https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1665760318857-H1MTP5COALNLVKU3P8SZ/S2_Aromatic_Transits.jpg 4: Sequence - Aromatic transit types Activate scents by walking on, touching, or brushing past planting. Raise fragrance closer to the nose and for those in wheelchairs. Contain a redolent domain with partial enclosure so the air slows and smells linger and intensify. A stepping scents B raised beds C vertical trellis D arbor gate E pergola path F living wall https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1665760324635-A2I6XKNGI45BTWSL8D2I/S5_Territorial+Tuning.jpg 4: Sequence - Variable comfort conditions left Energy savings from expanded setpoints in different climates based on Hoyt et al. (2015) Each degree of thermostat changes saves energy. Bands show ranges where comfort limits can be expanded with different strategies. right Expanded comfort examples based on CBE Thermal Comfort Tool (Tartarini et al. 2020) A Clothing range B Elevated air flow C Adaptive comfort + air flow D Radiant heat to body https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1665760321061-L04OAPIFZCG9YUWMUOTL/S5_Ingress_Plan.jpg 4: Sequence - Kimbell Art Museum entry sequence Fort Worth, Texas, 1972 Louis I Kahn, architect entry sequence plan https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1665760320380-OLM128TGWEHCD7P6MC6L/S5_Ingress_Data.jpg 4: Sequence - Paths to thermal pleasure adapted from Parkinson et al. 2016 Pleasure in transitions between environments increases with greater thermal contrast. Vertical lines show five different before + after experiments. Thermal pleasure axis indicates participants' perceptions. Arrows indicate directional change in pleasure from a warm or cool environment under initial conditions and then after experiencing a post-transition contrast. SET conditions combine effects of air and radiant temperature, moisture and air movement. https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1665760323844-0769K9WCY0CUVP47V4UC/S5_Procession_Graph.jpg 4: Sequence - Visual adaptation to contrast Adaptation from dark to light conditions happens very rapidly, while moving form light to dark requires much longer for the eyes to adjust. adapted from Lucas et al. 2014 https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1665760322953-SWWGYRLU72CCV5TPPXI3/S5_Procession_Designs.jpg 4: Sequence - Light and dark procession left Ny Carlsberg Glyptotek Extension Copenhagen, Denmark, 1996 Henning Larsens, architect Visitors circulate through darker galleries alternating with skylighted circulation, transitioning upward towards brighter light. See images and text in Sequences section of Chapter 4 Introduction. right Hill House Helensburgh, Scotland, 1904 Charles R Mackintosh, architect Occupants progress from darker entry and north-side hall to bright south-facing living room and an even brighter window seat. https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1665760322616-R2MJFNMXS05X1DMISFKK/S5_PhotoCat_Diagram.jpg 4: Sequence - Phototropic movement A Toplight, repeated on path Jyväskylä University Jyväskylä, Finland, 1959 Alvar Aalto B Sidelight at path end St Henry's Ecumenical Art Chapel Turku, Finland, 2005 Sanaksenaho Architects C Top + sidelight, punctuated Gug Church Aalborg, Denmark, 1972 Inger and Johannes Exner D Sidelight, repeated Santa Fe Visual Arts Center (plan) New Mexico, USA, 1999 Legorreta + Legorreta https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1665760325308-JOJBASPMSJDPJ6SCQCNP/S5_Topo_Diagram.jpg 4: Sequence - Incrementally terraced floors A Casa Palicourea, main house B Casa Palicourea, studio C UCSF Regeneration Medicine Building https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/84caa55e-ef27-449d-aeae-a2938413b1c0/Image%2BIcon+Beside_Sequence.png 4: Sequence - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://greenvisionstudio.org/4-narrative daily 0.75 2022-11-11 https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/8706c28c-5a03-44ef-8553-053338c2c9d3/Image%2BIcon+Beside_Narrative.png 4: Narrative - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1666021325598-2T7FWA0OQYUC9I8YYZUK/Image%2BIcon+Below+copy-01+copy.png 4: Narrative https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1666021325570-IFVMPSFZTYCBZ9KJ4EG8/Image%2BIcon+Below+copy-02+copy.png 4: Narrative https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1666021326130-X9MAP4SGZ8KSHTOPBDFH/Image%2BIcon+Below+copy-03+copy.png 4: Narrative https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1666021326149-U1QYGGVETEU4E74B8SJE/Image%2BIcon+Below+copy-04+copy.png 4: Narrative https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1666021326654-21N2QUR876BVPBW85PWE/Image%2BIcon+Below+copy-05+copy.png 4: Narrative https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1666021326697-MSMUU7J8IXFWXK5KHO7C/Image%2BIcon+Below+copy-06+copy.png 4: Narrative https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1665760662709-5KHDJNZ474J71406AC0Q/N1_Percep_Diagram.jpg 4: Narrative - Degrees of processing In general, less processed materials are visually understood as more natural. https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1665760661748-8RDH538VPYWH1AVN0KTP/N2_Authentic_Diagram.jpg 4: Narrative - Elements shaped authentically A Mgt. Development Ctr., 1989 Ahmedabad, Anant Raje. Bhatt + Scriver 1990; Raje + Raje 2012 B Indian Inst. of Management Ahmedabad, 1974, Louis Kahn ArchEyes 2019; Kahn et al 1975 C Farmers' Training Institute Palanpur, 1983, Anant Raje. Bhatt + Scriver 1990; Raje + Raje 2012 D Indian Inst. of Mgt. Dorms Ahmedabad, 1974, Louis Kahn ArchEyes 2019; Kahn et al 1975 E Entrepreneurship Develop. Inst. Ahmedabad, 1985, Bimal Patel Arch Rev 1992; Patil 2022 F Philips Exeter Academy Library https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1665760665335-QD22FIYMU0UV5KBVJJCL/N3_Roof_Diagram.jpg 4: Narrative - Roof terrain schemes Each example is a combination of primary roof design type and rainwater collection type. Many other variations are possible. A1 Glenn Murcutt Kangaroo Valley, Australia, 2005 B1 Lake|Flato Decatur, TX, 2014 E1 Max Pritchard Kingscote, SA, Australia, 2008 C2 Glenn Murcutt Bingie, NSW, Australia, 1984 F1,2 Balkrishna Doshi Ahmedabad, India, 1986 G3 RUA Arquitetos Rio de Janeiro, Brazil, 2015 C3 Glenn Murcutt Illaroo, NSW, Australia, 1999 D4 John Andrews Eugowra, NSW, Australia, 1980 H4 Charles Correa Ahmedabad, India, 1915 https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1665760663652-1QTM30F3EZ883QB4C6PJ/N3_Distinguish_Diagram.jpg 4: Narrative - Shearing layers of change Different building components have vastly different life spans and change rates. developed from concepts in Brand 1994 https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1665760666424-69YJJ2ARW3H6DF37QRUH/N5_Realms_Diagram.jpg 4: Narrative - Three realms in two houses left Casa Cala Madrid, Spain, 2015 Alberto Campo Baeza, architect right Casa Rotonda Madrid, Spain, 2021 Alberto Campo Baeza, architect https://greenvisionstudio.org/front-matter daily 0.75 2022-11-11 https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1666621631258-6RIYXOC56XDFDUEXY6OV/Schemas+by+Elements+%2B+Distribution+Type.jpg Front Matter - Schemas by Elements + Distribution Type Levels of scale + complexity 1 Materials 2 Elements 3 Systems 4 Rooms 5 Room Organizations 6 Whole Buildings https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1666621630131-8E66CIISDUG5S6404SI4/Schemas+by+Condition+Dynamics+%2B+Scale.jpg Front Matter - Schemas by Condition Dynamics + Scale Levels of scale + complexity 1 Materials 2 Elements 3 Systems 4 Rooms 5 Room Organizations 6 Whole Buildings Distributions of conditions C Contrast G Gradient R Rhythm S Sequence F Flux N Narrative https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1666621631912-9G8IUK86E7CW6H87MOQZ/Schema+Language+Map.jpg Front Matter - Schema Language Map https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1668178119659-W4698CBIC31KSINWMN5S/Schema_map.jpg Front Matter - Front Matter https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1668179780399-A0JHUXGFAMSTW7W5P6L3/1_01_Acropolis%2BMuseum.jpg Front Matter - 1: Beyond Comfort https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1668178113859-G0UA0NJKYTBCIE33E5QM/2_01_Novartis+Campus+Forum+3.jpg Front Matter - 2: Integral Experience https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1668178117260-ASX1TNHCT9H1MDUWLVPE/3_01a_Opener_Greece_National_Library.jpg Front Matter - 3: Excited By Evidence https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1668179712449-PC3ABK3G1A0YWOWFMERW/4I_01_Texas%2BA%2526M%2BEngineering%2BCollege.jpg Front Matter - 4: Experiential Schemas https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1668178118364-Y0JGWM45Y0ZWP955R16G/Conclusion_sq.jpg Front Matter - 5: Concluding Thoughts https://greenvisionstudio.org/video-publications daily 0.75 2022-11-02 https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1533671573131-SXKR7VN49WGISDY160J2/Screen+Shot+2018-08-07+at+3.51.30+PM.png Videos https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1533589025736-A1FJCAPSHHRDCIQR8R02/academia-A.png Videos academia.edu profile https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/79ef4041-0f57-413c-80fb-50e36c260647/youtube+copy.png Videos - Make it stand out youtube.com profile https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1667232084927-X9OMCGBQJ4CF9XFUYD9Q/INTEGRAL_LENS_Digital_Exhibit_Page_15.jpg Videos - Integral Lens Playlist https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1667397296242-Z7YPOE0DONU30KYLEK88/integral+design.jpg Videos - Integral Design + Research Playlist https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1667232493419-0I9PPNITI6EYT75U3OK3/Solving+the+Climate+Crisis+by+Design.JPG Videos - Solving the Climate Crisis by Design Playlist https://greenvisionstudio.org/chapter-2-integral-experience-1 daily 0.75 2024-08-28 https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1724795686478-CA0ATHJFMU5WWG54NLFR/April_crop.png Photo Seminar - April Weaver https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1724856516620-51GSBPTJW219YVFEPYWM/unsplash-image-zUtEPOCm5q0.jpg Photo Seminar - Danielle DiCicco https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1724856551244-24L5WPRBX16MAB4BTCIQ/unsplash-image-K67sBVqLLuw.jpg Photo Seminar - Jack Lyden https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1668182736091-HW9WZF6UKIFC8BDHKQ2C/4I_01_Texas%2BA%2526M%2BEngineering%2BCollege.jpg Photo Seminar - Lilly Loveday https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1668182507957-5P79N34OHZ448RGMGJ99/2_01_Novartis+Campus+Forum+3.jpg Photo Seminar - Mariam Siahatgar Stitched Panorama https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1666365283407-1H8RWV765NNLIJ4YQNZT/4I_09a_Turtle+Creek+House+copy.jpg Photo Seminar - Natalie Herrin https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1668182463515-B7WXVR76IT9JYEERLI3J/Conclusion_sq.jpg Photo Seminar - Olivia Layman https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1668182626353-220NF97RRCMUNDKX8KMH/1_01_Acropolis%2BMuseum.jpg Photo Seminar - Rachel Petty https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1724856357658-HIW7N9ZJDEGY032AQOSV/Sandy_RR_Head600.png Photo Seminar - Sandy Real Ramirez https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1668182462532-45M32UPNN89TCPJ9DS08/3_01a_Opener_Greece_National_Library.jpg Photo Seminar - Sarah Scardina https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1724856640629-0WQS1TKGS5TLEM27FW9R/unsplash-image-l5Tzv1alcps.jpg Photo Seminar - Taylor Allen https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1724857625069-ORHWXU8X5RIUXP0DAH35/INTEGRAL_LENS_Digital_Exhibit_Page_15.jpg Photo Seminar - Trey Svoboda https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1666365278018-PRKPXSDRBH2Y6CF9OEMO/4I_08b_Magney+House+copy.jpg Photo Seminar - Trevor Woodyard https://greenvisionstudio.org/lilyloveday daily 0.75 2024-08-28 https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/812098be-a351-4525-87b6-37308832720b/LL_AA4.jpeg Lily Loveday - A + A Building, Day 1 https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/00bc9de3-7c7c-4b03-8311-0e3e3ec5e48d/LL_AA1.jpg Lily Loveday https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/5ebf1bad-82db-4f99-8f5e-a5b2587022d9/LL_AA3.jpeg Lily Loveday https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/6a89a4dd-fbb3-479e-95e9-ac9ab1f18666/LL_AA2.jpg Lily Loveday https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/617d51ed-5c11-4fd1-b5d8-899f2171e955/LL_HSS4.jpeg Lily Loveday - HSS Building, Day 1 https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/ba91cfb3-fa3e-447f-9671-faa036c4a774/LL_HSS2.jpeg Lily Loveday https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/4d67487c-7c3d-4f65-a457-f5fa28b70d47/LL_HSS3.jpeg Lily Loveday https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/a2882855-783b-4209-93af-d7dae625e1f4/LL_HSS1.jpg Lily Loveday https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/9080af62-1ba9-42c7-973c-58821771814e/unsplash-image-l5Tzv1alcps.jpg Lily Loveday - Lily Loveday https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1724864766365-4N6TWCRO2Z7YC8ZY6NL1/White_image500_1.jpg Lily Loveday - White_image500_1.png https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1724864887016-IKCOD2IN0F127GS2DZ3G/White_image500_1.jpg Lily Loveday - White_image500_1.png https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1724864899258-R7XJE2PDLEYUR0BXLFQL/White_image500_1.jpg Lily Loveday - White_image500_1.png https://greenvisionstudio.org/chapter-2-integral-experience-1-1 daily 0.75 2024-08-28 https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/3bccfe63-4dd2-4eb2-9d9a-341702fa62c8/April_W_head300.png Seminar (Copy) - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/25abdbaf-d47c-4818-b119-193d4495c3a2/Sandy_RR_Head300.png Seminar (Copy) - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://greenvisionstudio.org/april-weaver daily 0.75 2024-08-28 https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1724865641228-1IKAKCJ0ABDKO5R3PVKP/IMG_6691.jpeg April Weaver - A + A, Day 1 shots https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1724865643741-55COLIORI4DWM1V2XH4P/IMG_6699.jpeg April Weaver https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1724865642914-UX5N29TMTGZIOB6IEK42/IMG_6695.jpeg April Weaver https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1724865642120-EZDXG52BASCQPWMYBLHA/IMG_6692.jpeg April Weaver https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1724865709426-4QSPY8BM4YN425P5XGLN/IMG_6709.jpeg April Weaver - HSS, Day 1 shots https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1724865709567-GE4PN5CH8F61YRFQO0S0/IMG_6712.jpeg April Weaver https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1724865707445-Q2Y95I8ELYGXQSU91D2K/IMG_6707.jpeg April Weaver https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1724865710818-HY6XXSQCAA2PU96Y6O6U/IMG_6713.jpeg April Weaver https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1724865297775-68B27ZUZP1LNVMHWTQWH/April_W_head300.png April Weaver - April_W_head300.png https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1724864766365-4N6TWCRO2Z7YC8ZY6NL1/White_image500_1.jpg April Weaver - White_image500_1.png (Copy) https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1724864887016-IKCOD2IN0F127GS2DZ3G/White_image500_1.jpg April Weaver - White_image500_1.png (Copy) https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/1724864899258-R7XJE2PDLEYUR0BXLFQL/White_image500_1.jpg April Weaver - White_image500_1.png (Copy) https://greenvisionstudio.org/danielle-dicoco daily 0.75 2024-08-28 https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/812098be-a351-4525-87b6-37308832720b/LL_AA4.jpeg Danielle DiCicco - A + A Building, Day 1 (Copy) https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/00bc9de3-7c7c-4b03-8311-0e3e3ec5e48d/LL_AA1.jpg Danielle DiCicco https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/5ebf1bad-82db-4f99-8f5e-a5b2587022d9/LL_AA3.jpeg Danielle DiCicco https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/6a89a4dd-fbb3-479e-95e9-ac9ab1f18666/LL_AA2.jpg Danielle DiCicco https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/617d51ed-5c11-4fd1-b5d8-899f2171e955/LL_HSS4.jpeg Danielle DiCicco - HSS Building, Day 1 (Copy) https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/ba91cfb3-fa3e-447f-9671-faa036c4a774/LL_HSS2.jpeg Danielle DiCicco https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/4d67487c-7c3d-4f65-a457-f5fa28b70d47/LL_HSS3.jpeg Danielle DiCicco https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/a2882855-783b-4209-93af-d7dae625e1f4/LL_HSS1.jpg Danielle DiCicco https://images.squarespace-cdn.com/content/v1/58a35fe8cd0f68dbeee6e610/9080af62-1ba9-42c7-973c-58821771814e/unsplash-image-l5Tzv1alcps.jpg Danielle DiCicco - 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